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White Walls: Collected Stories (New York Review Books)
 
 
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White Walls: Collected Stories (New York Review Books) [Paperback]

Tatyana Tolstaya (Author), Jamey Gambrell (Translator), Antonina Bouis (Translator)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

New York Review Books April 17, 2007
A New York Review Books Original

“Tolstaya carves indelible people who roam the imagination long after the book is put down.” –Time

Tatyana Tolstaya’s short stories—with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair—established her in the 1980s as one of modern Russia’s finest writers. Since then her work has been translated throughout the world. Edna O’Brien has called Tolstaya “an enchantress.” Anita Desai has spoken of her work’s “richness and ardent life.” Mixing heartbreak and humor, dizzying flights of fantasy and plunging descents to earth, Tolstaya is the natural successor in a great Russian literary lineage that includes Gogol, Yuri Olesha, Bulgakov, and Nabokov.

White Walls is the most comprehensive collection of Tolstaya’s short fiction to be published in English so far. It presents the contents of her two previous collections, On the Golden Porch and Sleepwalker in a Fog, along with several previously uncollected stories. Tolstaya writes of lonely children and lost love, of philosophers of the absurd and poets working as janitors, of angels and halfwits. She shows how the extraordinary will suddenly erupt in the midst of ordinary life, as she explores the human condition with a matchless combination of unbound imagination and unapologetic sympathy.

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Editorial Reviews

From Publishers Weekly

Starred Review. Angels, imaginary friends, near-saints, shades and über-ogres fall to Earth among ordinary Russians and routinely succeed in whetting the imagination in this sparkling collection from Tolstoy's great-grandniece, a longtime New Yorker fiction contributor. It includes her two previous story collections, On the Golden Porch and Sleepwalker in a Fog, along with more recent work. The opening story, "Loves Me, Loves Me Not," presents the classic hateful nanny/spoiled kids dyad, setting it in a Leningrad full of wonders: some menacing, others joyous. In "Okkerivil River," the hapless Simeonov sets off to rescue (or so he imagines) chanteuse Vera Vasilevna, who has serenaded him from his Victrola for half a lifetime. When he does find her, she turns out to be exactly like the title river: vivid, repugnant and polluted beyond human redress. In "The Circle," Vassily Mikailovich (Tolstaya wryly leaves him without a surname) turns 60 and finds little behind or ahead of him, despite meeting the ghost of former lover Isolde. In "Yorick," a baleen whale, provider of bone for button-making and enabler of childhood fantasies, is elegized as Hamlet's nursemaid and human cairn to the narrator. Beautiful, imaginative and disconcerting, Tolstaya's Russia is a labyrinth of treasures and horrors. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"Tolstaya's voice is utterly her own, incorporating comic exaggeration, sly satire, bursts of lyricism and whimsy to intoxicating effect." --National Post (Canada)

"Tolstaya demonstrates an impressive range in these 23 stories...[that encompass] political satire, flights of surrealism and realistic urban and domestic dramas, nearly all set in the Soviet era...Children, old folks and the struggling in-betweens–Tolstaya sees into all their hearts. Remarkable" –Kirkus

“Tolstaya offsets layers of exquisitely constructed language with the colloquial and the idiomatic and in a similar way layers the commonplace with the supernatural. The creation of a brilliant jumble of motley metaphors is her gift – not plot, trajectory, or the arc of a story, but the plunge into the middle of dazzling verbiage, her bright universe.” –The Boston Phoenix

Praise for Tolstaya:

Tolstaya is "considered by many critics and writers to be the foremost writer of her generation, a miniaturist whose stories combine the linguistic stardust of Vladimir Nabokov and the emotional wisdom of Anton Chekhov."–The Washington Post

Product Details

  • Paperback: 404 pages
  • Publisher: NYRB Classics (April 17, 2007)
  • Language: English
  • ISBN-10: 1590171977
  • ISBN-13: 978-1590171974
  • Product Dimensions: 5 x 0.9 x 8 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #396,818 in Books (See Top 100 in Books)

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7 of 9 people found the following review helpful:
5.0 out of 5 stars Tolstaya, The Great Enchantress, July 21, 2008
This review is from: White Walls: Collected Stories (New York Review Books) (Paperback)
If the literary style genie were to suddenly appear--he's bare-chested, muscled and tattooed like the rest of the genies, but wears spectacles and travels amid a flock of white index cards--I would say to that genie, "I want to be a queer Tatyana Tolstaya."

Tolstaya is the grand enchantress of the More-Is-More School, firing off one inspired rant after another. Her characters launch diatribes on why women should have fur tails, or teeth that receive radio signals. Plot matters less than the gleeful generous fireworks of language. Or the plot is the only plot that matters, namely, `I'm going to find some meaning and/or delight in this world'.

For almost two years now I've been attached to this book; every month I reread a few stories in hopes that they will prove contagious. Most of the stories in magazines so stilted and mannerly in comparison, like a respectable dinner party with white wine and filet of sole, and the whole time you're sitting there wishing it would finish already, so you could do out and carouse. Carouse and cavort is what Tolstaya's stories do--they are parties with dancing and fireworks. The New York Review of Books Classics series has rescued a lot of important books (check out: Walser, Desani, Chaudhuri, Pintorelli, Krudy) but this is one of the very best. And read Tolstaya's novel The Slynx too, but read this one first.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Amazing, April 20, 2010
This review is from: White Walls: Collected Stories (New York Review Books) (Paperback)
Fantastic use of language, surprising flights of fancy on every page. Am reading it now and loving it! Definitely one of the best contemporary Russian writers I've come across.
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3 of 22 people found the following review helpful:
4.0 out of 5 stars Satisfied customer., October 15, 2007
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This review is from: White Walls: Collected Stories (New York Review Books) (Paperback)
Perfect condition. On time delivery.

However the book represnts one of the most depressing views of mankind I have ever read.
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Inside This Book (learn more)
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Olga Mikhailovna, Alexei Petrovich, Vassily Mikhailovich, Vera Vasilevna, Alexandra Ernestovna, Antonina Sergeevna, Uncle Pasha, Vasily Paramonovich, Dmitry Ilich, Uncle Borya, Pavel Antonovich, Olga Khristoforovna, Uncle Zhenya, Aunt Zina, Ivan Nikolayevich, Yevgeniya Ivanovna, Akhmed Khasianovich, Jamey Gambrell, Aunt Rita, Okkervil River, Maria Maximovna, Ada Adolfovna, Veronika Vikentievna, The Assyrian, Comrade Bakhtiyarov
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