The six narratives and three sequences in this book are supposed to be “different from one another,” and, to be sure, each narrative is distinctive. “The Love Child,” about the coincidence a downed pilot stumbles not upon but into, and “A Barn Built in Ohio,” a stretcher picked up while asking the way to Dayton, are both outlandish and sad, but whereas “Barn” admits rueful humor, “Child” evokes terror and pity. “Shocks” is an ordinary guy’s monologue on practical justice; “Buddies,” a memoir of fun during what most call the Depression but here demands its alternate identity, the interwar period. “Jane Doe” and “Samaritans” speculate on the recurring mysteries represented by an abandoned baby and beached whales, respectively. The three sequences differ even more than the narratives. Though “Blessings” and “Broken Laws” both consider transcendence, the first descries it in procreation, the other in the firmament. The sojourner’s reports of “A Year in Dijon” embrace narrative and philosophical modes and add the historical to them. The mastery of a profoundly observant poet is confirmed throughout.
--This text refers to the
Hardcover
edition.
About the Author
Daniel Hoffman has published a dozen books of poetry, including
Beyond Silence, his collected shorter poems, and
Brotherly Love, a finalist for both the National Book Award and the National Book Critics Circle Award. He has recently received the Arthur Anse prize for "a distinctive poet" from the American Academy of Arts and Letters and, from the
Sewanee Review, the Aiken-Taylor Award for Contemporary American Poetry. The best known of his six critical studies is
Poe Poe Poe Poe Poe Poe Poe, also a National Book Award finalist. He has taught at Swarthmore College and at the University of Pennsylvania, where he is the Felix Schelling Professor of English Emeritus. Hoffman lives in Swarthmore, Pennsylvania, and on Cape Rosier in Maine.