From Publishers Weekly
Rebelling against her Boston Brahmin family and ditching her fiance, spirited Margarett Sargent (1892-1978), a fourth cousin of John Singer Sargent, became a modernist painter and sculptor. Her brightly colored oils, pastels and watercolors, influenced by Matisse and Picasso, were widely exhibited in the 1920s and '30s. Her marriage in 1920 to rich Boston businessman Quincy Shaw McKean became a battleground of wills and temperaments, and Sargent had numerous affairs with men and women, including novelist Jane Bowles. She began drinking heavily in the 1930s while trying to balance the demands of raising four children and an artistic career. In 1948, Shaw McKean announced that he was divorcing her to marry tennis champion Kay Winthrop. Sargent's manic-depressive illness and alcoholism led her to undergo electroshock therapy and repeated stays in sanatoriums. In her early 40s, she gave up art and turned to horticulture, designing gardens professionally. Poet and playwright Moore, the artist's granddaughter, oscillates between straightforward biography and wistful memoir in recounting the turbulent life of a woman whose friends included Alexander Calder, Bernard Berenson, Ziegfeld star Fanny Brice and Mount Rushmore sculptor Gutzon Borglum. Illustrated.
Copyright 1995 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Unrecognized today, Margarett Sargent McKean (1892-1978)?fourth cousin to the American Impressionist painter John Singer Sargent?was well known in avant-garde circles of the 1920s as an emancipated modernist artist and collector from a prosperous upper-class Boston family. For two decades, as she devoted herself to sculpture and then to painting, she remained in a tenuous marriage, engaged in various sexual exploits, managed a privileged household, raised four children, and mounted nine one-woman art shows. At the age of 40, she abruptly stopped painting, plagued by alcohol addiction and manic depression, and spent 20 years in and out of sanitariums. Her poet/playwright granddaughter remembers the multifarious actors in Margarett's bittersweet, tragic career, among them Gutzon Borglum, George Luks, Archibald MacLeish, Betty Parsons, Fanny Brice, Dr. Barnes, and Alexander Calder. Recommended for both the specialist and the general reader as a memoir of Sargent's life and artistic worth.?Mary Hamel-Schwulst, Towson State Univ., Md.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.