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Why Paint Cats: The Ethics of Feline Aesthetics
 
 
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Why Paint Cats: The Ethics of Feline Aesthetics [Paperback]

Burton Silver (Author), Heather Busch (Author)
3.7 out of 5 stars  See all reviews (63 customer reviews)

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Book Description

August 8, 2002
Why did a woman in California pay an artist $5,000 to paint her cat to look like a pig? What made a New York stockbroker spend even more than that to have the image of Charlie Chaplin painted on his cat'¬?s posterior? WHY PAINT CATS reveals that, far from being an amusement for the idle rich, this seemingly aberrant behavior is part of a new art movement that claims to promote a better understanding of the cats in our lives. Following the international success of their previous collaboration of feline aesthetics, WHY CATS PAINT, Burton Silver and Heather Busch turn their scholarly attention to the cat as canvas. The authors detail all the latest trends in the movement, including the highly controversial Retromingent Expressionism, drawing conclusions that will provoke and amuse, startle, and enlighten. Exhaustively researched and lavishly illustrated, this insightful and engaging book raises important ethical questions and explores the rights of pet owners to reinvent their cats in the name of art.

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Why Paint Cats: The Ethics of Feline Aesthetics + Why Cats Paint: A Theory of Feline Aesthetics + Glamourpuss: The Enchanting World of Kitty Wigs
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Editorial Reviews

From Publishers Weekly

While the popular and enduring Why Cats Paint (1994) profiled the creative output of house pets, highlighting tabbies and Persian long-hairs with smeary abstract canvases they ostensibly made, the authors' latest volume inverts the paradigm, and offers instead the cat-as-canvas. Rexes and Siamese sport rainbow colors on their faces and flanks or graphic designs on their hindquarters: cats are transformed into butterflies, or clowns, or furry American flags. Presented as the document of a developing art movement, the book features a potpourri of artists and their "schools" (Neo-Totemism, Semiotic Anthropomorphism, Avant Funk), pairing big photographs with faux-interpretive essays about each cat and artist. Perhaps the most amazing entry is a portrait of Charlie Chaplin, supposedly painted with peroxide and vegetable dye on the rear end of a ginger and white cat named Burger. Amusing as a novelty item if nothing else (and very amusing at that), the book also offers a gentle kick in the pants to the gods of art criticism: a cat painted like a fish, for example, succeeds in "redefining and blurring the relationship between fur and scale, fin and tail, in order to create a shared intent that transubstantiates the species and repositions the notion of symbiosis." It's all so weird that it's sort of irresistible.
Copyright 2002 Reed Business Information, Inc.

Review

“You'¬?d think a person would have better things to do with $5,000 than to have her cat painted to look like a pig. . . . I personally appreciate feline beauty without a brush, but for the person who has every art book, my bet is they don'¬?t have one showcasing cats as canvases.” — Atlanta Journal-Constitution “I would not paint a cat if someone paid me to do so. I would not paint a cat if Picasso rose from the grave and taught me how. If a cat represented the last piece of canvas on earth, I still would not paint that cat. I just know better. Sadly some people do not. . . . I'¬?m pretty sure it'¬?s not a hoax.” — Jackson Clarion-Ledger“Suggests itself both as art and an art. Who am I to kibble?” — San Francisco Chronicle“Painted cats transform into art with a purrpuss.”— Las Vegas Review Journal“By the time you finish flipping through WHY PAINT CATS, the latest art-book collaboration by writer Burton Silver and photographer Heather Busch, you'¬?ll have more questions than answers. Seeing Charlie Chaplin'¬?s face painted on a cat’s rump has that effect.”—Heather McKinnon, Seattle Times“It felt wrong. I was appalled. Then I began to flip through the book, and was knocked back on my heels by the beauty of (some) of the works of art. A question I'¬?d never considered nestled in my brain:
Why not paint cats?”—San Diego Union Tribune “Kitty Porn . . . What a little tramp! . . . Always wanted to paint your cat like an alien but never had the balls to try?”—Maxim magazine

Product Details

  • Paperback: 96 pages
  • Publisher: Ten Speed Press (August 8, 2002)
  • Language: English
  • ISBN-10: 1580082718
  • ISBN-13: 978-1580082716
  • Product Dimensions: 9.6 x 0.2 x 11 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (63 customer reviews)
  • Amazon Best Sellers Rank: #119,921 in Books (See Top 100 in Books)

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Customer Reviews

63 Reviews
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Average Customer Review
3.7 out of 5 stars (63 customer reviews)
 
 
 
 
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45 of 45 people found the following review helpful:
4.0 out of 5 stars Subversively funny, September 6, 2002
By 
P. ODonnell (Conshohocken, PA USA) - See all my reviews
(REAL NAME)   
This review is from: Why Paint Cats: The Ethics of Feline Aesthetics (Paperback)
I made the mistake of reading this book out on my deck, and I laughed out loud so often that the neighbors probably thought I finally lost it.

As with the best humor, the book is done with an absolutely straight face (well, except for the goofy portraits of the "artists" which beign each chapter). So straight, in fact, that I've seen at least two columnists who were taken in by it and reviewed it as a serious work.

The level of detail is amazing: not just in the cat photos (which are wonderful) but in footnotes ("Stace, P. Feline Kinetic Design as Installation ARt, 1999-2001 Journal of Applied Animal Aesthetics, Vol. VII, 2001), captions (a Santa-painted cat: "...she makes us painfully aware of the continuing unhealthy santaization of winter solstice symbolism with its stupefying illusion of male as dominant gift giver").

"Why Paint Cats" works on a lot of levels - as a skewering of art criticism, a gentle poke at cat lovers and Animal Rights activists, and best of all, as good, silly fun.

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17 of 18 people found the following review helpful:
5.0 out of 5 stars Lovely Book!, October 9, 2002
By A Customer
I really enjoyed Why Paint Cats- the photography and visual presentation is amazing. All the cats look beautiful! I have bought it for several friends and it really does make a wonderful gift- the perfect coffee table book!
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24 of 27 people found the following review helpful:
4.0 out of 5 stars Very funny book, May 30, 2003
This is one of the most entertaining art books I've seen. The text is well-written enough to fool most people, and the only way I knew it was a spoof was I've read my share of art criticism and art history, even though I'm a biologist by training, and I think I can detect when someone is making fun of the whole business.

Having figured out the text was a joke, it was only a hop, skip, and a jump to figuring out the cat paintings were probably fake and probably done on a computer. I'm not positive about this, since they look so realistic, but it seems likely. Also, it seems unlikely that any cat would sit still long enough to have such elaborate paintings done.

Furthermore, if that wasn't enough, the author states that some of the paintings were by well-known artists that cost as much as $7000 each--not very likely. (Also I've never heard of any of these artists).

Whether they're real or fake, the cat paintings are truly spectacular and are entertaining just by themselves. I note that a veterinarian in a previous review of this book said he saw his first "painted cat" recently, and he said that the cat had tried to lick off the paint and had ulcers on its tongue. This could be a jest also, but I suppose someone could have been taken in by the book too and actually tried to do one.

Well, I hope most people realize the whole book is very likely an elaborate joke and don't try to paint anymore cats if it can be harmful to them, but the book as just a book of remarkable cat "paintings" is quite entertaining.

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Inside This Book (learn more)
First Sentence:
Kate Bishop's bold kinetic vignettes rely on their transient and unexpected nature for effect. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
cat painting, cat artists, painted cats, painting cats, vegetable dye
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Edward Harper, Margie Gray, Spring Valley, San Diego, San Francisco
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Warning: things can go too far, there should be warning 0 Apr 11, 2009
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