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The script by Buck Henry is full of little comic gems of lines. One of my favorites:
"Has anyone ever told you that you're very sexy?" "Well actually, no." "They never will."
Streisand is gorgeous with her long hair and tanned body. Ryan ONeal is very good as a bewildered musicologist. Streisand gets a great singing moment perched on top of a piano as she seduces ONeal with "As Time Goes By".
There are so many funny moments in this film: the chase through San Francisco, the courtroom scene at the end ("First there was this trouble between me and Hugh." ... "You and me? " .. "No, me and Hugh." ... "Stop that! Make him stop saying that! ") and of course, Streisand in the towel out the window.
This is truly a funny, madcap kind of old fashioned movie. I highly recommend it. Let's hope for a crystal clear DVD version that includes all of those hilarious Bogdonovich outtakes -- are you listening out there?
What? You want to know what the movie is about? Well it's about these four identical suitcases, and... oh, let's just let the main character put it in his own words:
"My name is Howard Bannister and I'm from Ames, Iowa. It all started when I bumped my head in the taxicab on my way in from the airport. I went to the drugstore for some aspirin and he tried to charge me for a radio because she said her husband would pay for it. But I didn't of course. Anyway, she ripped my jacket and then Eunice, my fiancé, came along. But she kept calling me Steve. Not my fiancé, my wife, or rather the one who isn't my wife.
"Well, anyway that night at the banquet she was there again and everyone was calling her Burnsy. That's short for Burns, Eunice's last name. But Eunice wasn't there. Burnsy was there. Or rather the one who isn't Burnsy. That night I went back to my room and she was there taking a bath. Well, Eunice walked in and the drapes caught fire and the room burned and they asked me to leave the hotel. I really don't blame them. Then today, Mr. Larabee asked me to come to his house and to bring my rocks and bring Eunice. Or, rather Burnsy, the one he thinks is Eunice. Is that clear?"
"No, but it's consistent.
... Read more ›This was director Peter Bogdanovich's second hit film in a row, following his marvelous THE LAST PICTURE SHOW. The next year he would make PAPER MOON, and for all intents and purposes he seemed to be the next great American director. But then for whatever reason his gifts seemed to desert him, and while he has occasionally reemerged with a decent film, he has never managed to reascend to the level of these three films. He has, however, managed to write a great deal of film criticism, along with one of the greatest collections of interviews with directors ever published. But in this film his direction was fine, and if the comedy towards the end sometimes seems less screwball than Keystone cops, I find it easy to forgive him.
I repeat that this is my favorite Barbra Streisand film.
... Read more ›This movie succeeds on multiple levels. The characters (especially Howard, the dazed, somewhat helpless musicologist; Eunice, his bossy fiancee; Judy Maxwell, the sweet interloper who attracts mayhem and chaos like a magnet) are amusing and well-portrayed. There is both silly visual slapstick AND brilliantly-written humorous dialogue. Comedy cliches like The Car Chase, The Pane Of Glass Crossing The Street, and people dodging in and out of rooms on a hallway are shamelessly invoked and then taken to a whole new level.
And let us not forget that Streisand is a singer! When Judy meets Howard (Ryan O'Neal) later in the film, with a piano conveniently nearby, and she launches into "You must remember this", (prompting Howard to wake up and play the changes, already) her "A siiiiiiiiiiigh, is just a sigh" is enough to melt the most cynical heart. And Streisand's rendition of "You're the Top" for the opening title is positively electric.
... Read more ›
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