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White Slaves, African Masters: An Anthology of American Barbary Captivity Narratives [Paperback]

Paul Baepler
4.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

May 15, 1999 0226034046 978-0226034041 1
Some of the most popular stories in nineteenth-century America were sensational tales of whites captured and enslaved in North Africa. White Slaves, African Masters for the first time gathers together a selection of these Barbary captivity narratives, which significantly influenced early American attitudes toward race, slavery, and nationalism.

Though Barbary privateers began to seize North American colonists as early as 1625, Barbary captivity narratives did not begin to flourish until after the American Revolution. During these years, stories of Barbary captivity forced the U.S. government to pay humiliating tributes to African rulers, stimulated the drive to create the U.S. Navy, and brought on America's first post-revolutionary war. These tales also were used both to justify and to vilify slavery.

The accounts collected here range from the 1798 tale of John Foss, who was ransomed by Thomas Jefferson's administration for tribute totaling a sixth of the annual federal budget, to the story of Ion Perdicaris, whose (probably staged) abduction in Tangier in 1904 prompted Theodore Roosevelt to send warships to Morocco and inspired the 1975 film The Wind and the Lion. Also included is the unusual story of Robert Adams, a light-skinned African American who was abducted by Arabs and used by them to hunt negro slaves; captured by black villagers who presumed he was white; then was sold back to a group of Arabs, from whom he was ransomed by a British diplomat.

Long out of print and never before anthologized, these fascinating tales open an entirely new chapter of early American literary history, and shed new light on the more familiar genres of Indian captivity narrative and American slave narrative.

"Baepler has done American literary and cultural historians a service by collecting these long-out-of-print Barbary captivity narratives . . . . Baepler's excellent introduction and full bibliography of primary and secondary sources greatly enhance our knowledge of this fascinating genre."—Library Journal

Frequently Bought Together

White Slaves, African Masters: An Anthology of American Barbary Captivity Narratives + Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, the Barbary Coast and Italy, 1500-1800 (Early Modern History) + White Cargo: The Forgotten History of Britain's White Slaves in America
Price for all three: $71.61

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Editorial Reviews

Amazon.com Review

It has been said that the Indian captivity narrative, in which kidnapped or captured colonials reported the hardships of imprisonment at the hands of native people, is the first truly American literary genre. In White Slaves, African Masters, historian Paul Baepler shows that this genre had a precursor in the so-called Barbary captivity narrative, in which some unlucky European (or, later, American) describes life as a slave of the Algerian and Moroccan pashas, rulers of the Barbary Coast. Such narratives form part of Cervantes's Don Quixote and Defoe's Robinson Crusoe; they also make up a large canon of literary, historical, and autobiographical works that are scarcely known today, even among historians. Yet in their time, these writings were widely circulated. Cotton Mather, the famed New England cleric, used several of them to denounce the Muslims of North Africa, proclaiming from the pulpit that being their prisoner was "the most horrible captivity in the world," and Benjamin Franklin drew on Barbary captivity narratives to decry the slave trade of the Southern United States.

In this one-of-a-kind anthology, Baepler gathers several noteworthy examples from American sources, beginning with Cotton Mather's sermons, continuing through post-Revolutionary War writings, such as Jonathan Cowdery's "American Captives in Tripoli" (whose daring rescue by U.S. marines provided us with the phrase "the shores of Tripoli"), and ending with a bogus narrative by one Eliza Bradley, whose 1820 memoir went into 13 U.S. editions. The narratives, Baepler reminds us, point to the long pattern of mutual misunderstanding that has prevailed between the United States and the Muslim world. Read as history and literature, these narratives also help illuminate a dark corner of the past. --Gregory McNamee

From Library Journal

Baepler (Univ. of Minnesota) has done American literary and cultural historians a service by collecting these long-out-of-print Barbary captivity narratives. These accounts of persons captured by Morocco and the Barbary regencies of Algiers, Tunis, and Tripoli inform study of the more familiar American slave and Indian captivity narratives. The nine pieces included here (mostly excerpts) span two centuries, from Cotton Mather's "The Glory of Goodness" to Ion Perdicaris's "In Raissuli's Hands," which led to Teddy Roosevelt's launching of warships to Morocco. Most of the works, though, are from 1790 to 1820, when the genre was enormously popular, probably because of the nation's increasing interest in the question of slavery. Baepler's excellent introduction and full bibliography of primary and secondary sources greatly enhance our knowledge of this fascinating genre. Recommended for all collections in American studies.ALouis J. Parascandola, Long Island Univ., Brooklyn, NY
Copyright 1999 Reed Business Information, Inc.

Product Details

  • Paperback: 324 pages
  • Publisher: University Of Chicago Press; 1 edition (May 15, 1999)
  • Language: English
  • ISBN-10: 0226034046
  • ISBN-13: 978-0226034041
  • Product Dimensions: 6.1 x 0.9 x 9.1 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #585,246 in Books (See Top 100 in Books)

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33 of 35 people found the following review helpful
4.0 out of 5 stars Captivated by captivity narratives December 5, 1999
Format:Paperback
While reading Baepler's book WHITE SLAVES, AFRICAN MASTERS I kept asking myself, Why didn't I know about this fascinating part of American and world history before? While I found the men's stories to be captivating, I was especially enthralled with the stories of women captives such as Eliza Bradley and Maria Martin. The stories kept me wanting to read more...wanting to know what would happen next. I think some of these captivity narratives would make a great movie or TV mini-series! I'm recommending the book to friends who are history buffs and others who just want a good read.
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13 of 19 people found the following review helpful
4.0 out of 5 stars Excellent Historical Additions April 15, 2006
Format:Paperback
A hard one to rate. The stories vary from well done to poorly crafted. Some are fictional, some truthful, and some fictional but pretend to be truthful. There oldest story is 3 centuries earlier than the most recent- and thus the stories represent a very varied style of writings. But the editor is up front with all of this, and most preemininetly, it is the editor who should be judged in this case.

I do not find him wanting. He has brought together a very unique collection that needs greater public scrutiny. It is intriguing to see all the ways the myth of slavery by whites alone is exploded. While the evils of slavery under whites in America are great indeed, so is all slavery, in all times, and this is shown very clearly in this collection. It is horrible to hear the events in these stories, and to contemplate how much more horrible are the stories of those who never got a chance to speak, for they were in slavery throughout their lives. Of little better joy are those who apostocized to Islam simply to avoid the horrors of slavery, exposing another interreligious myth.

It would be nice to have more detail on how reliable these stories are. Although there is a long introduction in the beginning, it doesn't fully give us the information we need to judge the authenticity of these narratives. For instance, it seems very likely that the story of Adams was at least in part manufactured, as the animals he describes do not exist or else do not act in the manner that he ascribes to them. But the editor only mentions that another author has shown with a great deal of evidence that Adams' story has veracity, and then we never hear what that evidence is. Also, it would be more helpful if Cotton Mathers sermon were updated.
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