From Publishers Weekly
In a breathless, exclamation-point-filled narrative, Strauss (Coyote Stories for Children) introduces Sibu the creator, who can't determine what crucial element is missing from his newly fashioned world. He wants to ask his friend Thunder for advice, but can't get Thunder's attention until he creates Sea, the first woman, whom Thunder takes as his wife. Sea "became full with child" and, as a result of defying the orders of both Sibu and Thunder, her walking stick turns into a venomous snake that bites her. However, before she dies, her belly bursts open; she sprouts a "magnificent tree," which then releases "all the waters of the world" and makes Sibu's world "complete at last." As a read-aloud, Strauss's frequent use of alliteration and onomatopoeic sounds (as those uttered by Thunder), together with Acosta's electrically hued paintings, may catch readers' attention, but the meandering, confusing story line will leave questions hovering at the book's conclusion. Ages 4-8.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 3-This creation story from the Cabecar and Bribri people of Costa Rica explains the connection between trees and water. Sibu has created the world, but he feels that something is missing. He wants help from Thunder, but cannot seem to get his attention. So Sibu creates the first woman and names her Sea. The minute Thunder sees her, he asks her to be his wife. After she is bitten by a snake and falls into a deep sleep, Thunder and Sibu lovingly wrap her in a bundle of leaves. Eventually she turns into a tree, and then bursts open to spill out all of the waters of the world-the missing element. Strauss is a storyteller and her colloquial, rhythmic narrative just begs to be read or told aloud. The vivid acrylic illustrations make the most of strong shapes, swirling brush strokes, and clean blocks of color to create a primitive style emboldened by a sense of movement, perfect for a myth about making and doing. The page layout is excellent, with spiraled, scriptlike print balancing and enhancing the kinetic look of the artwork. Put forward by the author as a "...poetic [image] of science," this could be used in conjunction with factual books on the rainforest, as well as with other Latin American folktales such as Lois Ehlert's Moon Rope/Un lazo a la luna (1992) and Cuckoo/Cucu (1997, both Harcourt), which also serve to explain natural phenomena.
Ann Welton, Terminal Park Elementary School, Auburn, WACopyright 1998 Reed Business Information, Inc.