Customer Reviews

Wheel of Time

5 star:		(5)
4 star:		(3)
3 star:		(3)
2 star:		(0)
1 star:		(0)

 

 

In 2002 Werner Herzog went to India to observe the festival of Kalachakra, the ritual that takes place every few years to allow Tibetan Buddhist monks to become ordained. An estimated 500,000 Buddhists attended the initiation at Bodh Gaya, the land where the Buddha is believed to have gained enlightenment. The resulting documentary, Wheel of Time, is not a typical Herzog film about manic eccentrics at odds with nature but an often sublime look at an endangered culture whose very way of life is threatened. Herzog admits that he knows little about Buddhism and we do not learn very much about it in the film, yet as we observe the rituals, the celebrations, and the devotion of Tibetan Buddhists we learn much about the richness of their tradition and their strength as a people.

The festival, which lasts ten days, arose out of the desire to create a strong positive bond for inner peace among a large number of people. The monks begin with chants, music, and mantra recitation to bless the site so that it will be conducive for creating the sand mandala. The magnificently beautiful mandala, which signifies the wheel of time, is carefully constructed at the start of the festival using fourteen different tints of colored sand, then dismantled at the end to dramatize the impermanence of all things. Once built, it is kept in a glass case for the duration of the proceedings so that it will not be disturbed. The most striking aspect of the film are the scenes showing the devotion of the participants. Using two interpreters, Herzog interviews a monk who took three and one-half years to reach the festival while doing prostrations on the 3000-mile journey.

The prostrations, which are similar to bowing and touching the ground, serve as a reminder that we cannot reach enlightenment without first dispelling arrogance and the affliction of pride. In this case, the monk has developed lesions on his hand and a wound on his forehead from touching the earth so many times, yet it hasn't dampened his spirit. Other Buddhists are shown trying to do 100,000 prostrations in six weeks in front of the tree under which the Buddha is supposed to have sat. Herzog introduces a moment of humor when he films a young child imitating the adults by doing his own prostrations but not quite getting the hang of it. In a sequence of rare beauty accompanied by transcendent Tibetan music, we see a Buddhist pilgrimage to worship at the foot of 22,000-foot Mount Kailash, a mountain that is considered in Buddhist and Hindu tradition to be the center of the universe.

The Dalai Lama explains wryly, however, that in reality each of us is truly the center of the universe. After waiting in long lines to witness the Dalai Lama conduct the main ceremony, the crowd is shocked into silence when he tells them that he is too ill to conduct the initiation and will have to wait until the next Kalachakra meeting in Graz, Austria in October. The Graz initiation ceremony is much smaller, however, being confined to a convention hall that can only fit 8000 people; however, everyone is grateful to see the Dalai Lama restored to health. In Austria, Herzog interviews a Tibetan monk who has just been released from a Chinese prison after serving a sentence of thirty-seven years for campaigning for a "Free Tibet". His ecstasy in greeting the Dalai Lama is ineffable. During the closing ceremony, the monks dismantle the Mandala, sweeping up the colored sands and the Dalai Lama releases the mixed sand to the river as a means of extending blessings to the world for peace and healing.

Herzog's mellifluous voice lends a measure of serenity to the proceedings and he seems to be a sympathetic if somewhat detached observer. While he makes every effort not to be intrusive, he cannot resist, however, staging a scene toward the end in which a bodyguard is seen presiding over an almost empty convention hall to illustrate the Buddhist concept of emptiness. Wheel of Time may not be Herzog's best work but it does contain moments of grace and images of spectacular beauty. Because of the destruction of their heritage, the Tibetans survive today mainly in the refugee camps of India. Any effort that promotes an understanding of their culture is very welcome and Wheel of Time provides us with an insight into an ancient tradition geared toward perfecting humanity through quieting the mind and cultivating compassion.

I like to watch most anything by the documentarian Werner Herzog, and Wheel of Time was no exception. This film finds him in Bodh Gaya, India, where tradition has it that the Buddha first found enlightenment 2,500 years ago under the bo tree. Every few years a half million Buddhist pilgrims travel to Bodh Gaya for a sacred rite convened by the Dalai Lama called the Kalachakra ("Wheel of Time"). The pilgrims come from near and far, many by foot, making prostrations the length of the body the entire trip. One monk from Tibet took three years to travel the 3,000 miles, genuflecting the entire way. Others will make 100,000 of these prostrations once they arrive, a rite that takes six weeks. Central to the series of religious activities is a "mandala" or sculpture made of colored sands that the monks craft from a large stencil. The intricate work of art is destroyed after the rites, the sand returned to the earth, a symbol that all is transitory. In one scene the pilgrims circumambulate the 25 mile base of Mount Kailash (22,000 feet). Wheel of Time has less narration than other Herzog documentaries, leaving you to wonder what some of the throngs of worshippers are doing. Herzog is also much more circumspect with his typical critique. But the combination of color, scenery, history, religion, culture, and language make this a very good if not great film.

A documentary in three parts: the Kalachakra Mandala Initiation in January 2002 for 500,000 pilgrims and monks at Bodh Gaya, India where the Buddha attained enlightenment; a visit to the Saga Dawa festival at Mount Kailash in Tibet; and the Kalachakra Mandala Initiation for 8,000 people at Graz, Austria in October 2002.

The Bodh Gaya initiation was postponed to 2003 because the Dalai Lama was sick. The film shows the grounds of Bodh Gaya, the pilgrims and monks, the making of the sand mandala, and the feeding of such a large number of people.

Mount Kailash is perceived to be a mandala by Buddhists, Hindus, and Bons. This portion of the film starts with the pilgrims arriving on open-backed trucks and prostrating when they see Kailash for the first time. It follows the pilgrims to the Saga Dawa festival with the raising of the Tarboche pole. It concludes with the Kailash kora to the north face of Kailash, some of the pilgrims prostrating the whole way.

The Dalai Lama does preside over the Graz Kalachakra initiation. The film shows the monks creating the sand mandala and the Dalai Lama destroying the mandala at the end of the initiation, signifying impermanence. In addition, Mattieu Ricard interviews Takna Jigme Sangpo, an old Tibetan who had just been released by the Chinese after 32 years in prison, mostly for shouting Free Tibet.

I really liked the Kailash and Graz portions of the film - short, tight, and well filmed. I especially liked the interview of Takna Jigme Sangpo - he is so kind, warm-hearted and positive for somebody persecuted by the Chinese for so long. I think the The Bodh Gaya portion of the film was too long, and focuses too much on the background of the initiation. The close ups of the faces of the monks and pilgrims visually tell the story of their devotion.

German filmmaker Werner Herzog as usual is exceptional at film and captures everyday life of Buddhists on their pilgrimage to Bhod Gaya. We concentrate on the 12 day Kalachakra initiation. For those familiar with Buddha you recognize Bhod Gaya as the location where the Buddha attained enlightenment.

There is great background music much of it sounds a little more Hindu. However, we do hear some well-known chants. Occasionally there is conversation with His Holiness, the Dalai Lama. In addition, get a glimpse of a few people mugging for the camera.

All in all this film is worth watching but does not give any real insight or surprises.



Little Buddha

This is a video about the Kalachakra Mandala. Very helpful for those trying to start a Kalachakra practice. Definitely amazing for those who don't know anything about the subject or "think" they know.
This is the real thing.
Very nice.

Wonderful documentary filled with visuals and simple explications about Buddhism , the Dali Lama , devotees including an insight to the people of faith that are not ordained.

This is a stunning film with unadorned footage of Buddhist monks ... the film speaks for itself and cinematography is of the best quality.

As many other Herzog's films, the WOT looks deceptively content less, with a narrative that is descriptive in the simplest possible way, but never explanatory - nor (and that is fascinating in itself) comprehending of what it sees. The narrator knows that he is nothing but a mendicant observer yet somewhere deep inside one can sense his awareness of the privilege inherent in witnessing scenes of great power, profoundness, depth as well as simplicity.

This is not a "movie" as much as a random yet exquisitely arranged collection of scintillating time points.It takes a bit of a mental switch to notice the colors, the sparse beauty of images - of the lake, the mountain, the people, the fluttering butter lamps, the birds about to be released into freedom, the inner beauty of the man imprisoned for 37 years by Chinee occupators for having shouted "Free Tibet"....

To me, WOT shows the awe-inspiring sincerity of Tibetan Buddhist beliefs and the beauty of the people who espouse them. Every single face, no matter how weather-beaten, old, ragged - was filled with an immense beauty that reflects a deep connection to earth and spirit. With real life, life that I could feel for hours after I switched off the TV set. In other words, this is work made by a master film-maker.

Caveat: the camera often feels irritatingly intrusive as it forces itself into faces of simple nomads and pilgrims. This Teutonic lack of tact often made me cringe. Illiterate Tibetan peasants seemed more civilized and refined than the inquisitive Teutons disturbing their meditations, prostrations or lunches with their in-your-face camera technique.

just to watch those faces, however, made me happy.

I love anything that has to do with sand mandalas and buddhism. Mandalas are complex to explain but their creation as well as their destruction is a fascinating aspect of the impermanence of things. The DVD presents the audience the oportunity to dive into this rare and mystical expression of art. I personally love it and collect all related to tibetan buddhism.

First of all, this is one of the poorest, most amateurish documentaries I have ever seen made by a so called "professional" film maker.

Why would you choose someone without a command of the English language to narrate in English? Sometimes it is difficult to understand what he is saying. Ridiculous!

Then, when there should be narration, there is none, so you have no idea what is going on or why.

Then, too, it is shot like a home movie, with bad camera work at times and bad editing.

That said, I still rated it 3 stars just because it offers a glimpse into a massive gathering of Buddhists on the planet, presided over by the Dalai Lama. So if you like to be a fly on the wall, if you are a "people watcher", you will find this interesting. And we do get some good interviews with people who, for example, travel on foot 3000 miles, prostrating themselves to the Buddha every few feet along the way until they get sores on their hands and feet and forehead from bowing down to the ground so many times. And we see many others walking along in the same manner, coming from many miles away.

I am a student of Buddhism and practice Buddhist meditation, and I would like to point out that this documentary depicts TIBETAN Buddhism. While this is a major form of Buddhism it is not the ONLY Buddhism, and in fact, in my humble opinion it is not what was originally taught by the Buddha. Tibetan Buddhism to me seems to be filled with superstition and ritual, 2 things the Buddha actually warned against.

That said, this is an interesting movie if you have an interest in Buddhism, particularly Tibetan Buddhism. But you have to bring your own enthusiam to the movie because the director, Herzog, brought little to the table.