One of the most endearing and frusterating things about Ben Folds (Five) is his (their) refusal to take things seriously. Ultimately, it resulted in a couple dreadful self-parodies (the title track of the otherwise excellent "Rockin' the Suburbs"), but on "Whatever and Ever Amen", there's a strong balance.
Thus, you have lighthearted pop ("Kate") mixed with heartbreaking ballads ("Brick"). Folds is a very talented piano player, and it's backed (on the rockier numbers) with Robert Sledge's amplified bass and Darren Jesse's solid drumming to give them a unique sound. It's like a giant blender full of Joe Jackson, Todd Rundgren, The Pixies, Beck, Weezer, XTC, Burt Bacharach, more.
On songs like "One Angry Dwarf.." and "Song For the Dumped", Folds' lyrics are spiked with bitterness and anger, yet he never feels *truly* pissed off when he sings lines such as "Give me my money back you bitch" (the chorus of the latter). Perhaps any anger is overshadowed by the delicious pop hooks.
Other highlights include the lush jazz of "Selfless, Cold and Composed", the New Orleans jazz-tinged playfulness of "Steven's Last Night in Town", the theatrical ballad "Missing the War", the insanely catchy pop of "Battle of Who Could Care Less", and the sophisticated-yet-silly "Fair".
In terms of writing catchy, engaging hooks, Folds is a master here. That's what makes "Whatever & Ever Amen" so memorable. Whether it's a humorous pop song or a melancholy ballad, everything is so hooky and infectious.