Amazon.com Review
In her still startling debut,
The Good Mother, Sue Miller explored the premium we put on passion--and the terrible burden it places on a mother and child. Her fourth novel,
While I Was Gone, is another study in familial crime and punishment. But this time, her wife and good mother is accessory to more than emotional malfeasance. Jo Becker has everything a woman could desire: a loving spouse, contented children, and a nice dog or two. When her New England veterinary practice takes on a new client, however, her past comes back to haunt her. Long ago, it seems, Jo had escaped her family and identity for a commune in Cambridge. Her Aquarian illusions came to an abrupt, bloody end when one of her housemates was brutally murdered.
Now this unhappy era returns in the person of Eli Mayhew, who had been the odd man out in Jo's boho household. His appearance is both tantalizing and upsetting: "Inside, I slowed down. I felt numbed. I had two last patients, and then I told Beattie to go home, that I'd close up.... I refiled the last charts, sprayed and wiped the examining table. I reviewed my list of routine surgeries for Wednesday. All the while I was thinking of Eli Mayhew, and of Dana and Larry and Duncan and me, and our lives in the house. Of the horrible way it had all ended." Sue Miller's fine novel is a penetrating--and sensuous--portrait of a woman besieged by her conscience. While I Was Gone also demonstrates that in the face of distance and betrayal, a little knowledge can be a dangerous thing indeed. --Winnie Wheaton
From Publishers Weekly
The shadowy and inexorable nemesis of past secrets to a reclaimed life, and the inability even of those who are intimates to really know one another, are poignant themes in Miller's resonant fifth novel. Narrator Jo Becker, now a veterinarian married to a minister in a small Massachusetts town, was once a runaway bride who assumed a false name and lived with other dissaffected '60s bohemians in a group house in Cambridge. Her special friend in the house was sweet-spirited and generous Dana Jablonski, whose shocking?and unsolved?murder broke up the group and left Jo with unresolved questions about her own identity. She manages to ignore the memories of that time until, almost three decades later, one of the former housemates, Eli Mayhew, moves to her town. Eli, now a distinguished research scientist, provides a revelation that acts as the catalyst provoking Jo to face her guilt about her past behavior?and to act impulsively once again. Her moral conundrum occasions a heartrending change in her heretofore strong marriage and undermines her relationship with her three grown daughters. As usual, Miller (The Good Mother; Family Pictures) renders the details of quotidian domesticity with bedrock veracity and a sensitivity to minute calibrations of family dynamics, especially the nuances of sibling rivalry. But while the pacing, tone and measured exposition are handled with masterly skill, the way in which Jo's decision to make amends for her past rebounds on her present life seems staged and convoluted, since her husband and children seem to think that retribution for a murder should take second place to their own emotional needs. That cavil aside, Miller's narrative is a beautifully textured picture of the psychological tug of war between finding integrity as an individual and satisfying the demands of spouse, children and community. 150,000 first printing; Random House audio; BOMC selection; author tour.
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