Over the years, the states music and dance has almost completely been co-opted by Southern whites, leaving a new generation of blacks unaware of the cultural phenomenon they helped create. It is sad that many young blacks in South Carolina have rejected beach music and the shag because they think the music has white-only roots. Years of racism and a lack of education have helped erase one of South Carolinas most notable creative accomplishments.
I chose the title Whitewash for this book because only after researching these stories did I learn that each continues to live and remain fiercely unresolved for a reason. Elaborate efforts have been made to distort and misrepresent each story and to omit it from the states official history. Perhaps the reason for this, I found, is because these stories share cultural attributes that go back to the antebellum South: stubbornness, pride, honor, and denial. Each has a leading role in this book."
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