6 of 7 people found the following review helpful:
5.0 out of 5 stars
Exquisite Fassbinder demands repeat viewings, June 4, 2004
This film requires concentration and repeat viewings. Fassbinder employs exceedingly long takes and a relatively still camera to portray a man slowly being led to the end of his tether.
Herr R (Kurt Raab, a Fassbinder regular) is everyman. Indeed, each scene conveys the sheer drabness of his daily routine. Work, wife, in-laws. None of it registers. Despite the perfect middle class life--emotionally, he's stone. It has been said that he is invisible in this film. Certainly, he is not seen as something particularly dynamic or magnetic. He doesn't attract people, none of his co-workers seem interested in him personally. Likewise, he doesn't seem interested in them.
But he does feel. He's passionate about music, sings a gorgeous, heartbreaking ballad that causes him to sigh slightly and look even more wan and dejected than usual. His wife bores him, her friends irritate him. Work is a release of sorts, but he's not making any progress there. He tries to impress the right people but he ends up making a total ass of himself.
All of these factors lead him on a particular course. Hence, the title of the film. The key to answering it is careful, patient viewing. This is a brilliant example of building up evidence to support myriad theses about the motivations of a fundamental character. Just be focusing on Herr Raab's face provides essential clues as to the forces that drive him towards his destiny. Great film.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
mesmerizing, June 11, 2001
This is a film that should not be too thouroughly explained prior to watching. Mostly it is a series of the every day happenings in the life of Herr R, a reticent underachiever. He is the child of a certain spiritless bourgeois existence. We watch him at his job, not quite making points with the boss, not quite winning the favour of his coworkers. We watch him try to teach his average, but slightly dreamy, son to pronounce properly. We watch his wife hosting the self-absord and catty neighbors to tea. In short, we watch an unextraordinary bit of an unextraordinary life, which is somehow familiar and for some reason completely entrancing. As one watches it can't helped but be asked why wouldn't Herr R run amok?
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
so realistic it's scary, March 8, 2007
This review is from: Why Does Herr R. Run Amok? (DVD)
why does herr r run amok is not a typical fassbinder movie - and it stands out stylistically from the other 50 or so movies he made... It is shot almost like a documentary.. improvised scenes that bring so much realism to the screen.. it is an interesting look at the german middle class of the time period.. and what it takes to drive a man insane... it is the realism that is so consistently presented throughout the film which makes the climax so unnerving.. it is like real life in the moment.. there is no escaping the images on the screen.. in most movies we are shielded by a sound track (which tells us how to react) or by visual cues like cutting back and forth or zooming.. there is nothing of that here no visual safety net.. This is a young and talented cast and director.. one of the early antitheatre films which would eventually evolve into a more cinematic melodramatic style.. but it are these early groundbreaking works that would set the framework for an inspired and all too brief career..
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