From Publishers Weekly
A dramatic true event turns pallid in this unconvincing first novel set at the close of WWII. Living on a Dutch farm with Mama and Papa, Henk has rejoiced with them at the defeat of the "bad soldiers"?but his whole world turns upside-down when "Mama and Papa" tell him that they are not in fact his parents. Henk's real name, which he has forgotten, is Benjamin, and his real father and mother are David and Elsbet, Jews who have survived the war in hiding. The boy's reunion with his parents and his transformation from Henk to Benjamin should be exciting subjects, but the characterizations are so pat as to flatten the material. In attempting to narrate from Henk/Benjamin's perspective, Propp relies on artificial-sounding interior monologues with lots of wide-eyed questions: "It wouldn't be proper to call [David and Elsbet] by their first names. What should I call them, he asked himself. How do I know they are really my parents as they say they are?" The dangers of the war, revealed in flashbacks and through Elsbet's conversations with her son, never take on immediacy. Middle-graders interested in a more authentic treatment of problems Dutch Jewish children faced in coming out of hiding after the war should see Ida Vos's novels Hide and Seek and Anna Is Still Here. Ages 10-up.
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 4-6?An uncomplicated account of a boy's readjustment after World War II in Holland. Eight-year-old Henk is stunned when he discovers that the family he has been living with are not his blood relatives. After being reunited with his biological parents, who are Jewish, Henk learns that his name is really Benjamin Van Sorg and that he was sent to live with a Christian family during the war. As he slowly adjusts to his new life and identity, memories from his early childhood gradually return, including the yellow star on his coat and a frightening encounter with a Nazi soldier. At the end of the book, when he and his parents return to their house, the place seems familiar and welcoming, and he finally feels that he is home. Propp's use of simple language helps the story flow smoothly. The author creates and sustains a mood that coincides with the readjustment phase that takes place after a trauma. Historical facts are successfully integrated into the narrative, and Henk's first-person telling makes the effects of the war tangible to readers. When the Soldiers Were Gone rates highly among other stories about the period, such as Jane Yolen's more sophisticated The Devil's Arithmetic (Viking, 1988) and David Adler's Hilde & Eli (Holiday, 1994). A moving, well-written novel.?Adrian Renee Stevens, Beaver Creek School, West Jefferson, NC
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.