White and Other Tales of Ruin [Hardcover]

Tim Lebbon (Author), Caniglia (Author)

Book Description

Publication Date: December 1, 2002

WHITE AND OTHER TALES OF RUIN collects together six of Tim Lebbon's novellas, two of them brand new to this collection. From the all-powerful natural horrors of The First Law, to the man-made terrors of The Origin of Truth, this collection explores existence at the very edge of survival ... for humankind itself. The British Fantasy Award-winning White gives an ambiguous vision of a frozen hell-on-earth, while the new novella Hell locates it even nearer to our hearts. From Bad Flesh tells of diseased flesh, while the brand new Mannequin Man and the Plastic Bitch contains many maladies of the mind, most of them considered normal in the sick world it inhabits ... Contents: * White * From Bad Flesh * Hell (original) * The First Law * The Origin of Truth * Mannequin Man and the Plastic Bitch (original)

Editorial Reviews

From Publishers Weekly

Futures blighted by technology run amok, ecological despoliation and evolutionary grotesquerie run through the six novellas that make up this new collection from British horror maestro Lebbon (As the Sun Goes Down). Their science fictional backdrops notwithstanding, these Frankensteinian glimpses of dystopias just around the corner are riddled with the visceral imagery of hardcore horror. In "From Bad Flesh," a man's quest to find a shaman who will cure the tumors overrunning his flesh becomes a travelogue through lands of the diseased and maimed, all victims of a virulent global "Sickness." "White" tells of a dwindling band of humans trapped in a terminal blizzard, picked off in hideous fashion by half-glimpsed snow phantoms. In the book's best entry, "The Origin of Truth," a family anxiously awaits the onslaught of an uncontrolled nanotech virus that's voraciously consuming and reshaping the basic matter of the world. Lebbon knows how to render atrocities of the flesh and spirit, but he's on less sure ground when trying to find reassurance for humanity in the midst of the bloody mayhem. One character, observing the surreal contradictions of the landscape, notes, "The deep blue of the sky, decorated with an occasional cloud cheerful in its fluffiness; and the bloody red mess of open meat, steaming insides, pulsing wounds." This contrast is endemic to the grim worldview these apocalyptic fictions share, and readers will be hard put to see the hope amid the carnage.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

• Hardcover: 342 pages
• Publisher: Night Shade Books (December 1, 2002)
• Language: English
• ISBN-10: 1892389304
• ISBN-13: 978-1892389305
• Product Dimensions: 8.8 x 6.8 x 1.2 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #3,488,764 in Books (See Top 100 in Books)

More About the Author

I've been published for ten years now, and you can find out loads about me at my website www.timlebbon.net. I'm the author of over thirty books, including the Noreela series of fantasy books (Dusk, Dawn, Fallen and The Island), the NY Times Bestselling novelisation of the movie 30 Days of Night, and several books with Christopher Golden, including The Map of Moments and the forthcoming Secret Journeys of Jack London for Harper. I've also written several screenplays and some TV proposals. I've won several prestigious awards, and some of my work has been optioned for the big screen.

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars Into the light of the creeping darkness I slide......, February 21, 2004

By 

Schtinky "Schtinky" (California) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   

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This review is from: White and Other Tales of Ruin (Paperback)

If you love spellbound, creepy tales of unbound terror and dread that comes from the soul, do not miss Lebbon's collection put together here in "White & Other Tales of Ruin." This is the first book of Lebbon I have read, and believe me I am running to the bookshelves for more.

His monsters are typically unseen but felt deep within your senses, rousing your inner level of safety to an alarming state of anxiety and trepidation. The prose is poetic in its telling of what the protagonists feel and taste and smell and see, the dialogue flowing and smooth, and the terror huge and real.

With a wonderful introduction by author Jack Ketchum, he mentions that Lebbon's stories have "teeth", and indeed they do; trust me, you will feel the bite. Also notable to me was the use of Caniglia's "On The Edge Of Paradise" artwork used for the jacket cover, and preceding each story is another horrendously beautiful sketch of Caniglia, whom I think is one of the most talented modern day artists.

There are six tales here in this collection, and I will give a brief summary of each.

White - Some people called it "The Doom", others called it "The Ruin", but either way it spelled a change in the world as we know it. Seven people find themselves trapped in a large manor house, each having initially gone there to get away from the haunts of their past. When the snow came, it didn't stop, and now everything is completely frozen, as the snow piles up higher and higher. There is no working transportation to take them back to the town 10 miles away, so they wait for the snow to stop.
Tension grows as one by one, each admit to having seen something in the snow; a deer perhaps, or a seagull or a cat, flitting just outside their peripheral vision. The only thing they know for sure, is that it's white. The story begins with the first death, and will lead us through to the conclusion, with the things that dart and flutter just outside our vision.

From Bad Flesh - One of my favorites. After The Ruin, diseases of different sorts are spread throughout the world, with names like Numb-Skull, TGD, and QS. Our protagonist Gabe has what is just referred to as The Sickness, and his friend Della tells him of a man named String who lives on the island of Malakki near Greece who could possibly have a cure for his deadly illness. So Gabe travels to Malakki, where the dead are piled up in the harbor like cordwood and the Lordships still do their fly-by's. Here he meets Jade, a beautiful woman, who saves him from an insane crowd and promises to take him to String.
Their journey up into the mountains is hellish and gripping in its intensity, revealing horrors to Gabe that he had not thought humans capable of. They reach the little village where String lives, surrounded by a glass moat, and Gabe and Jade are welcomed into the village. Who is String, and where does he come from? What is the secret to his cure? How does he have this power? Will Gabe receive the cure? Lebbon will suck you into this tale and not leave you disappointed in the end.

Hell - Not necessarily my favorite, but I think only because I was spoiled by Edward Lee's vision of hell in his book City Infernal. Lebbon's vision of hell is just as disturbing though, as voyeurs take a tram journey through hell, watching the horrors through the shaded windows while strapped into their comfortable seats; all to prove that "things could be worse in their own life".
After Nolan's wife dies, his daughter Laura suddenly goes missing; and imagining her under the sway of some religious cult, Nolan takes the tram into hell to search for her. When he sees her actually inside hell, strung up upon a barbed wire fence, he fights the demons who control the tram with the help of Chele, a woman who lost her son, and manages to escape the tram and enter hell itself. Together they save Laura from the fence, but now they are stuck in hell, and don't know the way out.

The First Law - Incredibly creepy story of five survivors adrift in a lifeboat after their ship is torpedoed during the war. Their lifeboat has been aimlessly drifting for five days, and the five men are sunburned and dehydrated when the oceans currents pull them straight to a strange island. Right at the start, one of them behaves very strangely, and although there is fresh water and the signs of available food about, something about the island is just...not right. This is the creepiest tale of unseen monsters and inexplicable tragedies with such an overbearing sense of dread and ruin, that this story alone makes the price of the book worthwhile. Follow our survivors to the end of their journey, and you will not leave unshaken by the horrid revelations and hidden terror prevalent on this strange island that does not belong to the normal world.

The Origin of Truth - The scientists have done it again, and this time they have unleashed millions of "nanos", microscopic man made organisms that stripped any type of matter down to the atoms and used it to replicate themselves. The entire world was being eaten, bit by bit. Doug flees the city with his wife Lucy-Anne and daughter Gemma, spilling out from the city along with everyone else. They wind out taking refuge in Scotland with Lucy-Anne's mad uncle Peter, to wait out the last days together. Very well told apocalypse tale, original and deeply moving.

Mannequin Man and the Plastic Bitch - Can Artificials love? Tom had once belonged to The Baker, and long ago that eccentric man had implanted a rogue program into Tom to allow him to love. Years later, after The Baker is dead, Tom falls in love with a hooker named Honey, an Artificial herself.
He must steal her away from her pimp, Hot Chocolate Bob, who follows them through the city and into the underground. But surprisingly, Honey doesn't want to leave right away, insisting on visiting a club called The Slaughterhouse first, to see her friend Doug Skin and get him to release her. Very interesting tale of a futuristic landscape where "chop-shops" are common, sort of a plastic surgery gone awry trend where people can add or remove body parts, or make themselves ten feet tall, or intensify their vision, or become a human spider. Anything goes.
Honey and Tom try to find love in all this, but if Tom is the only Artificial that really has love, will he be able to share it? Great story, don't miss out on this fast paced futuristic horror story that will make you feel for those who are incapable of it.

Don't miss out on this masterful collection of stories. Enjoy!

1 of 1 people found the following review helpful:

5.0 out of 5 stars Provocative!, September 13, 2004

By 

Kelly - See all my reviews

This review is from: White and Other Tales of Ruin (Paperback)

What most people, myself included, forget is that even though there may be monsters, demons and boogeymen, horror is really just a mirror. Hold up any frightening tale or poem, examine it and what you get is the heart of mankind. The only difference between the works is the mirror's clarity. Though all creators have their way with us, a really great author is not only able to tell a story, but can simultaneously reflect our own hearts. Tim Lebbon is not only an author, but he's also a great writer.

Each plot is brutal and repugnant, yet beautiful and inspiring. All are distinctively original and as addictive as candy, but twice as dangerous. Perfect! The atmosphere suffocates you with the feel of madness and desperation. Weighing you down with a sense of complete annihilation. Lebbon's style of writing is intimate, refined and above all else -cryptic. Instead of laying it all on the line, he gives you only enough to provide the blueprints, allowing the reader to create and build around their own aversions and fears.

The characters are by far Lebbon's true gift. Besides giving his cast flesh and bone, he grants them emotional depth and fallibility. Creating players that you can identify with, envision in your life and just simply, understand. Each one seeming to represent an aspect of the author and the people close to him or at least that's the image you get while reading. Each character is written as though the familiarity were expected, and should be received without question.

1 of 1 people found the following review helpful:

3.0 out of 5 stars Good, not great, collection, May 20, 2004

By 

Jeffrey Leach (Omaha, NE USA) - See all my reviews
(HALL OF FAME REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: White and Other Tales of Ruin (Paperback)

My first experience with British author Tim Lebbon was a mixed one. My voracious appetite for apocalyptic tales virtually insured I would visit his writings one day. It seems that every book this author has written involves the collapse of civilization followed by horrific incidents, or at least that is what I have gathered from reading plot synopses of his various novels and short stories. When I finally decided to shell out some bucks for one of his books, I decided to pick up "White and Other Tales of Ruin," figuring that a collection of six short stories about the end of the world would give me a rather comprehensive view of what this guy is all about. The experience started on a positive note: none other than Jack Ketchum, of "The Girl Next Door" and "Red" fame, wrote an enthusiastic introduction for this compilation. Ketchum claims that Lebbon represents the cream of the crop of new young writers, a man who has "done his homework" and has a lot to offer fans of the horror genre. Since I am a fan of Ketchum's work, I took this as the best sort of endorsement, and eagerly dove into the first story. By the time I reached the end of the book, I was less enamored with the introduction's effusive praise. There are good stories here, but a few are rather pedestrian.

"White" introduces the reader to Lebbon's concept of "The Ruin," a series of catastrophic global events leading to the gradual extermination of humanity. Details are vague, but we do get a sense that limited nuclear exchanges matched with several devastating viruses have claimed, and continue to claim, the lives of several billion people. Even worse, nature itself is changing in dangerous ways. The Ruin will reemerge in other Lebbon stories, but "White" focuses on the terrible effects of the calamity on a small group of people trapped in a decaying manor along the English seacoast. Heavy snows and an ominous new life form roaming the countryside insure the characters will have their hands full just trying to stay alive. Told through the eyes of one of the trapped souls, a man who lost his beloved wife to one of the viruses some time before, "White" is Lebbon's attempt at writing a siege story. It's a keeper, full of cloying atmosphere, suspense, and occasional touches of gore.

"From Bad Flesh" is another Ruin tale, this time about an English man suffering from a grotesque plague seeking a cure on a remote Greek island. In his quest to find a witch doctor named String, this poor chap runs into a beautiful young woman with several secrets, witnesses many atrocities on the island, and learns how a cure can sometimes come with a terrible price. "From Bad Flesh" is a by the numbers story, one where I saw the ending coming long before it knocked on the door. If you cannot see the conclusion to this one in advance, you haven't been keeping up on your horror reading. Not a bad tale, considering several scenes of unpleasantness thrown into the mix, but far from spectacular.

"Hell" was the weakest contribution to the book. A man whose daughter mysteriously leaves one day literally visits the underworld in an attempt to feel better about his loss. It's one of those "you think you got it bad? Check out these poor blokes" stories. The guy witnesses staged genocides and mass sufferings through the windows of his Hell tour bus (!), all a part of a carefully orchestrated therapy program. When he sees his daughter in one of the landscapes, he escapes from the bus and makes his own personal journey through the nightmares. Will he rescue his offspring? Will they escape from Hell before demons turn them into hamburger? Maybe, but getting to the end of this story was quite tedious. I never knew where Lebbon was going with this unsatisfying tale.

"The First Law" and "The Origin of Truth" are somewhat better. The former is a story about some sailors stranded on a terrible island after a submarine sinks their boat. They find out that their newfound land harbors a nature so pure that it cannot tolerate the presence of human interlopers. I liked the story solely because it turns the conventional idea of shipwrecked people finding sanctuary on a deserted island on its head. The latter story relates the horrors of nanotechnology run amok through the eyes of a young family. As the world collapses into its component molecules under the relentless march of replicating miniature robots, the family flees north in an effort to stave off the inevitable. Lebbon plays with your head as he has the young girl, Gemma, begin channeling advanced scientific theories from seemingly out of nowhere. Perhaps this girl can save humanity? Or perhaps not. Whatever the case, you'll feel for these characters by the end of the story.

The last story deals with a depressing future where humans interact with artificial androids. It's a technological and polluted world filled with bored souls looking for a good time through "chopping." Think body modification and piercing carried to insane levels (adding extra legs, arms, and other body parts), and you'll get the idea. The story can be nasty at times, but it is really about the restorative powers of love. Sounds weird, huh? Well, it is. It is also arguably the best story in the book. According to the endnotes, Lebbon wrote it just for this collection. "White and Other Tales of Ruin" is a good way to spend a day or two, a good read for those interested in new horror, but nothing here trumps "Swan Song" or "The Stand," the two books that are the best apocalyptic horror has to offer.