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Not only has Haynes seen the full sweep of jazz history, hes played a huge role in shaping it. And he continues to do so, not least of all by nurturing so many of todays most promising young musicians. Alto saxophonist Jaleel Shaw holds a masters degree from Manhattan School of Music and has performed around the world with the likes of Roy Hargrove, Christian McBride, Jeremy Pelt, the Either/Orchestra, the Mingus Big Band and more. Shaws debut recording as a leader, "Perspective," was named one of the top five debut releases of 2005 by All About Jazz-New York.
Pianist Robert Rodriguez is the older brother of trumpeter Michael Rodriguez, known for his recent work with bass legend Charlie Haden. The brothers can be heard together on their co-led debut release, "Introducing the Rodriguez Brothers." Robert has also collaborated with such giants as Arturo Sandoval and the recently departed Ray Barretto.
Bassist John Sullivan has become one of New Yorks most in-demand players since arriving in the city in 1999. He has worked with Joe Lovano, Mike Mainieri, Joanne Brackeen, John McNeil, Aaron Parks, Pete Zimmer and many others. He also works with his father, guitarist Dave Sullivan, in the Sullivan Trio.
Now Haynes and the Fountain of Youth quartet are back with a new release, titled "Whereas." Featuring Jaleel Shaw on alto sax, Robert Rodriguez on piano and John Sullivan on bass, the album was recorded at the Artists Quarter in St. Paul, Minnesota over the course of three nights in January 2006. Chris Coleman, Mayor of St. Paul, MN, officially declared the weekend of January 20 22 the "Roy Haynes Weekend". The recording documents the no-holds-barred interaction of one of the last true "apprenticeship" bands in jazz. In the grand tradition of Art Blakeys Jazz Messengers, Hayness quartet is a proving ground for young, up-and-coming musicians with the talent and fortitude to go head-to-head, night after night, with this unstoppable octogenarian.
On "Whereas," Haynes and his cohorts display an extraordinary cohesion and improvisational fire as they draw upon some of the leaders best-loved repertoire, including Chick Coreas "Like This," Pat Methenys "James" and Thelonious Monks "Bemsha Swing," as well as barnstorming post-bop classics such as John Coltranes "Mr. P.C.", Joe Hendersons "Inner Urge" and Charlie Parkers "Segment." The harmonic sophistication and melodic clarity of Rodriguezs piano, the linear propulsion and drive of Shaws horn, the depth and solidity of Sullivans bass, the wholly unpredictable nuances of Hayness drummingall add up to a thrilling and memorable hour-plus, highlighting the Fountain of Youth quartet at its revelatory best.
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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
5.0 out of 5 stars
Absolutely amazing,
By
This review is from: Whereas (Audio CD)
Roy Haynes' playing has, incredibly, gotten better and better over the years. Always one of the drum masters, Haynes' conception has gotten deeper and broader, and he plays with an energy, a focus, a combination of strength and precision and looseness, that would be awe-inspiring in a player of any age. This isn't hyperbole -- it is a fact. If he were 30 rather than 80 his playing would be just as awe-inspiring.
On top of that, Haynes has evolved a group conception that is as flexible and exciting as any to be found in the annals of jazz, in my opinion. He surrounds himself with the best young players, all of whom are able to switch tracks between bebop, modal, and free styles of play at will and on a dime. They are all phenomenal individually, but it is the group conversation that will astound you if you have ears to hear. Haynes is at the center of it all, goading, underlining, exclaiming, sizzling -- lifting the bandstand off the floor. If you have heard Haynes' previous disc "Fountain of Youth," you know what I am talking about. This record is as good as that one. Jaleel Shaw's conception is different from that of his predecessor Marcus Strickland, and he concentrates on alto rather than tenor and soprano, as Strickland did. He brings the same level of engagement, virtuosity and fire to the band. He can also play with subtlety and lyricism when he wants to. As great as pianist Martin Bejerano was in the quartet, Robert Rodriguez is his equal. This disc, like "Fountain Of Youth," is a live performance, and there are places where you can here the audience gasping in amazement at the patterns Rodriguez and Haynes set up. Bassist John Sullivan is still in place from the previous quartet, and he is the equal of his compatriots. If you don't know "Fountain of Youth," and if you have read this far, buy them both, set aside an evening, invite a couple of jazz-loving friends over, and be amazed.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
He did it again !!,
This review is from: Whereas (Audio CD)
Ladies and gentlemen, I thought there is nothing left to be done by Sir Roy Haynes. He proved me wrong time and time again, as he keeps dipping into that box of serious music and bringing the magic out.
Whilst I was not present at that great weekend in St. Paul, MN, I can picture exactly what he was doing with those drum sticks/brushes, to produce this great live recording. Sir Roy Haynes, your selfless sacrifices in teaching, coaching and preparing young musicians for the future are unparallel. Your jazz artistry and dynamics are timeless. This is another incredible CD.
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