12 of 13 people found the following review helpful:
5.0 out of 5 stars
The bit about Barbies alone is worth the cover price, July 1, 2003
A few months ago I discovered the author's web site, and on a whim bought the book. The chapter on how six-year-old girls *really* play with Barbies is reason alone to read it. Her writing style is very accessible, making this 300-page book a fast read. The story itself is entertaining, touching, funny, and true; there were so many moments I went, "I do that! I know that! I thought I was the only person who ever <fill in the blank>!" Perhaps that is why people who follow online journals feel like we "know" the people writing them, since they write about everyday stuff and we eagerly identify. The more interesting parts are the protagonist Anna's thoughts on the web journaling phenomenon: why people do it; how much of what's written in online journals is true; just how much of her life should be accesible to her readers; and where to draw the boundaries between a person's on-line and off-line lives. An entertaining read, and the chapters are short so it's a good book for people who can only read a few pages in one sitting. (I have friends with kids and businesses to run, so this factor is important when choosing books.)
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Why Pamie Kicks Every Kind of ..., June 29, 2003
By A Customer
....
Those of us who have been following pamie.com for some time have known that Pamela Ribon is a talented writer. She'll make you laugh until your sides ache, and then she'll turn around and break your heart and leave you trying to wipe the tears out of your eyes before the person in the cube across from yours realizes you're crying. So when I heard she had written a book, I couldn't wait to read it.
Once I actually got my hands on the book, I couldn't put it down. I read it in one sitting, and I was again reminded of why she's one of my favorite writers.
This is a terrifically crafted story. While it may appeal to the same demographic as Bridget Jones, don't be fooled into thinking it's another knock off. Reading this book was like hanging out with your best friend and getting to read her journal all at the same time. It's funny, it's touching, and it has a lot of heart.
Girls - this should be required reading. You should buy this book just for the piece on "How to Fake a Football Orgasm" alone (if I'd read that before last year's football season I might have saved a relationship). Guys, if you want to know how to get to us - read this book.
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16 of 20 people found the following review helpful:
3.0 out of 5 stars
good first novel, July 9, 2003
By A Customer
The good: Pamela Ribon does bring the funny. In several places, this book is laugh-out-loud hilarious.
The bad: if you've read her website (pamie.com), you've already read many of these jokes. There's lots of new stuff...but I found myself skimming over a fair amount of material that I'd read before years earlier. My girlfriend thought the entire book was drop-dead funny from start to finish and I was painfully jealous that I couldn't have the same reaction since many of the bits were old hat to me already.
the good: The author has keen observations about modern dating and the relationships (romantic or platonic) that spawn from the internet. In some ways, it could be read as a cautionary tale about who is online. Through her web-site, the main character (Anna) attracts legions of readers, including an ex of her ex-boyfriend, a moderately disturbed girl who seems obsessed with Anna and another who, infatuated with Anna's description of her old boyfriend, sets out to make him her own.
Some of the funniest and best written parts of the book are the chain of flirting emails between Anna and a boy who lives far way that she's falling in love with. This might be the best romantic comedy dialogue (OK, truthfully it's correspondence, but it packs the emotional intensity of dialogue) that's been seen in years. This is where Why Girls are Weird really shines. The rhythm and dynamic of email relationships as presented here ring true and I don't think anyone has ever captured this in print quite so well.
the bad:
For the first 100 pages or so, I found Anna depressed, slightly mean-spirited and rather unlikeable. The junkies in Trainspotting seem warm and compassionate by comparison to Anna in the first third of this book. I kept hoping she'd get a prescription for Zoloft or make some kind of positive changes and stop being so tediously self-absorbed. It's only after change does enter her life ( albeit tragically, through the death of her father) that Anna seems to wake up and becomes a sympathetic character who is invested in something other than her own troubles.
Some of the secondary characters are jarringly two dimensional. For example, her best friend and confidant comes off as little more than a quirky homosexual stereotype who spouts catty jabs or pop-culture references every third line.
Overall: it's a worthy and often clever first novel that captures the zeitgeist much like Douglas Coupland did years ago with Generation X and Microserfs.
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