From Publishers Weekly
German filmmaker Dorrie, author of Love, Pain and the Whole Damned Thing , is above all a detached observer of people. Adopting a nearly journalistic style, she uses these 16 stories to examine a sideshow assortment of displaced people who long for connections. In "What Do You Do When I'm Gone?" a woman who spies on her husband discovers him alone, dressed in her clothes, looking happy and "more beautiful" than herself. The protagonist of "I'm Sorry," a German woman who has brought her American boyfriend home to meet her mother, must act as interpreter between the two. She translates wildly, explaining Calvin's "I'd love to go for a walk" as "He likes your raspberry pudding," only to complain a few pages later that "No one believes anything I say." Dorrie's view of people is deeply ironic, weighted with a German sensibility that tinges relationships with a sense of despair and futility. There is a feeling of cold-eyed documentation here, akin to Diane Arbus's photographing of pathetic fat women in tiny apartments. It's not clear if Dorrie has any ambition for her characters to climb out of their various sloughs of despond and, much as the reader might admire Dorrie's adroitness, the bleakness, tempered only by pity (as opposed to empathy), makes this collection hard to enjoy.
Copyright 1991 Reed Business Information, Inc.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
This collection by the German director and author casts a twinkling, ironic eye on relations between the sexes. In these stories, chance is the catalyst that brings couples together. Dorrie's characters drift in and out of each other's lives, continually asking "What do you want from me?" as haphazard pairings are made (or broken off) in hotels and cafes and on street corners. Dorrie is especially effective when writing of the befuddled amusement that America arouses in visiting Europeans. Several tales satirizing the vacuities of Hollywood and environs are alone worth the price of the book. A film- maker's sensibility brightens Dorrie's sto-ries with pungently observed detail, and the briskly colloquial translation captures the author's empathy for the rueful banality of love gone awry. Recommended for fiction collections.
- Christine Stenstrom, New York Law Sch. Lib.
Copyright 1991 Reed Business Information, Inc.
- Christine Stenstrom, New York Law Sch. Lib.
Copyright 1991 Reed Business Information, Inc.
