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Editorial Reviews
Samuel Fuller's throat-grabbing exposé on American racism was misunderstood and withheld from release when it was made in the early eighties; today, the notorious film is lauded for its daring metaphor and gripping pulp filmmaking. Kristy McNichol stars as a young actress who adopts a lost German Shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people, and Paul Winfield plays the animal trainer who tries to cure him. A snarling, uncompromising vision, White Dog is a tragic portrait of the evil done by that most corruptible of animals: the human being.
SPECIAL EDITION FEATURES:
New, restored high-definition digital transfer of the uncut version, approved by producer Jon Davison
New video interviews with producer Davison, co-writer Curtis Hanson, and Sam Fuller s widow, Christa Lang-Fuller
An interview with dog trainer Karl Lewis-Miller
Rare photos from the film s production
PLUS: A booklet featuring new essays by critics J. Hoberman and Armond White, plus a rare 1982 interview in which Fuller interviews the canine star of the film
SPECIAL EDITION FEATURES:
New, restored high-definition digital transfer of the uncut version, approved by producer Jon Davison
New video interviews with producer Davison, co-writer Curtis Hanson, and Sam Fuller s widow, Christa Lang-Fuller
An interview with dog trainer Karl Lewis-Miller
Rare photos from the film s production
PLUS: A booklet featuring new essays by critics J. Hoberman and Armond White, plus a rare 1982 interview in which Fuller interviews the canine star of the film
Customer Reviews
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Most Helpful Customer Reviews
35 of 38 people found the following review helpful
Format:DVD
In 1982, Samuel Fuller's "WHITE DOG" created a storm of controversy that resulted in a limited theatrical release with no follow-up video until now.
What was falsely labeled an incendiary racist film that could provoke real life violence is instead a bold anti-racist parable about how racism is learned or taught. In the movie the metaphor is a dog that has been trained to attack people with dark skin.
The origin of the story is a harrowing true incident Romain Gary wrote about in Life magazine.
The movie story is simple. Julie Sawyer (Kristy McNichol in her first adult role) is a young actress who, while driving one night, accidentally hits a white German shepherd on a mountain road. She takes it to a vet and tries to find the owner. In the meantime, Julie grows attached to the dog. One night it saves her from a intruder who attempts to rape her. Later, the dog runs away and comes home bloody. On a movie set with Julie, the dog attacks a black actress. Julie realizes the dog has been trained as an attack dog so she takes it to "Noah's Ark" an animal shelter and training facility hoping the dog can be deprogrammed in some way. She is told that the dog is a "white dog," one trained to attack black people. At the facility, Keys (Paul Winfield), a dog expert sees this as an opportunity to see if racial prejudice can be unlearned.
This low-budget film is sometimes heavy-handed but is immensely watchable and the restored uncut widescreen transfer is, as with all Criterion editions, made from the best elements available and is very crisp and clean.
Kristy McNichol has a natural, winning charisma on screen. Her top billing is justified and she has an easy, believable chemistry with the dog (actually five dogs were used).
Paul Winfield dominates the latter half of the film. His performance is focused and intense. I was reminded of a superb dog story in which he starred, 1972's "Sounder."
The great Burl Ives has a small part as the co-owner of "Noah's Ark." It is great to hear that singular voice even if it is only in spoken words.
Director Sam Fuller had a reputation as a tough, cigar-chomping sometimes over-the-top, story-teller. He has been called "the tabloid poet." Fuller did not shy away from controversial issues and in fact helmed other films with racial conflict as a theme. He died in 1997 at the age of 85.
There's a wonderful featurette containing new interviews with producer Jon Davison, co-writer Curtis Hanson ("L.A. Confidential") and Fuller's widow Krista Lang.
What was falsely labeled an incendiary racist film that could provoke real life violence is instead a bold anti-racist parable about how racism is learned or taught. In the movie the metaphor is a dog that has been trained to attack people with dark skin.
The origin of the story is a harrowing true incident Romain Gary wrote about in Life magazine.
The movie story is simple. Julie Sawyer (Kristy McNichol in her first adult role) is a young actress who, while driving one night, accidentally hits a white German shepherd on a mountain road. She takes it to a vet and tries to find the owner. In the meantime, Julie grows attached to the dog. One night it saves her from a intruder who attempts to rape her. Later, the dog runs away and comes home bloody. On a movie set with Julie, the dog attacks a black actress. Julie realizes the dog has been trained as an attack dog so she takes it to "Noah's Ark" an animal shelter and training facility hoping the dog can be deprogrammed in some way. She is told that the dog is a "white dog," one trained to attack black people. At the facility, Keys (Paul Winfield), a dog expert sees this as an opportunity to see if racial prejudice can be unlearned.
This low-budget film is sometimes heavy-handed but is immensely watchable and the restored uncut widescreen transfer is, as with all Criterion editions, made from the best elements available and is very crisp and clean.
Kristy McNichol has a natural, winning charisma on screen. Her top billing is justified and she has an easy, believable chemistry with the dog (actually five dogs were used).
Paul Winfield dominates the latter half of the film. His performance is focused and intense. I was reminded of a superb dog story in which he starred, 1972's "Sounder."
The great Burl Ives has a small part as the co-owner of "Noah's Ark." It is great to hear that singular voice even if it is only in spoken words.
Director Sam Fuller had a reputation as a tough, cigar-chomping sometimes over-the-top, story-teller. He has been called "the tabloid poet." Fuller did not shy away from controversial issues and in fact helmed other films with racial conflict as a theme. He died in 1997 at the age of 85.
There's a wonderful featurette containing new interviews with producer Jon Davison, co-writer Curtis Hanson ("L.A. Confidential") and Fuller's widow Krista Lang.
8 of 9 people found the following review helpful
By Ted
VINE™ VOICE
Format:DVD|Amazon Verified Purchase
This review is for the Criterion Collection DVD edition of the film
White Dog is one of the most controversial films of the 1980's and was suppressed due to it's controversy.
The film, loosely based on a true story is about an actress who adopts a stray dog and later discovers that the dog had been trained by to attack and kill black people. African-American actor, Paul Winfield, plays the role of an animal trainer who attempts to rehabilitate the dog.
The film follows both the case of a real actress who this happened to and to the real incidents in the South where racists trained dogs to do such horrific acts.
The film also stars Burl Ives in one of his few film roles.
I liked the film and saw it as a message on how racism is taught, and not inherent. The film was misunderstood and not widely released and this edition is it premiere on home video.
The DVD includes an interview with director Sam Fuller's widow, Christa Lang-Fuller, the film's producer Jon Davison, co-writer Curtis Hanson, and dog trainer, Karl Lewis-Miller. The DVD also includes behind the scenes photographs.
This is a film you won't soon forget.
White Dog is one of the most controversial films of the 1980's and was suppressed due to it's controversy.
The film, loosely based on a true story is about an actress who adopts a stray dog and later discovers that the dog had been trained by to attack and kill black people. African-American actor, Paul Winfield, plays the role of an animal trainer who attempts to rehabilitate the dog.
The film follows both the case of a real actress who this happened to and to the real incidents in the South where racists trained dogs to do such horrific acts.
The film also stars Burl Ives in one of his few film roles.
I liked the film and saw it as a message on how racism is taught, and not inherent. The film was misunderstood and not widely released and this edition is it premiere on home video.
The DVD includes an interview with director Sam Fuller's widow, Christa Lang-Fuller, the film's producer Jon Davison, co-writer Curtis Hanson, and dog trainer, Karl Lewis-Miller. The DVD also includes behind the scenes photographs.
This is a film you won't soon forget.
5 of 5 people found the following review helpful
Format:DVD
This is one of those rarely seen, much talked about, "legendary" films that has never been released on home video, and has been rarely screened. Until now, of course.
This film was made for Paramount Studios in 1984, but they never gave it a theatrical release. The plot, about a stray dog taken in by Kristy MacNichol that is a "white dog", a dog trained to kill and maim black people, was considered too hot for them, and the film ended up being a legendary, unseen work. It ended up being the final film of the great Sam Fuller (who directed and co-wrote the screenplay with Curtis Hanson, the director of L.A. Confidential). Is the film great, or is it a disappointment? Well...
The film is mixed. When it works, it's very, very good, and when it doesn't, it's slightly embarrassing (which may have been another reason why Paramount didn't release it in the States). It's never cringe inducing or creaky, but there are notable flaws here. There is bad dialogue (some of which sounds dubbed in, and it's bad dubbing), overacting, some bad camera moves, sledgehammer music cues (especially during an early attack scene), and boring, arbitary secondary characters (Kristy MacNichol's boyfriend and a policeman, for example). The first third of the film is a bit dull. But when Paul Winfield enters the film (he's the trainer that attempts to cure the white dog of its racism), the film is much better. Winfield is great here, playing an entirely believable, passionate person who really wants to cure the dog of its hatred of black people. There are some powerful moments, like when Kristy goes to the pound to look for her dog. We see in long shot a dog placed in a chamber that puts him to sleep. We don't see the dog pass away (Fuller isn't exploitative), but he shows a close up of the chamber, which is powerful and sad. After that, Kristy becomes determined to cure her dog.
Fuller comes up with some excellent camera work (especially in the cage where the animal is retrained), great performances by the dog (there were five dogs portraying the white dog in the film), some funny humour directed at R2D2 (yes, the Star Wars robot), and a very powerful and memorable ending. Overall, it's a mixed bag, but its positives outweight its negatives. If you like Fuller, you should check this out. It's not perfect, but it's a memorable film. It was silly of Paramount not to release the film, but Criterion has done us all a favour. Not a perfect film, but still a good one.
This film was made for Paramount Studios in 1984, but they never gave it a theatrical release. The plot, about a stray dog taken in by Kristy MacNichol that is a "white dog", a dog trained to kill and maim black people, was considered too hot for them, and the film ended up being a legendary, unseen work. It ended up being the final film of the great Sam Fuller (who directed and co-wrote the screenplay with Curtis Hanson, the director of L.A. Confidential). Is the film great, or is it a disappointment? Well...
The film is mixed. When it works, it's very, very good, and when it doesn't, it's slightly embarrassing (which may have been another reason why Paramount didn't release it in the States). It's never cringe inducing or creaky, but there are notable flaws here. There is bad dialogue (some of which sounds dubbed in, and it's bad dubbing), overacting, some bad camera moves, sledgehammer music cues (especially during an early attack scene), and boring, arbitary secondary characters (Kristy MacNichol's boyfriend and a policeman, for example). The first third of the film is a bit dull. But when Paul Winfield enters the film (he's the trainer that attempts to cure the white dog of its racism), the film is much better. Winfield is great here, playing an entirely believable, passionate person who really wants to cure the dog of its hatred of black people. There are some powerful moments, like when Kristy goes to the pound to look for her dog. We see in long shot a dog placed in a chamber that puts him to sleep. We don't see the dog pass away (Fuller isn't exploitative), but he shows a close up of the chamber, which is powerful and sad. After that, Kristy becomes determined to cure her dog.
Fuller comes up with some excellent camera work (especially in the cage where the animal is retrained), great performances by the dog (there were five dogs portraying the white dog in the film), some funny humour directed at R2D2 (yes, the Star Wars robot), and a very powerful and memorable ending. Overall, it's a mixed bag, but its positives outweight its negatives. If you like Fuller, you should check this out. It's not perfect, but it's a memorable film. It was silly of Paramount not to release the film, but Criterion has done us all a favour. Not a perfect film, but still a good one.
Most Recent Customer Reviews
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This review is based on the CRITERION DVD release. Director Samuel Fuller's films are an acquired taste. Read more
Published 6 days ago by Grrrr
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CRITERION CHOSE THE RIGHT FILM IN THE RIGHT FORMAT.
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THIS FILM IS AN OUTSTANDING EXAMPLE ABOUT A BRILLIANT DIRECTOR'S INDIVIDUAL MIND EXPRESSION. Read more
THIS FILM IS AN OUTSTANDING EXAMPLE ABOUT A BRILLIANT DIRECTOR'S INDIVIDUAL MIND EXPRESSION. Read more
Published 5 months ago by HAN XIAO
2.0 out of 5 stars
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Only watched about half the movie, became bored with it after a while. It is very old fashioned so you have to get past that to enjoy the film. Read more
Published 22 months ago by StillWaters
4.0 out of 5 stars
Racism Stripped Bare
White Dog is not an easy film to sit through and it rubbed a lot of people the wrong way for a simple reason; it hits close to home. Read more
Published 22 months ago by Atli Hafsteinsson
4.0 out of 5 stars
White Dog
More people need to see this movie. It shows how the people who train bad dogs are the bad ones - not the dogs themselves. Read more
Published on March 5, 2011 by WmbgVa
5.0 out of 5 stars
Didn't See That One Coming!
I watched this movie as soon as I received it. I kept hearing and reading reviews about this movie and had to see it for myself. Well, where shall I begin. Read more
Published on January 21, 2011 by SweetSexy
2.0 out of 5 stars
Crazy message in this movie.
WARNING; Partial spoiler, though does not tell the end. As soon as the dog attacked the lady he should have been put down. Read more
Published on November 20, 2010 by Trish
4.0 out of 5 stars
White Tragedy
Hello, I had the opportunity to watch White Dog directed by Samuel Fuller. I had never heard of the movie and came across it by accident. Read more
Published on May 19, 2010 by Eugenia Renskoff
