Customer Reviews

Who Do We Think We Are

5 star:		(8)
4 star:		(4)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

This album was the final release for the Mk. II lineup of Gillan, Glover, Blackmore, Lord and Paice until their 1984 reunion album, "Perfect Strangers"

Although many people are quick to champion records like IN ROCK and MACHINE HEAD as the most definitive Purple albums, WDWTWA is one of my personal all time favorites. Standout tracks include the funky workout, "Rat Bat Blue, which contains one of the most dazzling keyboard solos I've ever heard! "Super Trouper" (whose name comes from the shining white spotlight that illuminated band members on stage) is a groovy hard rocker with an unusual flanged chorus section. This gives the song an almost astral feel. Listen to the lyrics of "Smooth Dancer" and you'll hear Ian Gillan express his frustration towards Mr. Ritchie Blackmore!

The mood of the album steps down a bit on tracks like the bluesy "Place In Line" and "Our Lady", but they are still great Purple staples.

The remastered edition of this wonderful album only adds a huge plus to an already great record. The overall sound of each track sparkles like they have been polished to brand new. As has been the case with all of the 30th Anniversary DP remasters, the difference is night and day. The WB editions of Purple's early 70's releases sounded muffled and hissy. It was almost like listening to an old cassette, as opposed to a CD. The new remasters remedy these problems in a big way.

As bonus tracks, Roger Glover added a cleaned up mix of "Painted Horse" (previously issued on 1980's compilation POWERHOUSE), an alternate bridge section from "Woman From Tokyo", a brief jam from the "Rat Bat Blue" writing sessions and an 11 minute improvisation titled "First Day Jam". It's always great to hear this sort of never-before-issued rehearsal stuff.

But my favorite bonus tracks would have to be the re-mixes. While the re-mixed versions of songs like "Woman From Tokyo", "Our Lady" and "Rat Bat Blue" might not be exactly how you remembered them, that is some of the point in doing them. The re-mixes are superior in sound quality to the regular album tracks since they are taken from the ORIGINAL master tapes, not a 1st generation mix (like the regular album tracks at the beginning of the disc). They also feature previously unheard guitar solos and sounds that were buried on the album mixes. Ian's vocal track for "Our Lady" is unmasked by the new mix, which removes some of the original sound effects used on his voice. "Woman From Tokyo" is a real treat too, with the keyboards boosted in volume (especially during the main riff). Some unused Blackmore solos can be heard during the outro of the song, which extends a good ways beyond the original fade out.

Whether you've never heard this album or you're still sitting on an old copy, I hope I've convinced you to check it out. It's a timeless classic that still sounds progressive almost 30 years later.

Made in EU in 2000, Serial# 5-21607-2, Playing Time 72:33

This is the last album of the 70's recorded by the Mark II line-up, and this remastered version includes extra stuff not available on the regular edition.

A portion of the liner notes were written by Glover, and that makes for an interesting story. Most of you reading this probably have the "regular version", so I'll focus my comments on the 7 bonus tracks.

Track 8, the remix of "Woman From Tokyo" is astounding, and gives a great alternative to an already great track.

Track 9 is an alternate bridge to the song, where the energy tones down; in this case, no vocals, just a quiet snippet of 1:26. I would have preferred it if they would have remixed the whole track and include this bridge, in order to get the full feeling for the song.

Track 10 is an out-take originally released in the UK on 1977's "Powerhouse" album, and later re-released in Japan on 1980's "New, Live And Rare". Closer to the "In Rock" sound, and features Gillan on harmonica.

Track 11 is a remix of "Our Lady", and once again, demonstrates how a mix can change the overall sound of a song.

Track 12 is a 0:57 snippet that catches the band in the writing process of my favorite song on WDWTWA, "Rat Bat Blue". No vocals as the tape was rolling, and this segment has no real purpose and dare I say, no value.

Track 13 is a remix of the full song, with a longer outro, and Blackmore using a somewhat different ending. A real bonus!

Track 14 represents the most interesting un-released portion of this edition: an 11:27 instrumental jam recorded during the first day of the recording sessions. Based on his own story, Glover got lost on his way to the studio, and the trio of Paice, Lord and Blackmore were "testing out" the sounds. There is no guitar on this track as Blackmore plays BASS (and quite adeptly).

Overall, this edition makes the "regular" version obsolete; the sound quality is much improved, and most of the additional 38 minutes of music is significantly worthwhile.

This has to be the most underrated Deep Purple Mk II album. To a certain extent it was always going to be, following as it did the real classics "In Rock", "Fireball" and "Machine Head". Of course that is leaving out the phenomenal live album "Made In Japan". And coming as it did as the Mk II line-up was falling apart, this edition falls short of its remastered predecessors by lacking the outtakes. What you get is what they recorded. The bare minimum to complete an album, with the addition of one track, "Painted Horse" which didn't make the finished product because 4 out of 5 didn't like it. But just listen to the music. If this band made a bad album as they were falling apart, I for one would welcome THAT coming out on CD, to hear what it was like. "Who Do We Think We Are" is an underrated classic. Just listen to it all the way through and you'll realize that the quality was just as high as it was on the others. In fact better than on some of the releases by other line-ups. The lack of 'previously unreleased' material should not detract from buying this. The remastering and remixing have turned this into a must-have edition. Go for it. You'll be surprised.

If for no other reason, get this cd for "Woman from Tokyo". The opening riff is both Jon Lord hammering on his Hammond and Ritchie Blackmore's power chords in unison. Gillan is nothing less than a man posessed: the man was at his peak! He belts out the melody till he gets to the bridge and the song is suddenly like a lullaby till the power chords return to bring the song back to the way it started.

5 stars is not enough!!!It's a pleasure to re-indulge in such a familiar pleasure as this album. Re-masters - yeah!- how sweet it is to hear old things in a fresh, new way. The packaging, as is typical for the Purple re-issues, is as much fun as the music itself - Roger Glovers notes and thoughts on the times, great pictures and other info relevant to the release, all in a nice BIG colorful booklet. Also, the editing is wonderful - dig the end of "...Tokyo" '99 remix...cool stuff for a geek such as myself (reads: TRUE FAN). And, so as to not be too duplicitous, the "ALT BRIDGE" track of the same song is only the relevant excerpt, not the whole song AGAIN.(same for "Rat Bat Blue" writing session track) Brilliant.As far as the other treats on this album, this web sight seems to inform well about this "born again" classic. I never imagined I'd own "Painted Horse" on 3 different cd releases!!! (1 is on "Powerhouse", and yet another on "Live and Rare") Anyways...If it's your 1st time...way to be, you won't be disappointed. If you're already a fan, you'll really want to add this to your re-mastered collection!Buy It NOW!!!

If you haven't discovered Deep Purple, I'd have to suggest the Machine Head album as the place to start, if only for the familiarity of Smoke On The Water.

"Who Do We Think We Are" is for me though the best by a whisker of all their albums. The thing that makes Deep Purple unique has always been the strong organ sound to balance the lead guitar. On this album that balance is great.

The remaster also includes "Painted Horse", left off the original album through a band disagreement and not available on CD outside a Japan only compilation release.

The biggest thing wrong with the album is the ommission at the last minute of two frivolous outakes (one of which was titled "I've got a smelly bot"!). But at least the real music is there.

The remastering process has certainly allowed the music on this, the final Mk II Purple album, to leap out of your stereo speakers. It's hard to imagine that it sounded this good in 1973, CD vs Vinyl arguments aside. Roger Glover has done a superb job in rounding off the reissuing of the classic series of albums and Simon Robinson's liner notes are almost worth the purchase price alone. It's not quite in the same league as Machinehead or In Rock, but this is still a class act at work here. If only all CD reissues were carried out with such care and respect for fans.

A MUST FOR A PURPLE FAN. EXCELLENT REMASTER AND REMIXES IT'S WORTH IT JUST FOR THE FIRST DAY JAM 11 MIN. WITH BLACKMORE ON BASS ALL I CAN SAY IT'S GREAT!

The last album before the great split, there are few people who rate this as Purple's finest. But it certainly has its moments, and now in its remastered form with seven fascinating bonus tracks, it is well worth buying.

Before I got his this, I had never heard it in stereo. (When it first came out, my brother bought it in cassette form and only ever played it through a Philips portable mono machine.) So to hear the thumping drums and bass on the opening track, "My Woman From Tokyo", of this remastered LP was a fantastic pleasure. There is so much detail in the mix which I had never heard before.

In particular, the interplay between Lord's organ and Blackmore's guitar is fascinating. Both were great soloists, but I was always intrigued by the way they carried the basic tune. The band that I felt came closest was Atomic Rooster, but Purple outshone them in every way.

The accompanying booklet is brilliant, and an object lesson in how these repackagings should be done. I'm often in two minds about bonus tracks, because in many cases the artists were probably right not to release them originally. But 25 years on, I think many simply classify Purple as "Heavy Rock Band", and leave it at that. The bonus tracks on the remastered Purple catalogue clearly show that Purple were a lot more than that.

For someone new to Deep Purple, I would personally recommend them to buy "Machine Head" or "Made in Japan" first, with the proviso that many others also recommend "In Rock". But "Who Do We Think We are" is, overall, great second-tier Purple, and several of the tracks -- e.g "My Woman From Tokyo" and "Rat Bat Blues" -- are top-tier Purple.

All I can do now is wait in eager anticipation of the remastered "Burn".

Another excellent remastered CD from Deep Purple. Although "Who Do We Think We Are" never achieved such high status as "Machine Head" or "In Rock", it is a CD that is NOT to be ignored. All the songs within have the same classic feel of the best Deep Purple line up. Although this line up was to break up shortly after the release of this album due to personal conflicts, the quality of the music seemed only to get better. It's great to hear all the songs remastered, and the extra tracks are very interesting to say the least. The alternate bridge to Woman From Tokyo, a writing session for Rat Bat Blue (an extremely underrated Purple song), plus assorted remixed songs from the album and a great jam involving Paice, Lord, and Blackmore - on bass! Finally, equally as good as the music on this CD is the literature and rare pictures within the booklet. An excellent mini biography of the time is writen within by Simon Robinson from "Darker Than Blue" magazine - and a personal account of the time by Roger Glover is obviously a fascinating read as well. This CD is NOT for completists only. It's a valuable CD for anyone. Deep Purple are much more than the band who released Machine Head and In Rock. This CD proves it.