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What We Saw From The Cheap Seats CD

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Audio CD, CD, May 29, 2012
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Amazon's Regina Spektor Store


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Image of Regina Spektor


Since emerging on the NYC café circuit in 2001, this Russian-born, Bronx-bred artist has been hailed as a truly special talent. With an uninhibited imagination and acute sense of detail both in music and words, Regina Spektor has gone from practicing on an out of tune piano in the basement of her local synagogue to hypnotizing small crowds in NYC's lower East Side to selling out ... Read more in Amazon's Regina Spektor Store

Visit Amazon's Regina Spektor Store
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Frequently Bought Together

What We Saw From The Cheap Seats + Far [Vinyl] + Begin to Hope
Price for all three: $36.98

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Product Details

  • Audio CD (May 29, 2012)
  • Original Release Date: 2012
  • Number of Discs: 1
  • Format: CD
  • Label: Sire / Wea
  • ASIN: B007MDQW3W
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (107 customer reviews)
  • Amazon Best Sellers Rank: #7,147 in Music (See Top 100 in Music)

1. Small Town Moon
2. Oh Marcello
3. Don t Leave Me (Ne Me Quitte Pas)
4. Firewood
5. Patron Saint
6. How
7. All The Rowboats
8. Ballad Of A Politician
9. Open
10. The Party
11. Jessica

Editorial Reviews

What We Saw From The Cheap Seats was recorded over an eight week period during the summer of 2011 in Los Angeles. Spektor wrote each of the 11 tracks on the album. She arrived at the session with a collection of new compositions, but others were pulled from earlier periods. She and Elizondo fleshed out instrumentation and sought to make each of the songs stand alone sonically. Most of the songs were recorded live with Spektor on piano and vocals, while additional instrumentation was added to these original takes. Of working with Spektor, Elizondo says Regina Spektor is that rare artist that continues to surprise. Just when you think you have her figured out, she knocks you out with something completely different. It s that spirit that drives this record. Each song takes you on a journey that only Regina is capable of providing. She has truly outdone herself.

Spektor studied classical piano and garnered a loyal live following in New York before self- releasing two albums. Her breakthrough album, Soviet Kitsch, was released by Sire Records in 2004 followed by Begin to Hope in 2006. The album included worldwide fan favorites "Fidelity," "Samson," "On The Radio" and "Better" and is certified gold in the U.S. Spektor followed up with far (2009) and Live from London (2010), which was recorded at the Hammersmith Apollo Theater during the far tour.

Customer Reviews

I have listened to this CD at least 50 times non stop, I love it so much!
Regina Spektor has such a beautiful and unique voice, paired with her lyrics and piano, it makes for one wonderful album!
Amber Danforth
Fun and upbeat songs with interesting lyrics that I like to listen to again and again.
Heather Kelley

Most Helpful Customer Reviews

41 of 42 people found the following review helpful By T. A. Daniel TOP 1000 REVIEWER on May 29, 2012
Format: Audio CD Verified Purchase
Regina Spektor's last album, 2009's Far, found the singer-songwriter at her most accessible. This move seemed to put off long-time fans; Spektor's appeal before finding her way to VH1 was her offkilter songwriting. With WHAT WE SAW FROM THE CHEAP SEATS, Spektor has returned to the fun, strange songwriting that initially brought her into the spotlight. This album was produced by Mike Elizondo (who also worked on FAR): perhaps most well known for taking Fiona Apple's EXTRAORDINARY MACHINE and giving it a streamlined and focused spin.

WHAT WE SAW FROM THE CHEAP SEATS is hard to predict. Not only do songs range in tempo, tone, and mood from one song to the next, these shifts can happen mid-song (notably in the album opener "Small Town Moon.") Listeners can, however, expect the impulse-driven piano pop that mixes blends of genre, nonsense, and convention. The changes in style never feel like Spektor is aping a genre or playing the chameleon; instead, it feels as if Spektor's imagination is running wild in the studio. The result is an interesting, fun album.

The opening "Small Town Moon" begins as a conventional piano pop song, but it soon gives way to typical Spektor mannerisms (starts, stops, repetition, etc...) before ultimately opening up into a stomping chant of "Everybody not so nice, nice." It's hard to really describe it, but it's great fun to experience. "Oh Marcello" is similar in its unpredictability, ranging from wild falsettos to beatboxing from Spektor. This is followed by "Don't Leave Me (Ne Me Quitte Pas)," a song that incorporates hints of tropical music with horns and a Russian chorus.
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19 of 20 people found the following review helpful By Christopher D. Hardtke on May 30, 2012
Format: MP3 Music
"What We Saw" is an excellent continuation of Regina's unique approach to her craft. If you're a fan of her quirks and eccentricities, her guttural stops and starts are still here, although to a lesser extent than is found in the previous efforts "Far" and "Begin to Hope". The same could be said about her playfulness at the piano, which appears toned down (reined in?) here as the songs take on a more traditional structure. That's not to say that the songs are flat, each contains Regina's unique vocal delivery. Her vocal impressions (impersonations?) are still abundant. On "Far" Spektor infamously impersonated a dolphin, but on "What We Saw" she limits her impersonations to staccato percussion on "Oh Marcello" as well as on the frantic, rollicking "All the Rowboats". On "The Party", Spektor does her best impression of a trumpet.

There are several standouts, beginning with the album's opening track, "Small Town Moon", a song that sounds as if it would easily have been at home on her excellent "Begin to Hope" album, at least that is until the song changes tone and goes off in a new (and not unpleasant) direction 90 seconds in, before returning. Equally strong are "All the Rowboats", "Ballad of a Politician" and "Firewood", which wasn't originally a favorite of mine until one lyric really stood out. Many songs deal with aging/getting older, and the verse "You'll want to go back, You'll wish you were small, Nothing can slow the crying, You'll take the clock off of your wall, And you'll wish it was lying" certainly resonates, but it is a preceding line that really conjures up mental images, and it made me smile while listening to it: "Someday you'll wake up and feel a great pain, And you'll miss every toy you ever owned". Sweet, bittersweet and heartbreaking all at once.
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4 of 4 people found the following review helpful By Michael on June 15, 2012
Format: Audio CD
I've read some reviews saying that Regina Spektor's 2009 album, Far was her most accessible but I would argue that she has never sounded more radio friendly then on some of the songs on this album. I've enjoyed Regina's work since Soviet Kitsch and even though there are still some of the quirky songs on this album, I would say this is her most pop sounding record. Songs like "Don't Leve Me (Ne Me Quitte Pas)" and "Patron Saint" are the best examples of songs that could appeal to mainstream listeners but also on tracks such as "Firewood" and "How" are some of the most moving ballads that Regina has ever written and I would say could be hits with radio. Of course, there are still the strange and darker songs like "All The Rowboats" and "Open".

I've enjoyed all of Regina's work so far. She never dissapoints and is a gifted talent. This record shows how well she has grown into an amazing writer of more commercial songs but still stay true to her unique style which is equally amazing. I loved Begin To Hope and Far and this new record is another winner. It's only 36 mintues long but is worth every second. Well done Regina!
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6 of 7 people found the following review helpful By AP on December 1, 2012
Format: Audio CD
2.5 stars
album length: 37:18
11 songs.

It's catchy. It has a few single-quality songs...tidbits she's saved from the past that really have no place in this composition.

Besides that, there is very little to this album. It's below average by the standards she's set for herself.

There very little album composition. The soulful moments unique to Regina Spektor way we have come to love are mostly missing.

The producers succeeded in slapping together a few singles with some short, catchy filler to make an 11 song $11 album.

I don't like the direction you've taken Ms. Spektor.
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Most Recent Customer Reviews


Topic From this Discussion
Deluxe Version- Audio CD format
I remember reading somewhere that the deluxe edition was exclusive to iTunes but I can't remember where, and I could be wrong, but I do think that's the case.
May 21, 2012 by Tree_Hugger |  See all 3 posts
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