The Whole Shootin Match
 
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The Whole Shootin Match (1979)

Lou Perryman , Sonny Carl Davis , Eagle Pennell  |  Unrated |  DVD
4.7 out of 5 stars  See all reviews (6 customer reviews)


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Product Details

  • Actors: Lou Perryman, Sonny Carl Davis, Doris Hargrave, Eric Henshaw, David Weber
  • Directors: Eagle Pennell
  • Writers: Eagle Pennell, Lin Sutherland
  • Format: Box set, Black & White, DVD, Subtitled, NTSC
  • Language: English
  • Subtitles: Spanish
  • Region: All Regions
  • Aspect Ratio: 1.33:1
  • Number of discs: 3
  • Rated: Unrated
  • Studio: Watchmaker Films
  • DVD Release Date: February 24, 2009
  • Run Time: 109 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • ASIN: B001HPP7DW
  • Amazon Best Sellers Rank: #197,638 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "The Whole Shootin Match" visit the Internet Movie Database (IMDb)

Editorial Reviews

Dave Kehr, The New York Times, Sunday, February 22, 2009

"The beginnings of the American independent film movement can partly be traced to the 1978 Utah/U.S. Film Festival, a small-scale event in Salt Lake City that presented eight features in a regional cinema competition. On the festival's board was a local ski resort owner, Robert Redford, who was so taken with what he saw that he went on to found the Sundance Institute three years later. Among the films in that first Utah/U.S. Film Festival was Eagle Pennell's 16-millimeter, black-and-white feature, "The Whole Shootin' Match," a laconic comedy about a pair of lovable Texas losers who try and fail at a series of get-rich-quick schemes. Mr. Pennell's protagonists are the Mutt-and-Jeff team of Loyd (Lou Perryman, billed here as Lou Perry), a lanky daydreamer who builds goofy labor-saving devices from the junk lying around his front stoop; and Frank (Sonny Carl Davis), a fading high school football hero who can't help cheating on his infinitely patient wife, Paulette (Doris Hargrave). Mr. Pennell, a then 25-year-old University of Texas dropout who had done some movie production work around Austin, directs with a surprisingly sure hand, filming the characters' low-key exchanges in long, single-take shots that underline the distinctively Southwestern tempo of the dialogue. But "Shootin' Match" soon vanished, thanks largely to the faltering fortunes of Mr. Pennell, an alcoholic whose worst instincts were encouraged by the attention the film brought him. It has now appeared on DVD, in a handsome version reconstructed from the only surviving print. The well-designed box set, released by the London company Watchmaker Films, includes a 44-page booklet and a documentary on the self-dramatizing, self-destructive Mr. Pennell (born Glenn Pinnell), directed by his nephew, René Pinnell, and Claire Huie. The documentary, "The King of Texas," tells a much darker story than the feature: the tragedy of a gifted young man devoured by his demons, who made one more interesting film ("Last Night at the Alamo," 1983) before spiraling into drink and drugs, dying an outcast in 2002."

Product Description

THE WHOLE SHOOTIN' MATCH is credited with having inspired Robert Redford to launch the Sundance Institute. Beyond that, it was a seminal film in the burgeoning American independent film movement of the 1970s. The film dropped out of sight by the mid-1980s. This comprehensive restoration is from the only known existing print. The soundtrack has been completely rebuilt. This edition includes a restoration of the director's first short film, A HELL OF A NOTE and a new, original feature-length documentary, THE KING OF TEXAS about the tragic life of Eagle Pennell Finally, this three disc edition includes a CD of the original music for THE WHOLE SHOOTIN' MATCH and THE KING OF TEXAS by Austin musician Chuck Pinnell, featuring songs by Slaid Cleaves.

 

Customer Reviews

6 Reviews
5 star:
 (4)
4 star:
 (2)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
5.0 out of 5 stars The beginning of a beautiful friendship, February 13, 2010
This review is from: The Whole Shootin Match (DVD)
Made in 1978 on a very limited budget, raised by the filmmakers themselves, Eagle Pennell's Texan buddy comedy was instrumental in demonstrating what could be done outside the Hollywood studio system by a director of vision and talent, inspiring Robert Redford to set up the Sundance Institute to support and encourage other filmmakers with a more intimate, personal vision more closely related to how real people live, the film thus leading the way towards the modern US independent movie scene. Almost forgotten and up until now virtually impossible to see, Watchmaker's laudable efforts to restore the film, releasing it in a lavish 3-disc DVD package with numerous supporting features and commentaries, show however that the film is more than of just historical interest, and that despite the limitations of the production, the weaknesses in the non-professional acting and the rough-and-ready direction, there's a heart-warming honesty to its depiction of the people of the American South that a more polished film could never match.

Appropriately in a way then, the film is about two Texan men, Frank and Loyd, small-timers operating off the beaten track, working with imperfect equipment, knowing they can't compete with big business and unwilling to work within its rules. Their small-time business ventures inevitably founder, and they as often find themselves out of work and out of pocket, but they have an unshakable belief in their abilities and a determination to succeed, and are convinced that one day the invention of the right product or service is going to make them rich men. In the meantime, failures are shrugged off with a night-out on the town enjoying the music, companionship and the women that the local bars have to offer. The men's carefree outlook however isn't shared by Frank's wife Paulette or their son, who are increasingly finding Frank's lack of responsibility difficult to endure, but will the two men wake up to reality before it's too late, or will they continue to cling to their dreams?

In a way then, the situation of characters with talent and ability to succeed but with the capability of throwing it all away reflects the reality known by the director, and mirror the sad decline that would follow in his own personal life. It's this truthful honesty about the character flaws in these Texan men that make The Whole Shootin' Match compelling, entertaining and heartbreaking viewing, drawn directly from reality rather than trying to soften the approach to appeal to a wider mainstream audience. The characters may be flawed certainly, and act against their own best interests out of stupidity or pride, but what shines through it all and redeems their faults is the strength of the friendship between Frank and Loyd that is mutually supportive, completely trusting, enduring and ultimately touching. It's one of the greatest friendships ever depicted on the screen. The truth and sincerity of that vision - assisted in no small part from a gorgeous country-inflected guitar score by the director's brother Chuck Pennell - shines through and helps the film overcome the limitations of the budget and sometimes primitive shooting and acting techniques.

This is what independent cinema is all about and The Whole Shootin' Match consequently comes across as a kind of missing link between early Cassavetes and the more modern US indie of Kelly Reichardt (Old Joy), informing the slacker ethos of fellow Texans Richard Linklater (Slacker) or the Kentucker Audley (Team Picture), with a genuine feel for characters living outside the mainstream, trying to find their place in the world. More than a historical curiosity then, the personal commitment and uncompromising stance of all those involved in making The Whole Shootin' Match ensures that the qualities that made it inspirational to a whole new generation of filmmakers are still evident and still very much relevant. The outstanding presentation of the restored 16mm film elements is supported with a full set of extra features that include Pennell's first short film, a feature length documentary on the director, a CD of the soundtrack, and additional interviews, articles and commentaries.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Outstanding Restoration of Long Lost Regional Cinema Classic, May 7, 2009
By 
Trace V. Ordiway "TVO" (Dallas, TX United States) - See all my reviews
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This review is from: The Whole Shootin Match (DVD)
Kudos to Watchmaker Films for their better-than-Criterion-quality restoration. They have treated this little picture with the reverence usually reserved for lost classics and, indeed, after watching it again after 30 years, I have to agree that it is a lost classic.

The packaging is great, the doc is great, all the extras are great, everything about the product is great. Can't tell you how much I enjoyed it. Thanks for giving "Shootin' Match" the place in history that it deserves.

"The Whole Shootin' Match" is an affectionate and funny look at two hapless blue collar losers who refuse to give up on their dreams of striking it rich. Pennell and cast worked for free and shot on weekends using short ends b&w film stock and borrowed equipment. The film was a sensation on the festival circuit, and by all accounts was the inspiration for Robert Redford to found The Sundance Institute.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars RIP Lou Perryman, April 26, 2009
By 
Robert Morgan (Richmond, VA USA) - See all my reviews
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This review is from: The Whole Shootin Match (DVD)
Directed by the late Eagle Pennell, THE WHOLE SHOOTIN' MATCH is more than a independent film landmark. It's a great, low-key character study featuring wonderfully naturalistic acting from Lou Perryman (best known as LG in THE TEXAS CHAINSAW MASSACRE and who was recently murdered in Austin, Texas) and Sonny Carl Davis (the irate customer who gets Judge Reinhold fired from his burger bitch job in FAST TIMES AT RIDGEMONT HIGH) as a pair of working class stiffs in Texas with big dreams and empty pockets. Pennell would go on to direct one more notable film, LAST NIGHT AT THE ALAMO, and a few forgettable films before passing away in 2002. THE WHOLE SHOOTIN' MATCH is a minor masterwork to be sought out and treasured.
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