Why Johnny Can't Sing Hymns and over one million other books are available for Amazon Kindle. Learn more
Qty:1
  • List Price: $12.99
  • Save: $1.30 (10%)
FREE Shipping on orders over $35.
Only 17 left in stock (more on the way).
Ships from and sold by Amazon.com.
Gift-wrap available.
Why Johnny Can't Sing Hym... has been added to your Cart
+ $3.99 shipping
Used: Good | Details
Sold by chi_rho_books
Condition: Used: Good
Comment: Page have small bottom corner bend. No textual marks. Cover has light wear. Shelf 13-A
Have one to sell? Sell on Amazon
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

Why Johnny Can't Sing Hymns: How Pop Culture Rewrote the Hymnal Paperback – June 1, 2010

47 customer reviews

See all 3 formats and editions Hide other formats and editions
Amazon Price New from Used from
Kindle
"Please retry"
Paperback
"Please retry"
$11.69
$7.59 $5.99

The Associated Press Stylebook 2015
The Associated Press Stylebook 2015
This new edition contains more than 3,000 A to Z entries detailing the AP’s rules on grammar, spelling, punctuation, capitalization, abbreviation, and word and numeral usage. Learn more
$11.69 FREE Shipping on orders over $35. Only 17 left in stock (more on the way). Ships from and sold by Amazon.com. Gift-wrap available.

Frequently Bought Together

Why Johnny Can't Sing Hymns: How Pop Culture Rewrote the Hymnal + Why Johnny Can't Preach: The Media Have Shaped the Messengers
Price for both: $20.70

Buy the selected items together

Editorial Reviews

Review

" 'Worship forms, tunes, and practices are neutral.' 'We may worship God in any way that is not forbidden.' T. David Gordon criticizes these widely held assumptions in light of the biblical doctrine of worship. He makes a vigorous case for traditional forms of worship. Those who have never considered the tradition will benefit from this critique, and all those who read will find this essay stimulating." --R. Scott Clark, Professor of Church History and Historical Theology, Westminster Seminary California

"T. David Gordon's writing is refreshingly candid and insightful. In this very readable volume, he helpfully contextualizes the ways pop music has impoverished our culture and worship in so many churches, while calling us to embrace again the enduring values of hymnody and psalmody. I encourage anyone concerned about biblical worship to read this book." --Paul S. Jones, Music Director, Tenth Presbyterian Church, Philadelphia

"Witty, persuasive, and gracious, he challenges the conventional wisdom in the midst of the so-called 'worship wars,' asking for a serious inquiry into the nature of worship song and the media appropriate to it. He convinces us that if we are to worship with reverence and awe, we must not unthinkingly accept the message of popular music." --Gregory Edward Reynolds, Pastor, Author of The Word Is Worth a Thousand Pictures: Preaching in the Electronic Age

About the Author

T. David Gordon has been Professor of Religion and Greek at Grove City College since 1999.
NO_CONTENT_IN_FEATURE

Best Books of the Month
Best Books of the Month
Want to know our Editors' picks for the best books of the month? Browse Best Books of the Month, featuring our favorite new books in more than a dozen categories.

Product Details

  • Paperback: 192 pages
  • Publisher: P & R Publishing (June 1, 2010)
  • Language: English
  • ISBN-10: 1596381957
  • ISBN-13: 978-1596381957
  • Product Dimensions: 8.7 x 5.7 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (47 customer reviews)
  • Amazon Best Sellers Rank: #275,908 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

115 of 119 people found the following review helpful By Beulah P. Williamson on June 28, 2010
Format: Paperback Verified Purchase
This book follows through on the promise of its title. It actually explains why Johnny can't sings hymns, not why he should.

The author, who teaches media ecology at Grove City College, states that media ecology is a sub branch of cultural anthropology, and it is from this perspective that he attempts to answer his title question. Why, for so many people, do traditional hymns seem so foreign, strange, inaccessible?

He only states the obvious when he says that as "background music," contemporary music is everywhere. We hear it on TV, radio,in commercials,. We shop to it, dine to it in resturants,bake to it, and brush our teeth to it. We are so saturated with contemporary sounding music that any earlier music is foreign sounding.

"There are many people in our culture whose musical listening has been almost entirely banal; 98% of the music they have heard has been pop. To their ears, this is just what music sounds like; they haven't heard enough significant music to distinguish significant music from insignificent music."

Things were different for his father's generation. No one had TV, and those who had radio did not play it all day long. They did not buy groceries or shop for clothing to music. They experiencd music in four different idioms: sacred, folk, classical, and pop. (For them, pop music was Tommy Dorsey, Glen Miller, etc.) Each was accessible, each sounded familiar, and none sounded unfamiliar.

He explains not only why Johnny now has a preference for church music that is often theologically and musically inferior, but he posits how it came abut.- (the determination of the 60's generation - and Johnny is their offspring - to shake off everything to do with the "dead past.
Read more ›
6 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
42 of 43 people found the following review helpful By John Gardner on August 16, 2010
Format: Paperback
It's no secret that, in most of today's churches, hymns have given way to "praise choruses" as the predominant form of music used in corporate worship services. Why is this? Is this a conscious choice to not sing hymns, or is it -- as the title suggests -- that the average Christian today can't sing hymns?

These are the type of questions asked in Gordon's book, a sequel of sorts to his previous book Why Johnny Can't Preach: The Media Have Shaped the Messengers. Both books take their title from a 1955 book by Rudolf Flesch called Why Johnny Can't Read: And What You Can Do about It, which showed that changes in society and in the educational methods being introduced to the schools at that time (particularly what has now become known as the "look-say method" of reading) had produced a generation unable to read.

In this latest book, Gordon successfully builds his case that the average Christian today is unable to understand or appreciate either the musical or theological content in traditional hymns. While he also argues for the importance and value of the church's rich tradition of hymnody, he avoids making any sort of legalistic claims that churches must use one form of music over another. As he says in the introduction, this book is intended to be descriptive, rather than prescriptive.

The reasons for our inability to sing hymns are many, but can be more or less separated into two categories: musical and theological.

Musically, "pop culture" has conditioned us to not even recognize -- much less appreciate -- non-pop forms of music.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
36 of 44 people found the following review helpful By Paul B Clark Jr on July 12, 2010
Format: Paperback Verified Purchase
T. David Gordon makes his position clear and does not deviate from his position assessing the value of traditional hymn forms verses music used in public worship that is influenced if not drawn directly from pop culture. Gordon's introductory chapter places his argument squarely in reality as he voices his experience as a pastor and father. A notable posture is exposed when he writes how his weekly choices of hymns for worship were not only selecting what worshipers would sing, but what they would not sing. Song selection for congregational singing in worship is by nature exclusive of other songs in the church's repertoire.

Gordon's style is persuasive and direct. He boldly challenges present day conventional wisdom that chases pop styled songs for public worship based on the assumption that doing so will draw the unchurched. He values time-honored music expression as well as rich poetic texts and makes a strong case for evaluative measures that result in selecting such material for worship. Those who favor contemporary worship forms for use in congregational singing will be appropriately challenged and confronted through this book. Some may find it difficult to read the essay without becoming defensive. Serious worship planners, nevertheless, would benefit by its reading to consider ways spiritual formation is taking place through worship music among the congregations to which they belong. Gordon's final chapter on "Strategic Issues" sums up the current scenario and his reasoning to push against it very well.
1 Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Most Recent Customer Reviews

Set up an Amazon Giveaway

Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more
Why Johnny Can't Sing Hymns: How Pop Culture Rewrote the Hymnal
This item: Why Johnny Can't Sing Hymns: How Pop Culture Rewrote the Hymnal
Price: $11.69
Ships from and sold by Amazon.com