77 of 84 people found the following review helpful:
5.0 out of 5 stars
Stunning In Its Simplicity, January 18, 2003
This review is from: When the Emperor Was Divine (Hardcover)
When people--any people--cease to be seen as individuals, they become "them"--the faceless, nameless "enemy." In this exquisite short novel, a shameful episode of American history is re-examined--the internment of Japanese-Americans during World War II. It was a time when everyone of Japanese descent was somehow "them"--the enemy. And in becoming "the enemy" they lose much of what it means to be human.
The tiny family--mother, son, daughter--is devastated when their father is suddenly taken away in his robe and slippers, suspected of who knows what. A few months later they are forced to give up everything and move to a dusty prison camp somewhere in Utah.
After more than three years they return home, changed and traumatized. Eventually they are reunited with the father, but he too is changed, a broken shadow of himself.
The story is told in eloquent, simple, spare prose, in small but telling details, in the fragmented but powerful insights of the two children and their mother. It is never over-stated, never sentimental, yet it will bring you to tears.
The book concludes with a short but powerful epilogue, a fierce and powerful essay on what it means for anyone to be "them," to be "the enemy."
This is a painful book, but it is important for you to read it. I cannot recommend it too strongly. Reviewed by Louis N. Gruber.
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26 of 26 people found the following review helpful:
5.0 out of 5 stars
Don't miss out, September 30, 2002
By A Customer
This review is from: When the Emperor Was Divine (Hardcover)
The day I received this book I read the first few pages, canceled my plans for the night and allowed myself to be taken by this book without any effort. "When the Emperor Was Divine" follows a Japanese-American family in 1942 as they are taken from their California stucco house to an internment camp in Topaz, Utah. Having months earlier watched their father be sent away to a camp ''for dangerous enemy aliens'', the mother, daughter and son are left to speculate their own fate. Plunged in to a world where mess halls are to be called "dining halls" evacuees are to be called "residents" and the word freedom exists only outside the barbed-wire fence, each spends their time fantasizing over the reunion with their father. Although you never learn the names of any of the main characters you learn their grief and you will value the impact of the line "now he'll always be thirsty" and how it took my breath away. Even if up until that point you are not as convinced, the last three pages alone are enough to guarantee that you will be suggesting this book as soon as you close it.
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95 of 108 people found the following review helpful:
1.0 out of 5 stars
sansei1, September 17, 2006
I had mixed feelings about this book before I read it. The title is NOT how most JA immigrants felt about the emperor of Japan. There was generally no love lost. Most, like my grandparents, left because of poverty, conscription, alienation, and to look for better oportunites in America, lika a lot of other immigrants. While reading the book, I give her kudos for her ability to describe events visually well. BUT...there are many problems with this book. There is this sterility in the manner in which she describes events.She can manage to paint a visually stunning picture with her words but there is no substance. Her characters seem as if she studied them from a textbook. A Nisei (second generation) young girl would NEVER talk in the manner in which she writes, to an elder!!! Its almost like she had Dakota Fanning in mind for this character. And the father character, an Issei (first generation)....Issei's used to swallow their pain. The Issei are known for their stoic strength and "gaman", quiet strength amidst adversity. I felt isulted by his mental confession in the book. I went to see the author at a local library and she did confess she NEVER interviewed ANY living internees. My god...they are dying off and she doesn't interview them? She said she wanted a more "pure" viewpoint. She said she did study books for her historical references. Indeed, there are some references in the book which I'm not quite sure if it is plagiarism, like in the description of the flies bothering her characters and then when they put up screens, it gets better. See Mine Okubo's book Citizen 13660, which Otsuka does reference. That scene is in there. I can see where the sterility feeling I got came from---if she only studied books and didn't get a feel for the emotional aspect that is buried in a lot of interness...she only did her homework half-baked.There are SO many heartbreaking stories that are dying and being buried with the internees. She confessed she didn't really listen when her parents and grandparents talked about it and they would shut up when she'd come around. But she said she didn't really ask them either, only marginally later. What IS her interest here? A book bestseller to be touted among the Asian community? I didn't really get from her interviewed she cared deeply for what happened, it was just a good base for her story. My parents told me everything and I am grateful. I am insulted by this book. It is like looking at a painting of a pretty scene but the artist who created didn't really care about anything but rendering a pretty scene. I was fairly disgusted by the time I left the interview from the library.
She's a grad of Columbia? She needs to study more. This is a great book if you think Snow Falling on Cedars is wonderful.
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