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When We Were Romans
 
 
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When We Were Romans [Import] [Paperback]

Matthew Kneale (Author)
3.8 out of 5 stars  See all reviews (27 customer reviews)


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Paperback, Import, August 11, 2009 --  

Book Description

August 11, 2009
Nine-year-old Lawrence is the man in his family. He carefully watches over his willful little sister, Jemima, and his mother, Hannah. When Hannah becomes convinced that their estranged father is stalking them, the family flees London and heads for Rome, where Hannah lived happily as a young woman. For Lawrence, fascinated by stories of popes and emperors, Rome is an adventure. Though they are short of money, and move from home to home, staying with his mother’s old friends, little by little their new life seems to be taking shape. But the trouble that brought them to Italy will not quite leave them in peace.

Narrated in Lawrence’s perfectly rendered voice, When We Were Romans powerfully evokes the emotions and confusions of childhood — the triumphs, the jealousies, the fears, and the love. Even as everything he understands is turned upside down, Lawrence remains determined to keep his family together, viewing the world from a perspective that is at once endearingly innocent and preternaturally wise.

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Editorial Reviews

From School Library Journal

Adult/High School—For teens with a taste for sad, morose stories in which adults abandon their responsibilities and a child takes them on, Romans will be a welcome addition to the canon. Lawrence is a nine-year-old whose mother, Hanna, has convinced him and his younger sister, Jemima, that their estranged father is poisoning their food, turning the neighbors against them, and stalking them. To escape his alleged behavior, she takes them from London to Rome, a city she knew as a young single woman. Hanna often experiences "blackouts"—she sits and stares, refusing to move or participate in daily activities. Life in Rome is initially better: Hanna's friends from the past come to her aid in finding housing and a job. But things soon deteriorate and Hanna once again relies on Lawrence to act as the adult. Lawrence's feelings are symbolized through the scientific and historic facts he reveals throughout his narrative. Things are never happy for him, and the family is never able to achieve contentment or find peace. Some teens will find this state of explained sadness cathartic.—Joanne Ligamari, Twin Rivers United School District, Sacramento, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Review

Selected as one of the "Best Books of 2008" by The Washington Post Book World and The Boston Globe!

"Like Scout in To Kill a Mockingbird and Christopher in The Curious Incident of the Dog in the Night-time, young Lawrence brings readers into his world, powerfully connecting us to the drama of his childhood.”
–Pat Conroy, author of The Prince of Tides and Beach Music

“I fell in love with Lawrence, an unusually touching and convincing child protagonist. Kneale’s astonishingly observant, humane writing is heartbreaking.”
–Charlotte Mendelson, author of When We Were Bad

“Think of the delicate balancing act involved in creating a child narrator–a 9-year-old, say, with a single mother and a baby sister. The boy has to be cute, of course, and also wise in unexpected ways, fragile, protective, funny, solemn and, well, childlike. Matthew Kneale achieves all that brilliantly in When We Were Romans, then gives it another turn of the screw.... [T]he scary truth…is that it’s our valiant young narrator who needs protecting.”
–The New York Observer

“How much Lawrence understands of his family’s tribulations is the book’s central, poignant mystery; the consummate artistry with which Kneale captures this child’s voice, its chief pleasure.”
–Entertainment Weekly

“The journey through Lawrence’s complex mind is touching and delightful, mostly because he is such an unswerving authentic little boy…. His voice is a voice to remember.”
–The Seattle Times

“If you enjoyed The Curious Incident of the Dog in the Night Time, definitely pick up When We Were Romans. It will make you thank God for children in a world made absurd by adults.”
–St. Petersbusrg Times

“Irreverent and ingeious.”
-The Boston Globe

“There have been plenty of coming-of-age stories that pit a child’s innocence against the inexorable force of a parent’s insanity, but perhaps none that has captured the tension, confusion and ultimate loss of that innocence any better than When We Were Romans.”
–Bookpage

“Lawrence is a narrator extraordinaire.”
–The Christian Science Monitor

“Matthew Kneale is an extraordinary British writer whose new novel is easy to admire because of its artistry…. The quality that sets Kneale apart is his talent for impersonation…. As Lawrence describes it, [his and his mum's] 'adventure' is an attempt to flee the vaguely articulated menace posed by Lawrence's estranged father…. Their enemies might be real or they might be imagined, but what's absolutely true for Lawrence is his unshakable belief in the conspiracy of his and his mother's love. 'Conspire' means 'to breathe together,' and so he does with Mum, and so we do with him.”
-Washington Post Book World

“This is the novel that Patrick McCabe’s over-praised the Butcher Boy ought to have been, redeemed by Kneale’s sure-handed restraint. One of the best explorations of a child’s mind and heart in recent fiction, and its talented author’s best book yet.”
–Kirkus Reviews (starred review)

“Kneale, who won the Whitbread for English Passengers, returns with a tale narrated by fiery, precocious, pitch-perfect Lawrence, who at nine years old struggles with being at once a normal kid and, with his parents’ estrangement, the man of the house.... As small incongruities pile up between what Lawrence sees and how he interprets what happens to him, the family’s hurtlings across Europe and the city take on a shattered poignancy.”
–Publishers Weekly (starred review)

“[A] haunting story of a family in disintegration.... Kneale has created a marvelously engaging and believable voice for Lawrence, whose account is at once heartbreaking and humorous.... Idiosyncratic, original, and altogether memorable.”
–Booklist (starred review)

“This narrative is heartbreakingly moving.... Full of restraint and artistic integrity, this is a poignant, haunting and lovely novel.”
–The Guardian

“[Lawrence] is the literary first cousin of Roddy Doyle’s Paddy Clarke.... The heartbreak and triumph of When We Were Romans is that little Lawrence is the real thing.”
–Literary Review

“Matthew Kneale’s lovely novel...is narrated by Lawrence with insight, humour and sweetly erratic spelling: it halts and splutters in rhythm with the children’s whims and tantrums.... The author has got inside a young, over-burdened mind with convincing accuracy.”
–Financial Times

“Kneale creates an extraordinary tension.... The combination of insight and innocence Kneale gives Lawrence is powerfully affecting.”
–Sunday Times

"Kneale has succeeded.... Lawrence has real presence and his situation is entirely believable."
–Daily Telegraph

“A skilful, humorous and touching novel about the way a child interprets the world.”
–Daily Mail

“The strength of Kneale’s novel is not suspense but Lawrence’s delicate sensibility.... Lawrence’s touchingly ingenuous language, his tetchy irritation with his baby sister and his beleaguered optimism make him a genuinely affecting protagonist.”
–Independent

“Substantial and engaging…With consummate subtlety and sympathy, Kneale finds metaphorical hinges between the family’s unfolding story and Lawrence’s two intellectual interests — Roman emperors and astronomy.”
–The Times

“A consistently absorbing read, the work of a craftsman.”
–Sunday Telegraph

“Laurence’s skilful maneuvering in a tricksy adult world is artfully depicted. His guileless voice only exacerbates the sense of dread, while its deceptive simplicity hides a chilling exploration of mental illness and maternal neglect.”
–New Statesman

“The compelling and disturbing portrayal of a child’s attempt to make sense of his mother’s mental illness.”
–Daily Express


From the Hardcover edition.

Product Details

  • Paperback: 240 pages
  • Publisher: Anchor Canada (August 11, 2009)
  • Language: English
  • ISBN-10: 0385667787
  • ISBN-13: 978-0385667784
  • Product Dimensions: 8 x 5.1 x 0.8 inches
  • Shipping Weight: 9.6 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (27 customer reviews)

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Customer Reviews

27 Reviews
5 star:
 (8)
4 star:
 (9)
3 star:
 (7)
2 star:
 (2)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (27 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

7 of 9 people found the following review helpful:
5.0 out of 5 stars Overwhelmingly true and touching, August 31, 2008
When his mother decides to pack the family up to go to Rome, nine-year-old Lawrence isn't sure what to think. All he knows is that suddenly, his father is everywhere, out to get them, and they have to get away. He watches as his mother sinks into mental illness on their exodus, observing all with the sometimes innocent, sometimes surprisingly wise voice of a child. Intertwined with his story are his descriptions of his various interests, like the Solar System and some of the popes.

I loved this book. I've since learned that my feelings aren't universally felt, and I suspect I know why. Lawrence felt like me. How hard is it to grow up with mental illness in your family? Only those of us who have experienced it think about it, just as with any other familial problem. His struggles spoke to me, his thoughts echoed mine when I was around his age - honestly, it was eerie, but I was so moved. I also liked that it was written in his child's voice. As I was reading it, I was sucked in and totally believed in this character. Matthew Kneale never slips out of Lawrence's voice and it's easy to sink in and fall in love with him as his reactions echo that of every child.

I wasn't bothered by the spelling errors or the run-on grammar; I took it as an echo of Lawrence's thoughts, as if we were inside his head or he was telling us the story. It didn't bother me when he spelled names wrong or the new words he was learning were spelled phonetically. I was willing to accept it as the voice of a child, and I think that's where people have trouble with this book, because they're not willing to do the same. They get stuck on "Franseen" and Lawrence's run-on sentences and can't fall into the illusion. I think this writing style actually made the book stronger because I can just barely remember when my thoughts were like that, too, although I can't say I had Lawrence's spelling issues.

I think what moved me most is his relationship with his sister Jemima. I remember feeling very similarly towards my brother, and of course now everything like that is tinged with the edge of my grief. You pull together in such circumstances, even if you fight the rest of the time. And that's not to mention the end, which made me cry and just felt so true. I even liked Lawrence's historical and scientific tangents; it gave us a deeper edge into his personality and related his situation to the wider world, like he was expressing his feelings in a different way.

In essence, I unequivocally loved this book. I'm planning on emailing the author just to tell him how incredibly amazing I think it is. I think you should read it, too, but only if you're willing to suspend disbelief and accept Lawrence's story. Otherwise, the spelling and grammar will drive you crazy. In the end, this is an extremely accurate (take it from me, it really is) and moving picture from the head of a child whose mother has a mental illness and who tries to adapt in any way he can.
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8 of 11 people found the following review helpful:
3.0 out of 5 stars Fancy wrapping, nothing much inside, August 12, 2008
By 
The salient feature of the novel is that it is told in the first-person voice of a nine-year-old boy, Lawrence, complete with grammatical and spelling errors. The gimmick was more annoying than anything else. I have no problem with telling the story through the filter of childhood, and using a stream-of-consciousness type voice along with the misunderstandings and mistakes common to children, but Lawrence's spelling seemed to contribute little to that filter and was, instead, highly distracting. Within a single paragraph a woman's name was spelled "Hilary," "Hillary," and "Hilery"--even a nine-year-old shouldn't be that indecisive, and it almost makes it seem as though Kneale can't remember exactly which misspelt variants Lawrence was supposed to be using (I doubt this was actually the case, but the conceit failed for this reader). (Sidebar: helpful hint to American readers--Kneale, and thus Lawrence, are non-rhotic speakers of English. This means whenever Lawrence spells something with "er" at the end, it means an "uh" sound, e.g., "Persher" is "Persia.")

Hannah, Lawrence's mother, decides to run away with her children to Rome, where she lived as a young woman and met their father, the man she is now trying to escape. The family moves from flat to flat as they wear out their welcome with Hannah's old friends until finally they find a place of their own. Through Lawrence's eyes we can see that things are not quite what they seem, though he is largely oblivious to the fact, and his mother is paranoid rather than pursued. For a time he begins to have doubts about his mother's fears, but she manages to convince him once again that her ex-husband is trying to kill the three of them. Lawrence then suggests what could be a permanent solution to their problem.

By the time the family makes the drive back from Rome to Edinburgh, Lawrence has been completely won over by his mother's cause, which makes the family's inevitable departure from fantasyland much more difficult. In fact, it is this ending to the story that caused the most problems for me. The entire novel is narrated by Lawrence in such a way that it must have been "written" by him after the events are over--there is no indication that it's a diary or that he's not looking back from after the fact. But nowhere does he show that he's grown at all, or learned anything, or even reflected for more than thirty seconds on any of the events or anything he's done. At the very end he undergoes a bit of a "transformation," only not, because he's pretty much unchanged.

I'm not sure if this is supposed to just be a reflection of the fact that he's still a small boy and not ready for the emotional toll of everything that's happened to him. But that makes him an unusually un-precocious child narrator. Maybe this is supposed to make the tale more poignant, but I just found myself wondering what the point of slogging through Lawrence's annoying thoughts and orthography was if even he wasn't going to learn from his own story.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Heartwarming, touching, and true to life, July 22, 2009
I was very moved and touched by this book and love the way the story was constructed. We followed the story along with Lawrence, the main character. We found out what was happening as he did, and while there was some foreshadowing - enough to make us, as adults, realize a little more what was going on - we were still kept in suspense almost to the end.

It was very heartwarming, and I just wanted to take care of Lawrence and make all the trouble go away for him. I loved the characters and I loved the way the story was put together.

Very highly recommended.
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