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5.0 out of 5 stars
Those who unbraided her hair, March 31, 2000
This review is from: Who Would Unbraid Her Hair : the Legend of Annie Mae (Paperback)
Antoinette Nora Claypoole has unleashed a monster of a book that delves deeper into the mysteries surrounding the murder of Annie Mae Pictou-Aquash than many of her one-time friends and lovers will be comfortable with. The book, _Who would unbraid her hair: The legend of annie mae_, published by anam cara press, was released in November, 1999.
Claypoole's book is, like Anna Mae's life, a harrowing journey into the maze of idealism, paranoia, and blind spots of Indian activism and its nemesis, the miscellaneous COINTELPRO operations run by the Federal Bureau of Investigation. Claypoole's intentions for the book, as Anna Mae's for her life, are nothing but good: "The continual intention of my work is to encourage a healing of the fear and sorrow, anger and injustice which surround the memory of Annie Mae, and to help her wondering spirit settle into her journey home" (p. xiv). And in the end, both Anna Mae and Antoinette Nora were stymied, through no fault of their own, Anna Mae by a bullet through the back of her head, and Claypoole by a pervasive silence that still blankets Indian Country like a shroud.
Don't let that harsh judgment keep you from reading Claypoole's book. It is indispensable. But understand that this is not a mystery novel that ends with an answer to the "whodunit" question; rather, it is a book that helps us to frame the questions that need to be asked. "this is a book about silence and how it murders people. this is a book about breaking ancient rituals. of human sacrifice and tragedy" (p. xxiv).
Only those who read it in the hope of figuring out who did what to whom will be disappointed. Being able to place blame with someone who either pulled the trigger or ordered the trigger pulled is like trying to name the person who conducted or ordered the American holocaust. It's not that simple. As Claypoole herself puts it (p. 2), ."..people want eyes for eyes, like that's some kind of [antidote] for fear. and i say it's anna mae's life we need to listen to. and telling her story is like telling all the stories. living in this way, some things are sacred despite the quest for 'justice' and power." The silence Claypoole heard so often during her quest for stories is itself a story. Listen to it...
Background Annie Mae Pictou was born near Shubenacadie, Nova Scotia, March 17, 1945. A childhood of poverty, discomfiting Catholic schools, and grueling temporary jobs picking blueberries in Maine conspired to lead Annie Mae off the Mi'kmaq reserve in Canada and into Boston, Massachusetts in 1962. She married Jake Mahoney and gave birth to daughters Denise and Deborah by him before their marriage began to crumble in 1969.
She helped to organize the Boston Indian Council in 1969, taking an active role in providing therapy for alcoholics, job-placement assistance, and after-school programs for children, all geared toward the Boston Indian community. She joined members of the American Indian Movement in 1970 on a Thanksgiving Day takeover of the Mayflower II in Boston harbor.
When she heard that some of the friends she'd met on the Mayflower II were involved in the takeover and siege at Wounded Knee in early 1973, she left Boston with her new lover, Nogeeshik Aquash, and joined them. There, she did grunt work for the group, dug trenches, dodged bullets, delivered a baby of Mary soon-to-be Crow Dog, and was married to Aquash in a pipe ceremony performed by Wallace Black Elk.
In the two and a half years that followed, Anna Mae rose to prominence among the AIM. By the summer of 1974, her marriage to Aquash was failing while her ties to AIM and to Dennis Banks, in particular, were strengthening. Her closeness with Banks effectively thrust her into a position of leadership. Banks and others allegedly sought her input on key decisions.
Anna Mae's stature within AIM also put her in the sights of the FBI. Arrested and questioned repeatedly, she invariably was released ÷ with or without bond. When Doug Durham , "chief" of AIM security and a personal bodyguard of Dennis Banks, was uncovered as a federal informant, paranoia within AIM made everyone a suspect. Anna Mae, with her repeated arrests and seemingly favored treatment by the FBI, was tailored for the proverbial snitch jacket.
Her body was found in a ravine on the eastern edge of the Pine Ridge reservation on February 24, 1976, by a rancher who was building a fence. Federal authorities contracted with a coroner, W. O. Brown, who apparently didn't notice the blood oozing from her skull or the bullet impaling her left temple. He ruled the cause of death as "exposure," severed both of her hands for finger-printing, and buried her as "Jane Doe" in an unmarked grave.
Silent Treatment Claypoole's book provides a good overview of the life of Annie Mae Pictou-Aquash. It provides a worthy complement to Johanna Brandt's _The life and death of Anna Mae Aquash_ (1978, 1993). Claypoole also sketches the environmental and political contexts in which Anna Mae lived. Headlines include the occupation of Alcatraz island in 1969, the occupation of Fort Lawton in 1970 and its return to Indian ownership in Seattle, the Trail of Broken Treaties leading to the takeover of the BIA building in Washington, D.C., in 1972, the siege at Wounded Knee, 1973, and the shoot-out at the Jumping Bull ranch in 1975 that led to the incarceration of Leonard Peltier as a political prisoner.
While it covers history and broaches biography, _Who would unbraid her hair_ is neither a history book nor a biography - at least, not in the ordinary sense of those genres. Interviews, prose, poetry, and journal entries are juxtaposed throughout the text. It makes for a lively read, and one that is packed with the kind of emotion, suspense, and frustration that absorbed political activists of days gone by.
Many readers are apt to find the interviews and attempts at interviews of former friends and lovers of Annie Mae the most frustrating. In the closing couplet of a poem, Claypoole suggests that she was "working on a story no one wants to tell" (p. 46). I suspect that some of Claypoole's contacts who refused to comment will be anxious to pick up her book to make sure they were not misquoted.
The silence has been broken intermittently, as with public allegations that John Boy Patton pulled the trigger while Arlo Looking Cloud and Theda Nelson Clark looked on. Others have been named in addition to those three. Rob Robideau says that Frank Dillon stood next to Patton at the execution. Unnamed sources of News From Indian Country say that David Hill and Clyde Bellecourt were "there," too, and that another carload of AIM members was on its way to try to stop the execution, but arrived "too late."
The latest breach of silence was initiated by Robert Pictou-Branscombe, a cousin of Anna Mae, who recently charged national AIM leaders with ordering the execution. Russell Means held a press conference in Denver to endorse Branscombe's charges. Vernon Bellecourt issued a statement denying those charges and indicting Means and Ward Churchill.
These allegations have never been tested or challenged in court ÷ most of the allegations are sufficiently vague that specific criminal indictments could never be mustered against any of those charged.
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