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Comment: Record Label: PVR Records Date of Production: 2007 media; audio cd Condition: VGC; cd is excellent/(tested); plays great. Cover is excellent, crack on front of case/2-prongs missing on cd holder
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Why Deny Single

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Why Deny
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. The Route 40 Flyer 8:55$0.99  Buy MP3 
listen  2. Mahjong 8:42$0.99  Buy MP3 
listen  3. El Pavo 9:35$0.99  Buy MP3 
listen  4. Sweet & Lovely 8:31$0.99  Buy MP3 
listen  5. Love In A Mist 9:37$0.99  Buy MP3 
listen  6. Why Deny 5:49$0.99  Buy MP3 

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Product Details

  • Audio CD (February 19, 2008)
  • Number of Discs: 1
  • Format: Single
  • Label: PVR Records, LLC
  • ASIN: B0013BXW6Y
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #630,403 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

If you like the way Horace Silver's band and Art Blakey's band played Latin-jazz then you'll love Marty Sheller's "Why Deny." To aficionados of Latin music (and particularly those who collect records of these genres), Marty Sheller's name is certainly a familiar one. As a trumpet player he's best remembered for his work with Mongo Santamaria's 1960's group, where his solos were acclaimed both for their fiery quality and clarity of organization (he was the soloist on Mongo's hit recording of the Herbie Hancock composition "Watermelon Man"). Marty's long and busy career as a valued arranger-composer-producer for many of the biggest names in Latin-jazz, Salsa music and jazz -- including Tito Puente, Willie Colon, Ruben Blades, Hector LaVoe, Larry Harlow, The Fania All-Stars, The Spanish Harlem Orchestra, Shirley Scott, George Benson, Jon Faddis, David Byrne, Idris Muhammad, Giovanni Hidalgo, T.S. Monk, Steve Turre, Woody Shaw, and especially his close colleague and friend Mongo Santamaria --left him little time to contemplate recording his own music. But he finally resolved to address that oversight at the urging of friends, organizing several sessions with nine of his favorite musicians. After nearly a half century as a key behind-the-scenes figure, Marty Sheller has finally stepped out of the shadows with "Why Deny," a vibrant new CD of Latin-influenced jazz that he produced and arranged. The musicians on the CD are experienced in both jazz and Latin music. Pianist Oscar Hernandez, bassist Ruben Rodriguez and drummer Vince Cherico provide the rhythmic foundation, with percussion parts added by Steve Berrios. The frontline consists of trumpeters Chris Rogers and Joe Magnarelli, trombonist Sam Burtis, tenor saxophonist Bob Franceschini and alto saxophonist Bobby Porcelli, Sheller's longtime friend and musical collaborator. The horn players interpret the songs from a strictly jazz point of view; it's the rhythm section that follows a Latin groove, but within that they're playing with a jazz approach. The rhythmic basis of Afro-Cuban music is the "clave," a two-bar, five-beat repetitive pattern. But on this CD, the clave is camouflaged. In "The Route 40 Flyer," "Love In A Mist," "El Pavo," and Wayne Shorter's "Mahjong," the typical Sheller use of Latin elements is implicit rather than explicit. There are no congas, bongos or cow bells (other than some tasty percussion overdubs by Steve Berrios) to make the Latin-ness obvious. Nor does the music employ the call and response forms of typical Afro-Cuban music (other than the piano guajeo/vamp that Oscar Hernandez beautifully integrates into the final drum solo of "Mahjong"). What makes these numbers "get over" with the listeners is not the externals of form or tone color, but the deeply "bilingual" musical roots of all the players. On the album's sole ballad, "Sweet And Lovely," Sheller incorporates harmonies inspired by Thelonious Monk's version of the standard; Porcelli is the featured soloist. Sheller says that "It was a great joy from an arranger's point of view to have my music played by the excellent musicians in this band. They make it come alive -- it becomes more than just the notes written on paper." Aficionados who've followed his career will surely be pleased, while those experiencing his music for the first time are unlikely to deny that this is important music that transcends labels.


"This is a great CD -- full of hip New York City stuff -- that's the only way to put it. Wonderful playing and of course there's the unique Marty Sheller composing and arranging style which is still as fresh as it was 30 years ago!" --Randy Brecker

"This recording reflects the best in Marty -- great music, great arrangements, great band, a great sound, and Bobby Porcelli sounds better than I've ever heard." --Sonny Fortune

"Marty Sheller is a musician's musician. Growing up in the Latin field, whenever I found myself playing a particularly hip arrangement, nine out of ten times it was Marty's. But quiet as it's kept, Marty can write anything...big band, conjunto Latin, straight-ahead jazz, you name it! And, like my father, do it all with grace, humor and brilliance. For this project, Marty has assembled the absolute finest Latin-jazz musicians on the planet. The groove that the rhythm section produces sounds effortless and inspired. The horn players are razor sharp yet filled with the kind of improvisations that combine pure imagination with technical mastery. This is a great CD from a master composer and arranger. May this be the first of many, many, many more!" --Arturo O'Farrill

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Most Helpful Customer Reviews

1 of 1 people found the following review helpful By RBSProds TOP 500 REVIEWERVINE VOICE on February 7, 2009
Format: Audio CD
Five JAZZY Stars!! Composer/arranger Marty Sheller's ensemble scores BIG on this 2008 album of sizzling jazz performances generously laced with latin rhythms. Arrangers are the 'unsung heroes' of music often never getting their names mentioned on outstanding works or getting their own CD. Mr Sheller is one of jazz' most prolific composers and notable arrangers whose scores on this CD makes his nine-piece juggernaut sound like a much larger group. He has scored (and played trumpet and drums at one time) for a list of jazz masters (llke George Benson, Jon Faddis, Tito Puente, Joe Cuba, and Mongo Santamaria) that read like a brief history of jazz itself. Any competent jazz unit playing these scores could go into any jazz club in the country and blow the crowd away (bring your own solos), but here Mr Sheller gets to compose, select other songs, arrange, pick the personnel to play his charts, conduct, and hover over the engineers board: the results are marvelous.

Each track is a solid winner, which begins with the blazing performance of "The Route 40 Flyer" complete with shifting rhythmic frameworks, with that latin beat surging underneath. The vital rhythm section has pianist Oscar Hernandez, bassist Ruben Rodriguez, drummer Vince Cherico, and percussionist Steve Berrios. Trumpeters Chris Rogers and Joe Magnarelli, trombonist Sam Burtis, tenor saxophonist Bob Franceschini, and alto saxophonist Bobby Porcelli are the front line. "The Route 40 Flyer", "Mahjohg", and "El Pavo" feature thrilling solos on tenor sax, alto, trumpet, and trombone. "Sweet & Lovely" is the feature for Porcelli who improvises impressively over Sheller's wonderful chart. A great outing from Marty Sheller's wonderful ensemble, thanks to PVR Records. More, please!! My Highest Recommendation. Five HUGE Stars!! (iTunes Plus digital download)
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