The White Boy Shuffle [Paperback]

Paul Beatty (Author)

Book Description

Publication Date: April 4, 1996

Paul Beatty, on the basis of two slim collections of poetry, Big Bank Take Little Bank and Joker, Joker, Deuce, has been called "the premier bard of hip hop," "a West Coast word wizard," and"the poet laureate of Generation X." He has performed his poetry on college campuses throughout the United States and Europe; he's been lauded by Henry Louis Gates, Jr.; and at thirty-three years old, he has been deemed heir to Allen Ginsberg's oral tradition. His cultural landscape summons up music, sound bites, cartoons, films, and video games. He uses the terms of pop culture to reveal its nonsense, and in his astonishing first novel he brings his extraordinary talent for image, cadence, and rhythm to fiction. Beatty's partly autobiographical novel is a moving, deft satire on issues of race as well as a coming-of-age of a contemporary African American, Gunnar Kaufman, who is in no way typical. Unequivocally and without apology, Gunnar states that he is not the seventh son of a seventh son of a se

Editorial Reviews

Amazon.com Review

Poet Paul Beatty’s (Big Bank Take Little Bank) first novel is a colorful situation comedy about an unusual African-American's search for his identity. Set within a dramatically caricatured ethnic and cultural landscape, Gunnar Kaufman is a street poet and basketball prodigy raised in predominantly white Santa Monica, whose father is a member of the LAPD. The Kaufmans come from a hilarious family line of groveling Uncle Toms, and as Gunnar faces varying degrees of racism, he struggles between falling into step with the family tradition or forging his own way.

From Library Journal

Stylistically, this first novel is a tribute to one of Beatty's teachers, Allen Ginsberg. An author of two volumes of verse who has often been proclaimed the poet laureate of Generation X, Beatty effectively uses the Beat influence to amplify the voice of the hip-hop generation. Gunnar Kaufman, the protagonist of this coming-of-age story, earned his streetwise education in West Los Angeles, not unlike the author. Gunnar is just trying to be Gunnar?an intelligent, sensitive young African American who survives great tribulations while sparing no one his enormous wit. He is clearly a product of our times, and many readers will enjoy his piercing, often hilarious observations on contemporary society. It will be interesting to see what else this talented writer produces in the ensuing years. Meanwhile, this work will ring especially true to those under 35.
-?Susan M. Olcott, Columbus Metropolitan Lib., Ohio
Copyright 1996 Reed Business Information, Inc.

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Product Details

• Paperback: 225 pages
• Publisher: Houghton Mifflin; 1st edition (April 4, 1996)
• Language: English
• ISBN-10: 0395742803
• ISBN-13: 978-0395742808
• Product Dimensions: 19.6 x 12.6 x 0.6 inches
• Shipping Weight: 4 ounces
• Average Customer Review: 4.3 out of 5 stars  See all reviews (54 customer reviews)
• Amazon Best Sellers Rank: #2,011,767 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

4.0 out of 5 stars The Chris Rock of Prose, January 2, 2000

By 

Franklyn (Melbourne, Australia) - See all my reviews

This review is from: The White Boy Shuffle (Paperback)

Paul Beatty's "White Boy Shuffle" is a scathingly irreverent look at modern day African-American "street" culture, and some of it's more ludicrous characteristics. Sort of an anti "Boyz In The Hood". Detailing the picaresque adventures of African-American Gunnar Kauffman as he makes the adjustment to a black inner city neighborhood after growing up in the relatively benign white neighborhood of Santa Monica, Beatty displays dazzlingly creative wordplay and mastery of language, in the tradition of James Joyce and Ralph Ellison. I give it four stars only because I reserve five stars for a book like Ellison's "Invisible Man" which is the apotheosis of the coming of age novel. But believe me, "White Boy Shuffle" is no slouch in that department. Plus it's laugh out loud funny. It's the black "Catcher In The Rye". I once recommended it to Chris Rock telling him, "This guy is doing in prose what you're doing on stage." Which was telling the truth. And while the characters of "White Boy Shuffle" are not developed emotionally and psychologically, this is an extremely clever rant against all the hypocrasies and excesses of contemporary American society.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Effing Brilliant, December 2, 2005

By 

Chris (Angeles, Baby) - See all my reviews

This review is from: The White Boy Shuffle: A Novel (Paperback)

Look, you have five minutes. I know you do. You're goofing off at work right now. If you have five minutes, open this book up to page 12 and read the main character's recitation of his family history, a deleriously self-loathing parade of misunderstanding and Uncle-Tomism throughout the entirity of American history, starting with his great-grandfather pushing Crispus Attucks in front of a bullet. If you can make it through that entire section without laughing, you probably shouldn't buy this book. But only because you don't have a soul.

9 of 9 people found the following review helpful:

4.0 out of 5 stars Wide View Mirror, November 5, 1997

By 

[e-mail] (Seville, Spain) - See all my reviews

This review is from: The White Boy Shuffle (Paperback)

Nose pressed against your life? Not getting out enough, smelling American sights and sounds beyond the new mall? Is your current prose reading as soggy as 2% milk on cornflakes left overnight? Might I suggest a romp through past and present, 'burb and 'hood, white and black, in Paul Beatty's White Boy Shuffle. Unlike a lot of "the silent tragedy of my pathetic life" novels, White Boy Shuffle plays for high stakes and generally wins all bets. As a suburban kid myself, I can attest to the sharpness of Beatty's eyes and ears in his depictions of that flat landscape. Every other area gazed upon, inner-city LA, academic life, pseudo radicals, receive the same treatment of the right detail, the cutting insight and the exploding humor. It's all over the top, as black suburban skateboarder finds the inner city, get stomped on, plays ball, writes poetry, is wooed by academia only to become black messiah preaching suicide. It works most of the time and even when Beatty can't pull everything off, your left with the talent of a man who knows how to make a paragraph sing. In an age when social satire is bad manners, the ambition to take it all in and give it back to us, mean and beautiful, has to be appreciated.