From Library Journal
Roper Rackard is a Georgia black man with a sharecropper temperament. When he discovers the body of his boss's wife while cutting hay, fear motivates him to dispose of the corpse, even though he is innocent of any wrongdoing. Recognizing her son's unease and guessing its cause, Mama Lou manipulates the situation to force Roper to take responsibility for himself and his family. Daugharty (Earl in the Yellow Shirt, LJ 5/15/97) has done a masterly job of mixing bravado, indifference, paranoia, and panic into Roper's character. In addition, she delicately stirs in hints of the early Civil Rights Movement, memories of Freedom Riders, and a healthy serving of fantasy to round out her too-easily-resolved story. A reader may finish this book wishing that Daugharty had captured the essence of the Southern black experience as well as she has created the multifaceted character of Roper. For literary fiction collections.?Thomas L. Kilpatrick, Southern Illinois Univ. Lib., Carbondale
Copyright 1998 Reed Business Information, Inc.
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Southerner Daugharty tells the tale of an uneducated, hardworking black man, Roper, who is terrified he'll be sent to jail for a murder he didn't commit. The story is narrated by Roper as events are seen through his eyes. On probation for a petty crime and working for a white family, he one day stumbles across the body of his boss' wife, dead of a heart attack. Frightened that he'll be accused of her murder, he hides her body in a deep well. As the days and weeks pass and the search for the dead woman intensifies, Roper finds himself overcome with guilt and anxiety; while the story line and Roper's fate continue to spiral to an inevitable conclusion, several smaller story lines and surprise plot twists are thrown into the mix. Daugharty, whose previous works have attracted national acclaim, does a great job of slowly building suspense and tension, and the well-developed characters, hard truths, and skillful writing combine to create an interesting, thoughtful, and enjoyable read.
Kathleen Hughes
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