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The White Album (Paperback)

by Joan Didion (Author) "WE TELL OURSELVES STORIES in order to live..." (more)
Key Phrases: Los Angeles, New York, Huey Newton (more...)
4.5 out of 5 stars See all reviews (16 customer reviews)


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Editorial Reviews

Review
Essays, going back to the late Sixties, when nothing was adding up any more for Joan Didion: the "script" had been changed to no script at all; betrayed by the old rules and promises, Didion "began to doubt the premises of all the stories I had ever told myself." As anxiety closes in, she continues to record elements of the California Scene (Huey Newton, Linda Kasabian, Jim Morrison), but writing doesn't help her to find a structure, a new "narrative." Thus, The White Album, borrowing from the Beatles' famous blank record-jacket. The patchwork title essay (1968-78) introduces the anguish with which so much of this is freighted, echoing the confessional last entry (dated 1967) in Slouching Toward Bethlehem (1968). But now the voice is more compulsive and not so fresh. For all her stripping, Didion surrenders only abstractions: from an article on Hawaii - "l want you to understand exactly what you are getting here: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest other people." Or she offers other people's words - her psychiatrist's report, her neurologist's ("The name was multiple sclerosis, but the name had no meaning"). When she leaves herself at home, however, Didion's capacity for sustained serious thought comes to the fore - here in a critical piece on Doris Lessing and in a review, heavy on her familiar irony, of the women's movement as a phony proletarian revolution. And her throwaway aperCus still click, instantly: the imperial tract-house that Reagan built and Jerry Brown wants no part of has "only enough bookshelves for a set of the World Book and some Books of the Month, plus maybe three Royal Doulton figurines." Didion's evocative knack eases the burden of her suffering, at least for the rest of us. (Kirkus Reviews) --This text refers to an out of print or unavailable edition of this title.

Review
"All of the essays manifest not only [Didion's] intelligence but an instinct for details that continue to emit pulsations in the reader's memory and a style that is spare, subtly musical in its phrasing and exact. Add to these her highly vulnerable sense of herself, and the result is a voice like no other in contemporary journalism."--Robert Towers, The New York Times Book Review

"Didion manges to make the sorry stuff of troubled times (bike movies, for instance, and Bishop James Pike) as interesting and suggestive as the monuments that win her dazzled admiration (Georgia O'Keeffe, the Hoover Dam, the mountains around Bogota) . . . A timely and elegant collection."--The New Yorker

"Didion is an original journalistic talent who can strike at the heart, or the absurdity, of a matter in our contemporary wasteland with quick, graceful strokes."--The San Francisco Chronicle
--This text refers to the Paperback edition.

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Product Details

  • Paperback: 224 pages
  • Publisher: Flamingo (January 25, 1993)
  • ISBN-10: 0006545866
  • ISBN-13: 978-0006545866
  • Average Customer Review: 4.5 out of 5 stars See all reviews (16 customer reviews)
  • Amazon.com Sales Rank: #1,710,327 in Books (See Bestsellers in Books)

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    #37 in  Books > Literature & Fiction > Authors, A-Z > ( D ) > Didion, Joan



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Customer Reviews

16 Reviews
5 star:
 (11)
4 star:
 (4)
3 star:    (0)
2 star:    (0)
1 star:
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Average Customer Review
4.5 out of 5 stars (16 customer reviews)
 
 
 
 
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16 of 18 people found the following review helpful:
5.0 out of 5 stars A great follow-up to her earlier work, December 7, 2001
By John Anderson (Bar Harbor, ME USA) - See all my reviews
(REAL NAME)   
This review is from: The White Album (Paperback)
This book is definitely the "Part 2" of a series that begoins with Didion's "Slouching Towards Bethlehem" and each time that i return to it I feel like I am sitting down with a dear friend that I haven't talked to in a while. Other reviewers seem to have covered the title piece quite well, but I am intrigued that nobody seems to have mentioned my favorite -"Holy Water"- a fascinating look behind the scenes at the California Water Authority. I assign this essay again and again to my environmentalist students, both for the immediate content and for the intriguing window into the seductive nature of technology -one feels that Didion comes to be horrified and walks away enthralled. You will be too.
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13 of 15 people found the following review helpful:
4.0 out of 5 stars Many mornings after the 60s, May 1, 2001
This review is from: The White Album (Paperback)
The White Album was published in 1979, and most of the material here is from the 1970s. Even so, the book is at least as much about the 1960s as is Slouching Towards Bethlehem. Like that book, this is a collection of essays from various publications, plus some previously unpublished material. It's a mixed bag. The title piece is quite strong, as is "On The Morning After The Sixties," proving, perhaps, that the 1960s really were Didion's one true subject. There's other good stuff here, too, and the book is actually sort of underrated, since so many observers rate it a poor second to Slouching Towards Bethlehem. But the Didion style is actually quite strong in this volume, sharply observed, carefully written, personal without being confessional, and always flirting with detachment but not quite achieving it. Obviously some people just can't stand Didion's essays, and this book would hardly change their mind; but if you're open to her style, this is worth reading.
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11 of 13 people found the following review helpful:
5.0 out of 5 stars A Guide Through the Sixties, November 7, 1998
By A Customer
This review is from: The White Album (Paperback)
Didion is a master of prose and arresting journalism. Like Norman Mailer's Armies of the Night, she places herself within the action, identifying her place in historical events. She recounts the 60s, and its epicenter, California (especially Los Angeles), with precise lucidity--Didion was there, and DOES remember the 60s. Some of the most intruiging essays are those that serve as memoirs for her time and place--waiting with the Doors for Jim Morrison to show up for a recording session, travelling through Bogota, exploring California's water systems. Required reading for Angelenos.
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Most Recent Customer Reviews

5.0 out of 5 stars Great seller
Had to return this book but was pleased with the ease of return and contact from seller. Will use this seller again.
Published 4 months ago by Lisa Ainsley Mccollough

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5.0 out of 5 stars Romantic ethic
From 1966 to 1971 the author felt she had lost her script. It was hard to surprise her, hard to get her attention. Read more
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5.0 out of 5 stars Brutal, honest, and real
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Published on October 6, 2006 by Stephen R. Laniel

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4.0 out of 5 stars People and places of the 60s and 70s
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Published on May 23, 2004 by David Bonesteel

5.0 out of 5 stars Excellent writing
Didion is a master essayist with an excellent command of the English language. The quality of her prose alone justifies a 5-star rating.
Published on November 30, 2003 by slashcart

1.0 out of 5 stars Insipid and ridiculous
I can't remember what I did with my copy of this book. I either gave it to a friend or threw it in the garbage. Read more
Published on June 16, 2001

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