From Publishers Weekly
"I allow my imagination free play here," writes Lester in his introduction to this fresh interpretation of "How God Made the Butterflies," a creation tale he retold more traditionally in 1969 in Black Folktales. An African-American deity looks down with satisfaction on the world he has just created, seated in a lounge chair in his computer- equipped, heavenly digs. Enter Shaniqua, "the angel in charge of everybody's business," who announces: "I don't want to hurt your feelings or nothing like that, but what you made looks kind of boring." In an attempt to make his world less drab, God snips off the tops of trees to create grass and bushes and sings into being flowers of many colors. But the blooms are lonely. Since God is too hoarse, Shaniqua takes over to supply companions for the flowers, and her song causes the angels, stars and planets to cry tears of various hues, which turn into tiny, colorful butterflies. The banter between Lester's characters more than makes up for a few leaps in logic. Cepeda's (Gracias, the Thanksgiving Turkey) oil paintings, with their vivid palette and hip particulars (Shaniqua sports a beehive 'do, electric-blue evening dress, pointy-toed orange shoes and luminous green wings), bring a funky dimension to this playfully outlandish depiction of how the world came to be. Ages 4-7.
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 2-Lester and Cepeda depict a down-to-earth God to whom children can relate in this remarkable book. Pleased with his creation of the world, He is about to call it an early night. Then Shaniqua, "the angel in charge of everybody's business," bustles in with the observation that the green, brown, and blue planet looks kind of boring. God agrees, and a series of amazingly creative acts results in the making of flowers and butterflies. With the help of Bruce, God's personal assistant, and Shaniqua's helpful suggestions, the world becomes more colorful and beautiful, as does Heaven. Children will feel completely at home in the "great beyond" with its overstuffed chairs, vacuum cleaners, and framed photographs on the walls. Heaven's inhabitants are also very much like the people they know. (Everybody has at least one Shaniqua in the neighborhood.) The vibrant oil paintings are cartoonlike in style, with a quiet humor that reflects the playful text. The main characters are African American but there is great diversity among the "Hallelujah Angelic Choir." As in Patricia McKissack's Mirandy and Brother Wind (Knopf, 1988), the dialogue is in a casual dialect, making it seem even more approachable. Perhaps the most intriguing aspect of all is the way that God and the Heavenly community cooperate to get the job of Creation finished as perfectly as possible. While this is not your average Bible story, it is one that is not to be missed. It's unique, inspired, and truly cool.
Torrie Hodgson, Burlington Public Library, Copyright 1999 Reed Business Information, Inc.