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OK, I'll be honest. _Where The Girls Are_ is also a first-rate introduction by example to the field of media studies, a brilliant defense of feminism, a scathingly funny critique of American broadcast journalism and an insightful exploration of the complex ways that girls and women relate to the steady stream of female images they're fed by the mass media. But if I led with that paragraph, the book wouldn't sound like it was any fun at all. And it *is* fun. Oh, my, is it fun.
Susan Douglas starts from the idea that, although her experiences and those of her friends (white, middle-class, suburban, straight, Baby-Boom-era women) aren't universal, they *can* be used to illustrate larger truths about how people relate to the mass media. She proceeds, for 300 pages, to do just that. Her analyses are always sharp (you will *never* look at "Charlie's Angels" the same way again), and her prose is as far from academic-ese as you can get: funny, pointed, and (when the subject warrants it) wrath-of-God angry at some of the manifest injustices she describes.
Read this book. Even if you're not part of the Baby Boom generation. Even if you're not a woman. Trust me.
Because women have been historically consigned to the private sphere of home and hearth, the idea that our tv and mass media images can alter society is a riveting idea. Douglas then backs up this thesis with an admirable amount of intensive research and personal recollection that travels from Gracie Allen to Northern Exposure.
Although the book was primarily intended for babyboom women's culture, I am old enough to remember the rise of the superwoman as personified in Wonder Woman and Charlie's Angels and how this new genere was designed for both male tittilation and female admiration. Meanwhile, myself and other first graders loved the show because people who looked like us (hopefully when we were older) were the center stars of the show.
While I am now eagerly awaiting a revised and expanded edition with chapters on Buffy, Xena and Charmed, the book still provides an excellent example of the un-ending struggle between feminist and anti-feminist influences in the American mass media. No self-respecting feminist of any age ought to be without this awesome and well-researched tome.