Whole Wide World [Hardcover]

Paul McAuley (Author)

Book Description

Publication Date: May 17, 2002

Winner of both the Arthur C. Clarke and Philip K. Dick Awards, Paul McAuley has emerged as one of the most thrilling new talents in science fiction, acclaimed for his richly imagined future worlds as well as for his engrossing stories and vivid, all-too- human characters. Now he gives us a gripping and unforgettable thriller of the day after tomorrow--when the world and the Web are one.

London, in the aftermath of the Infowar. Surveillance cameras on every street corner, their tireless gaze linked to a cutting-edge artificial intelligence system. Censors zealously patrolling the Internet. A talented, young woman murdered before the cybernetic gaze of eager voyeurs.

A policeman sidelined to a backwater computer-crimes unit seizes on the chance to contribute to this high-profile murder case, but soon finds himself entangled in a web of high-tech intrigue. Why was Sophie Booth's murder broadcast over the Internet? What is the link between her brutal killing and London's new surveillance system? Who is the self-styled Avenger, and why does he communicate only by e-mail?

Whole Wide World is a compelling cyber-conspiracy thriller set in a world where information is the universal currency, and some people will do anything to be able to control it . . . .

Editorial Reviews

Amazon.com Review

If there is any justice, the excellent conspiracy thriller Whole Wide World will vault award-winning author Paul McAuley into the front rank of bestselling authors.

In the wake of a virulent "information war," England has become a police state with surveillance cameras on every street corner, linked by an evolving artificial intelligence. The government controls all access to the Internet. Privacy is a fantasy. Porn is illegal. But a young British woman manages to transmit her sexual escapades over the World Wide Web--and the acts culminate in the live broadcast of her own murder. But even as another woman is slain in the same manner, the war veteran-policeman Dixon finds himself being pressured off the case by powerful sources ranging from his superior officers to the dead woman's uncle, the powerful CEO who created the artificial intelligence that sees all and, perhaps, knows all.

Paul McAuley has received the Arthur C. Clarke Award and the Philip K. Dick Award. --Cynthia Ward

From Publishers Weekly

On the heels of last year's near-future novel, The Secret of Life, British author McAuley offers a stunning thriller set in London less than a decade in the future. The U.K. has been transformed by three events: the Infowar, which has wiped out most of the nation's stored computer records; the rise to power of a right-wing government sworn to eliminate all pornographic and violent materials, both hard copy and electronic; and the development of ADESS, the Autonomous Distributed Expert Surveillance System, a huge network of security cameras all guided by an evolving AI, all feeding their information into various police security computers. A market for pornography still exists, however, and young Sophie Booth, a London art student, aims to please, putting on shows for her adoring fans before her apartment's live webcams. Unfortunately, she opens her door to Mr. Wrong one day and is gruesomely murdered in front of those same webcams. A down-on-his-luck London police officer, his career nearly destroyed by false allegations of cowardliness during the Infowar, finds himself at the center of the investigation. Resented, even hated by his fellow officers, threatened by a mysterious and vicious hacker, he puts his life on the line to bring Sophie's murderer to justice. McAuley effectively combines traditional techno-thriller and police procedural techniques with a clear sense of where the World Wide Web at its worst may be going to produce a highly effective, well-crafted and unusually gritty novel that should please fans of both thrillers and computer-oriented hard SF.
Copyright 2002 Cahners Business Information, Inc.

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Product Details

• Hardcover: 608 pages
• Publisher: Tor Books; 1st edition (May 17, 2002)
• Language: English
• ISBN-10: 0765303922
• ISBN-13: 978-0765303929
• Product Dimensions: 8.3 x 5.7 x 1.4 inches
• Shipping Weight: 1.2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #3,083,337 in Books (See Top 100 in Books)

More About the Author

Paul McAuley's first novel won the Philip K. Dick Award, and he has gone on to win almost all of the major awards in the field. For many years a research biologist, he now writes full-time. McAuley's novel The Quiet War made several "best of the year" lists, including SF Site's Reader's Choice Top 10 SF and Fantasy Books of 2009. He lives in London. Visit him online at unlikelyworlds.blogspot.com .

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Great Gritty Near Future Procedural, July 10, 2002

By 

A. Ross (Washington, DC) - See all my reviews
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This review is from: Whole Wide World (Hardcover)

This near-future police procedural is unfortunately one of those genre-crossing novels that's probably not going to get the attention it deserves from either pure science fiction or crime readers. That's a pity, because while it may not contain enough sci-fi elements for that cadre, it is one of the better crime novels I've read in recent years. The story is set in London, about ten years in the future. Temperatures are regularly in the 90s (presumably due to global warming), and the effects of a terrorist attack on London's information systems several years ago are still unfolding. The forces of morality have grown notably stronger (including a proliferation of Legion of Decency type organizations), and Internet blue laws prohibit the production of online porn in the UK. Another effect of the "Info War" is an intensification of state surveillance of public space, led by an experimental networked and artificially intelligent system of CCTV camera linked to police systems. This system, which uses facial recognition technology to track people as they move through London, is only a short step from reality, which helps impart a greater sense of immediacy and realism that many sci-fi books have.

In this setting is a diminutive fortysomething techie detective, stuck in a crummy job in a dying IT division of the Metropolitan police. Like many a fictional detective hero, he can't escape a dark past, leaving him ostracized and more or less a loner, save for an ex-girlfriend he's trying to win back. His sad little existence is interrupted by his routine involvement in a very non-routine case-the torture and murder of a young woman, broadcast via webcams across the Internet. He manages to second himself to the flashier homicide unit that takes over the case, and is soon in deep. Clues point toward a master porn techie who's been in trouble before for stalking, but there's also the matter of the woman's uncle, who happens to be the guru behind the new CCTV camera system technology. Naturally, obstacles, red herrings, and all manner of bedevilment impede the detective's progress, but like all obsessed heroes, he persists 'till the bitter climax. The book actually loses a bit of steam in the end, when the action leaves London and shifts to Cuba, which has remade itself as host for websites that no one else will host. McAuley's gritty future London is an integral part of the story, and Cuba never comes alive in the same way. It's not the most original mystery, but the prose crackles and draws you deep into the hero's unhappy life while presenting a fascinating imagining of the near future, and the combination is something quite unusual and worth reading.

4 of 4 people found the following review helpful:

5.0 out of 5 stars Provocative and interesting--security and human rights, August 12, 2002

By 

booksforabuck "BooksForABuck" (Long Beach, CA) - See all my reviews
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This review is from: Whole Wide World (Hardcover)

Since the Infowars, English Detective Inspector John ? has been plagued by his doubts and shuffled into the remote bowels of British crime enforcement. In this dystopic near-future, England and much of the world are overrun by computer viruses, networked security cameras that can track and identify nearly anyone, and new morality laws that forbid virtually everything, even requiring editing of Disney movies before they pass the censors.

But murder is still a crime and Sophie Booth's murder is the DI's chance to reclaim active status in the police. It was a particularly nasty murder--complete with torture and finally a knifing. Worse, it was broadcast over the net and only one viewer bothered to notify the police. As the DI investigates, he begins to believe that the crime is not the straighforward murder it is made out to be. Finding the killer may not be enough to unveil the entire crime. As the police force turns against him, the DI is forced underground, taking chances that put him outside the pale.

Author Paul McAuley writes a tense SF mystery. The near-future environment he describes feels real and possible. For the most part, his technological crime advances ring true. The DI is well motivated and carefully drawn. His relationship with the missing Julie adds to his humanity and the violence of the crime motivates his extreme thirst for justice.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Murder Under Surveillance, June 24, 2002

By 

flying-monkey (Newcastle upon Tyne, UK.) - See all my reviews

This review is from: Whole Wide World (Hardcover)

I've read Whole Wide World twice now. The first time I was slightly disappointed to find that an imaginative and visionary author like Paul McAuley had produced what seemed merely a competent technothriller. The second time, the competence was undoubtedly clear, in fact I'd go so far as to say that in terms of pacing, characterisation and plot, this is as good a technothriller as you will find. However it is also far more than a good vacation read - it is also a throughtful consideration of the very serious social questions posed by intensfied surveillance.

McAuley's near future England is still suffering the effects of an unsolved terrorist attack on its information systems. The legal and moral climate has become harsher and the events have led to even more intensive surveillance of public places and communications, in particular a new intelligent video surveillance system, the Autonomous Distributed Expert Surveillance System (ADESS) that 'learns' as it watches. The case is murder: a student with a taste for digital art and web exhibtitionism, is killed under the eye of her webcams. She also happens to be the niece of the inventor of ADESS. Called upon to investigate is our largely anaymous hero - the book is written from his point of view so we get nicknames: 'minimum' because of his height 'Dixon'; after an old BBC TV detective because of his old-fashioned style; and eventually a first name, John. But no surname. He is an outsider but not the classic outsider cop - intelligent, honest, short, keeps fit, doesn't drink or smoke too much - but he does bend the rules, gets personally involved and mess up, and is hated by many other cops because his role in failing to stop a terrorist bombing that killed several other policemen (when in fact he was trying to stop those same policemen beating and raping a suspect). Very much a sympathetic narrator, and well characterised, as are many of the other protagonists.

Surprisingly there isn't really much related to surveillance in SF, and the great Encyclopedia of Science Fiction doesn't even have an entry for it. Apart for the mainstream classics like Zamiatin's 'We', Orwell's '1984', and Huxley's 'Brave New World', all you are left with is Anthony's ridiculous 'Macroscope', Bob Shaw's vraiable fix-up, 'Other Days, Other Eyes', and a few short stories like Asimov's 'The Dead Past' and Knight's 'I See You'. David Brin has written libertarian non-fiction about surveillance, 'The Transparent Society', but it only features in the background of novels like 'Earth'. Of course there is Philip K. Dick, but his scramble-suited infiltrators and psi-cop stories, however excellent, are very much more concerned with the metaphysics of identity than with real world developments.

It is therefore good to see a talent like McAuley consider the issues. And the UK is the right location - we have more surveillance cameras per head of population that anywhere else in the world, and very little public debate. ADESS isn't an unrealistic possibility: there are already working facial recognition systems, and neural networks will make 'learning' systems very likely. What McAuley does is consider how these technologies relate to power and manipulation - it isn't a case of whether these systems 'get into the wrong hands', but when and how they are abused. His portrayal is a lot more sophisticated than Brin's optimistic libertarianism, and does not shy away from posing the big questions about states, corporations and profit, without at the same time arguing that surveillance is all bad.

All in all, a technothriller with more to think about in it than most, especially if you realise than the UK's CCTV networks are being looked at as an example by many states, including the USA, after September 11th. Recommended.