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Who We Are: On Being (and Not Being) a Jewish American Writer
 
 
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Who We Are: On Being (and Not Being) a Jewish American Writer [Hardcover]

Derek Rubin (Editor)

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Book Description

May 10, 2005
This unprecedented collection brings together the major Jewish American writers of the past fifty years as they examine issues of identity and how they’ve made their work respond.

E.L. Doctorow questions the very notion of the Jewish American writer, insisting that all great writing is secular and universal. Allegra Goodman embraces the categorization, arguing that it immediately binds her to her readers. Dara Horn, among the youngest of these writers, describes the tendency of Jewish writers to focus on anti-Semitism and advocates a more creative and positive way of telling the Jewish story. Thane Rosenbaum explains that as a child of Holocaust survivors, he was driven to write in an attempt to reimagine the tragic endings in Jewish history.

Here are the stories of how these writers became who they are: Saul Bellow on his adolescence in Chicago, Grace Paley on her early love of Romantic poetry, Chaim Potok on being transformed by the work of Evelyn Waugh. Here, too, are Philip Roth, Cynthia Ozick, Erica Jong, Jonathon Rosen, Tova Mirvis, Pearl Abraham, Alan Lelchuk, Rebecca Goldstein, Nessa Rapoport, and many more.

Spanning three generations of Jewish writing in America, these essays — by turns nostalgic, comic, moving, and deeply provocative- constitute an invaluable investigation into the thinking and the work of some of America’s most important writers.

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Editorial Reviews

From Publishers Weekly

The recent death of Saul Bellow casts an unintended perspective on this anthology. Bellow is the first writer in it, and younger writers, such as Jonathan Rosen, acknowledge their debt to him. Moreover, his sidestepping of the Jewish literary question with the semi-dismissive "I am a Jew, and I have written some books" becomes a touchstone for many of the other 28 authors to agree with or reject. The large cast, spanning several generations, creates a distinct layering effect: Philip Roth reflects on the virulent reaction against his early short stories; later, Binnie Kirshenbaum admits that Goodbye, Columbus was the first book that "got under my skin." The solemnity of the debate over identity is frequently lightened by humor. Max Apple splits his inner self into a squabbling duo, the assimilationist Max and the hyper-Yiddish Mottele, while Art Spiegelman contributes a two-page cartoon about being "just another baby-boom boy" overwhelmed by memory. Women are particularly well represented in the youngest generation, including Lara Vapnyar, Tova Mirvis and Yael Goldstein. As the argument over what constitutes authentic Jewish fiction continues to be revisited (most recently by Wendy Shalit in the New York Times Book Review), these thoughtful essays take on added relevance. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Writers are often defined in terms of their ethnicity or religion, but do fiction writers necessarily write as members of a group, or as representatives of a culture or tradition? Just because an American writer is Jewish, is it valid to label him or her a Jewish American writer? Literature professor Rubin invited Jewish American writers to weigh in on this contentious subject, and the result is a thought-provoking, engaging anthology of 29 candid essays about everything from anti-Semitism to the Old Testament to the "purposes and possibilities" of fiction, to quote Philip Roth. A scathing essay by Saul Bellow is followed by Grace Paley's more tender musings and the piquant rigor of Cynthia Ozick; E. L. Doctorow; mother and daughter Rebecca Goldstein and Yael Goldstein; Jonathan Rosen; and Allegra Goodman, as well as witty disputations by Leslie Epstein, Max Apple, and Erica Jong. Rubin's compendium is as timely as it is intriguing, given the fact that we are in the midst of a new wave of Jewish American literature. Donna Seaman
Copyright © American Library Association. All rights reserved

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