Why the House Is Made of Gingerbread: Poems [Paperback]

Ava Leavell Haymon (Author)

Book Description

Publication Date: March 2010

In Ava Leavell Haymon's third collection, an unremarkable, harried, contemporary woman named Gretel finds herself at midlife overtaken by the Grimms' household tale "Hansel and Gretel." The violence and terror in that story supplant the memory of her own childhood, and the fairy tale retells itself in a sharp succession of surprising poems. The witch, the sugar house, Gretel's brother, her passive father, his cruel second wife, the sinister forest--all these and more rise like jazz motifs to play themselves in the present. Addressing themes such as hunger, child abuse, betrayal, cannibalism, and murder in a tone by turns disturbing and humorous, Why the House Is Made of Gingerbread is most certainly not a book for children.

Editorial Reviews

About the Author

Ava Leavell Haymon is the author of the poetry collections Kitchen Heat and The Strict Economy of Fire. She teaches poetry writing in Baton Rouge, Louisiana, and directs a writers' retreat center in the mountains of New Mexico.

Product Details

• Paperback: 58 pages
• Publisher: Louisiana State Univ Pr (March 2010)
• Language: English
• ISBN-10: 0807135860
• ISBN-13: 978-0807135860
• Product Dimensions: 8.3 x 5.4 x 0.2 inches
• Shipping Weight: 4 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #1,000,077 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

5.0 out of 5 stars Wonderful Retelling of Hansel and Gretel, May 5, 2011

By 

Glynn Young - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Why the House Is Made of Gingerbread: Poems (Paperback)

Poet Ava Levall Haymon has taken the story of Hansel and Gretel and turned it into an extraordinary series of poems that together form a retelling of the story, but one that remains true to the original. It is the story of Gretel, and contemporary housewife and mother, who finds herself absorbed into the fairy tale and living the story of the child Gretel.

Haymon weaves an amazing tale, and the traisition to the fairy tale starts gradually. From the poem "Autobiography:"

Gretel's attention disengages from her driving
and she is the young girl in the dark
beside Hansel's cage, legs aching from standing
since before dawn. Gretel squeezes
the wheel, shoulders tight, longing

to trade places with her brother,
for his ignorance of minding the fire,
hauling water with bruised fingers,
his freedom from the danger of failure - one slip
of the girl's memory in a recipe, one broken dish

and there's no story, just another couple of kids
who never came home. A ruckus breaks out
in the back seat, and Gretel shudders back
into the present, driving kids to school.
She presses the brake hard: That didn't happen!

But it did happen and it does happen, and soon she finds herself the original Gretel, captive with her brother by the witch, with their doom creeping ever closer. From "The Witch Has Told You a Story:"

You are food.
You are here for me
to eat. Fatten up,
and I will like you better.

Your brother will be first,
You must wait your turn.
Feed him yourself, you will
Learn to do it. You will take him

Eggs with yellow sauce, muffins
Torn apart and leaking butter, friend meats
Late in the morning, and always sweets
In a sticky parade from the kitchen...

Haymon guides her Gretel into a gradual identification with her captor, while her brother turns into something fattened up for dinner. But the story is told true to the original, and it's the witch who meets her doom, even if Gretel will carry some of that witch with her, and back into her real housewife life.

Haymon, who teaches poetry writing and directs a writer's retreat in New Mexico, is the author of two previous collections, "Kitchen Heat" and "The Strict Economy of Fire." In "Why the House is Made of Gingerbread," she has creatively translated a fairy tale into both a faithful and imaginative retelling and a modern story, its own fairy tale.