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Given Mel's conservationist bent and her father's expoitative one--not to mention the usual family baggage--it's no surprise that these two are antagonists. There are also Oedipal fireworks galore, as the two younger men alternately resist and succumb to Dudley's long-distance manipulations. But more to the point, Where the Sea Used to Be is a novel about clashing obsessions: personal, spiritual, and environmental. Occasionally this works to the story's detriment, as one character after another speechifies on behalf of his or her bête noir. (The author, too, is guilty on this count, having inserted a number of italicized lectures into the text.) But despite this flaw, and the sometimes creaky machinery of the plot, Where the Sea Used to Be offers an abundance of riches--not the least of them being Bass's patented, time-lapse lyricism: "The moose walked off into the trees--disappeared into the branchy whispers of fir, pine, and spruce, fitting back into the woods like an arrow passing between two ribs. A mist of snow trickled from one of the branches where the moose had gone--it caught the moonlight and glittered as it fell--and then there was no sign. The woods sealed back in around her." Nobody is more persuasive when it comes to describing a place, along with the animals--human and otherwise--who occupy it.
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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
4.0 out of 5 stars
A big rich book to savor,
This review is from: Where the Sea Used to Be (Hardcover)
Rick Bass has pulled off a masterpiece in his first novel about man or machine versus nature. The story operates on two levels - the contest between four central characters - a sort of King Lear and his daughters, except in this case one daughter and two proteges who are stand-ins for sons, geologists/oil drillers/naturalists. The other level is the backdrop of Big Sky country, Montana. The book is also big, long, and challenging, and sometimes hard to get your mind around. For those who want their stories in small doses and to get to the point fast, this book is not for you. It demands a leisurely pace, which makes even I who am a patient reader sometimes squirm. The only flaw with regard to length are some of the Dudley passages on the formation of the earch, which form a story within a story. A lot of that I think could have been trimmed back. Some if it, and especially, Dudley's personal story is integral to the novel. Yet, you will do yourself a disservice if you skip over the lush and lengthy descriptions of the main story. There is a reason for it. The setting and the characters are intertwined. The setting shapes the characters and the characters shape the setting. Could Bass or someone else have a written a shorter book on the same topic? Probably, but the effect would have been lost. Some say it is pretentious. I disagree. This is a book of magnitude and scale, in other words, an epic and it needs size. To use an overworked metaphor, I believe the story has to brew likely good coffee or decant like fine wine. The story is ultimately satisfying on all levels if you allow it.
14 of 18 people found the following review helpful:
2.0 out of 5 stars
Brrrr,
By nancy mccarthy (Boynton Beach, Florida) - See all my reviews
This review is from: Where the Sea Used to Be (Hardcover)
I have never known people to moan endlessly in their sleep night after night. Nor, have I ever known people to lose consciousness for weeks at a time in a depressive slumber. And, I have never met a man who would haplessly give up all wordly conveniences to live in a frozen tundra with another man's lover all for an overly possessive boss. O'kay, so maybe I have never been a wolf tracker in Northwest Montana in dead winter or a driven geologist, but still... Rick Bass' novel is an ambitious saga about an uncoventional love triangle, well actually its a square between naturalist daughter, possessive tycoon father, and two (2) young geologists in pursuit of fossil fuel in the remote parts of Montana. The scenery is painted very beautifully by Bass and particularly interesting, is his portrayal of the town casket carver, weaving wonderful metaphors between the animals decorating the tombs and the townspeople for whom they are built. Unfortunately, Bass' rich descriptions of the Montana winter are not nearly as convincing as the psychology that plays out between the characters. We just never really understand what drives these people except perhaps for Old Dudley(the seminal capitalist), whose primal need is to control everything in his grubby path. Mel, Old Dudley's daughter, is portrayed as an eminently rugged woman content to follow her life's work of tracking wolves. However, this same strong willed individual takes in her father's proteges without thought and argument allowing them to complicate her simple life. It just isnt believable. The cold these people endure day in and day out is just not believable. In short, the characters and their lives, are just not believable. Perhaps raw poetry would better suit this author, paint me a rich snowy landscape not an empty protagonist.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
So vivid!,
By Wes "Wes" (SE Ohio) - See all my reviews
This review is from: Where the Sea Used to Be (Paperback)
As someone obsessed with the mountains and mountain culture, I simply can not get enough of the nature writings of Rick Bass, especially "Where the sea used to be." The geological terminology that peppers the book and the premise of protecting the Yaak from drilling makes the story much more understandable and interesting to me, as a petroleum engineering student. No matter what one's perspective is regarding environmental policy, the attatchment to The Valley that Bass imbeds in every reader is unavoidable.
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