The concept and story are well known: cartoon characters are not drawings, but are living entities who work in the film industry, and when Maroon Cartoon star Roger Rabbit is accused of murdering Marvin Acme (Stubby Kaye), he turns to private detective Eddie Valiant (Bob Hoskins) for help. Trouble is, Eddie hates "Toons." After all, one of them offed his brother, and Eddie hasn't been sober since. The concept is a clever one, and the story could have gone in any number of directions--but ROGER RABBIT hops down a completely unexpected trail. Set in 1947 Los Angeles, the film uses classic "noir" elements (and references everything from THE MALTESE FALCON to CHINATOWN); it also makes considerable sly social commentary on racism, with the "Toons" performing in a Cotton Club-like nightclub, literally working for peanuts at the studios, and more or less confined to living in "Toontown," which might easily be read as social ghettoization. And all of these sidelights are interesting and entertaining. But the most attractive thing about ROGER RABBIT is that it is just plain fun to watch.

Part of that fun comes from the marvelous performances of Bob Hoskins, Christopher Lloyd (as the evil Judge Doom), and Joanna Cassidy (Valiant's sidekick Delores), who lead the live action cast. Another chunk of the fun is the way in which the film cameos a host of famous cartoon characters, ranging from Betty Boop to Bugs Bunny and the Warner Bro.s gang to Dumbo--and animation buffs will love the fact that Betty Boop and Bugs Bunny, to name but two, are voiced by the artists (Mae Questel and Mel Blanc) who created the character voices in the first place. But the big deal here is the extremely believable way in which the "Toons" fit into the real world. They rendered with astonishing detail and remarkable three dimensionality. It's just an amazing thing to watch.

The overall DVD package is a bit odd, for it offers less in the way of bonuses than one might expect. The first disk includes a pan-and-scan version of the film, three Roger Rabbit/Baby Herman shorts, a kid-friendly documentary, and a CD-ROM game; the second disk offers the letterbox film with extras that will appeal to more mature viewers, most particularly on-set shots and a nifty documentary called "Behind the Ears." The upshot is really a one-disk release that has been expanded to two by the trick of cramming both pan-and-scan and letterbox versions into a single package. That's annoying--but even so, this is easily the best release of this film to date. It at gives the rabbit some justice at last, and I give it five stars on that basis.

Seeing the film again reminded me how impressed I was with the audacity and accomplishment of Bob Zemeckis and his collaborators on bringing off with care and intelligence, a sharp & funny film that plays to both children & adults. Who would have thunk it?

Taking a Chinatown-like story of early Los Angeles with some basis in fact (destroying the Red Line to make way for freeways) complete with murder & intrigue & marrying it to the screwy conceit that cartoon figures, aka Toons, actually lived and worked as live actors and inhabited a section of LA called Toontown is such a manifestly dopey idea that it would take enormous inspiration, intelligence and attention to detail to make it even nominally work. All of those qualities were present, as the extras demonstrate, in abundance here, and the result was movie magic.

Made prior to CGI coming into its own, the characters were brought to the screen brilliantly. As one of the animators pointed out, even early CGI was rejected because the film-makers wanted the characters to maintain their cartoon look, only brought into 3 dimensions. The hows and whys of what they did to achieve this magic are worth a look.

Anchored by the great casting of Bob Hoskins, Christopher Lloyd and Joanna Cassidy and Charles Fleischer, brilliant technical work, and a clever story strung through with great good humor, dialogue and jokes for kids and adults, this film has some cherished, favorite lines, from Baby Herman's "That's my problem, I've got a 50 year-old lust, and a 3 year-old dinky.", to Jessica Rabbit's: "I'm not bad, I'm just drawn that way.", to Eddie on the wayward bullets "Eh, Dum Dums!" This is great stuff.

"Toons, gets em every time!" Some kind of classic here, and well worth your while.

I was 10 when "Who Framed Roger Rabbit?" came out and it is just as much fun to watch now, maybe funnier because I missed some of the humor back then. Roger's a riot and his wife, Jessica Rabbit ("I'm not bad, I'm just drawn that way"), is truly a toon vixen. Bob Hoskin's Eddie Valiant is sent to find out the truth when the owner of Toon Town is murdered after playing patty-cake (literally) with Jessica. Everyone assumes a jealous Roger did it and that washed-up detective Eddie can't hack it anymore. There is lots of subtle humor, like when Eddie asks for a scotch on the rocks in a 'toon bar and instead of ice he gets actual rocks. Eddie seriously hates Toon Town because his brother had a piano dropped on his head, but he eventually becomes pals with Roger, overcomes his hatred of Toon Town and clears Roger's name. Christopher Lloyd's Judge Doom is perfectly creepy and his squad of weasels are funny as they try to stop Eddie and Roger from discovering the truth.

The interaction between the live actors and the toons is seamless, probably why the movie won four Oscars. The behind the scenes features and commentaries are great, the entire 2-disc set is incredibly well-thought out and packaged, making it a must-have for the fan.