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3 of 4 people found the following review helpful:
4.0 out of 5 stars
From The Cover Back -, January 2, 2003
By A Customer
This review is from: Which Way Home [VHS] (VHS Tape)
Cybil Shepherd stars as Red Cross worker Karen Parsbits in this adventure spanning a world of action & danger. She and four Cambodian orphans barely escape the killing fields, only to face a violent journey to freedom. As refugees, the children are persecuted wherever they go - one of the young girls is even brutally raped. Karen & her charges are finally rescued by Australian smuggler Steve Hannah (John Waters, a ruggedly handsome stranger with an old boat and a mysterious past. At first Hannah plans to drop them at the nearest port, but after they fight off ruthless pirates, combat fatal disease & battle a raging storm, Steve finally surrenders to his growing passion for Karen & affection for the children. Karen & Steve realize that together, no matter what the obstacles, their courage, determination & love will bring the children home. This is from the VHS version and the box is rated "M" Mature audiences only - for violence & language.
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0 of 1 people found the following review helpful:
4.0 out of 5 stars
Which way home review, September 16, 2009
This review is from: Which Way Home [VHS] (VHS Tape)
This was a very good movie, the VHS tape was in good condition and everything else was perfectly in order. I can recommend the movie, it is a good drama and with good actors too.
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0 of 1 people found the following review helpful:
1.0 out of 5 stars
Film As Polemic Becomes A Complete Bore., May 6, 2006
This review is from: Which Way Home [VHS] (VHS Tape)
A Turner Network Production made specifically for cable television release, this mini-series opens in 1975 Cambodia, at the outset of that nation's hideous reign of terror beneath Pol Pot and his Khmer Rouge, its scenario baldly a bald excuse for preaching a gospel for resettlement of Southeast Asian refugees into an astutely disinclined Australia. Action begins as a missile attack in Phnom Penh places several freshly orphaned children in voluntary custody of Red Cross nurse Karen Parsons (Cybill Shepherd) who doggedly leads the youngsters through Cambodia's killing fields to a refugee encampment located in Thailand, while enduring intermittent harrowing experiences sandwiched between large segments of tedium for viewers. A stagey albeit sincere effort is made to depict the reality of historic disagreement among Cambodians, Vietnamese, and Thai peoples, and it eventually becomes plain to Karen that her entourage of waifs can receive proper care only in Australia, and the little group must therefore leave its temporary sanctuary at the camp. A means of travel must be found to Down Under, and is located by the script in the disreputable person of a sottish smuggler of antiquities, Steve Hannah (John Waters), currently occupied with sneaking Thai art objects into the northern Australian port of Darwin, who is predictably persuaded, since it is the right thing to do, to expand his illicit cargo by taking aboard an attractive American nurse and her refugee charges, with expected romantic and other adventures to follow, including an attack by South China Sea pirates and a punishing gale. This is basically a tract in the service of fostering an unsustainable doctrine, the screenplay attempting to work its wiles in an exhaustingly patent manner, with its narrative occasionally pausing to permit this obvious essay at mind control to eschew storyline logic and continuity in favour of banal sermonizing. A monotonous score repeats its sugary theme to what will be, for many viewers, a point of near emesis. Filmed in Australia, New Zealand, and Thailand, and in a highly effective fashion, the work's dramatic values produce far less pleasure than its camerawork because, when the dreary affair is finally completed, a viewer will simply not be willing to accept responsibility for the unfortunate lot of refugees. As Karen Parsons states in one late sequence, "I was so self-righteous; I didn't think I could be wrong". This, of course, is a lesson normally learned in the real, non-cinematic, world.
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