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Why White Kids Love Hip Hop: Wangstas, Wiggers, Wannabes, and the New Reality of Race in America Hardcover – Bargain Price, May 31, 2005


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Editorial Reviews

From Publishers Weekly

Caucasian parents anxiously seeking explanations for either the descending waistlines of their children's trousers or the distressing contents of their iPods won't find them in Kitwana's repetitive, digressive and rather dated book, which is better at throwing out questions than following up on them. To the title question, former Source executive editor Kitwana (The Hip-Hop Generation) offers little more than variations on the stock answers of "alienation" and declining economic opportunity. The flip side—Kitwana's belief in hip-hop's liberatory potential (he sees it as "the last hope of America")—belongs more to the era of an engaged Fear of a Black Planet than the bling of The Game. But a bigger problem is that the book fails to spend much time discussing its putative subject; names are checked and scenes are discussed, but music and lyrics are rarely cited (a long chapter on Eminem quotes his lyrics exactly once). Similarly, the author has a way of invoking "opportunists," "the media" and "the few" with a maddening lack of specificity that blunts the book's already diffuse message. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Kitwana explores the appeal of hip-hop culture to young whites and their overall fascination with black youth culture. Part of the appeal of hip-hop to alienated white youths is its use as a means of expression for the voiceless in America. The integration of telecommunications and consumer culture has resulted in the broadening of acceptance of hip-hop among whites. Kitwana argues that this area of common ground for black and white youth provides a space of interracial interaction that challenges the old status quo that he designates "old racial politics." One example is the popularity of Eminem, the white rapper who has succeeded in a perceptively black medium. Yet Kitwana questions those who overvalue the appreciation of the white market for hip-hop at the cost of devaluing the essential black root to the culture. While Kitwana is clearly optimistic regarding hip-hop's potential impact on racial politics in America, he acknowledges that the hip-hop generation, and society in general, will continue to struggle with the reality of the old racial politics. Vernon Ford
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Hardcover: 222 pages
  • Publisher: Basic Civitas Books (May 31, 2005)
  • ISBN-10: 0465037461
  • ASIN: B000EMSZCE
  • Product Dimensions: 8.3 x 5.5 x 1 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #4,327,471 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

32 of 37 people found the following review helpful By JCB Project on September 23, 2005
Format: Hardcover
*sigh*... I'm always on the lookout for books about hip-hop (as a music form, culture, and generation) as it relates to American culture. More specifically, I'm interested in the social ramifications of the culture as a whole. Thus, when I was given this book by a friend, I was hoping for a good social science read. Unfortunately, I was highly dismayed, finding this particular selection to be a sloppily written manuscript with virtually no empirical evidence anywhere.

For much of this book, the author makes vague statements which are supposed to be evidence (I.E. - "First and foremost among the reasons white kids love hip-hop is the growing sense of alienation from mainstream American life they experienced in the 1980s") but then makes little or no effort to show proof of such theories. This is discouraging.

What makes matters worse is that the author later goes on to dismiss the limited evidence that does exist showing whites are the dominant purchasers of hip-hop albums, and instead of inserting evidence which shows otherwise, he launches into page upon page of bizarre hypothesis' for potential ways blacks might still be the majority purchasers (ironically mentioning bootleg CDs). Ultimately I grew tired of reading his writing which became increasingly less academic.

His "expert" sources are also questionable - while at times he does move towards legitmate figures in the hip-hop community - I felt he vastly stretched for some of the opinions gathered for this book. For instance, I seriously wonder whether it was wise to include a very long section on a 19 year-old white female for who "hip-hop has been mainstream culture" for her entire life.
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23 of 28 people found the following review helpful By Donald Earl Collins on September 29, 2005
Format: Hardcover
I think that the issue Kitwana attempts to explore in Why White Kids Love Hip-Hop is interesting. But his approach to taking on this topic was both sloppy and simplistic. It starts in the preface, where he says that the hip-hop generation (which in reality covers two generations) is the first one to grow up without experiencing de facto segregation. I'm sure that White suburbanites in Scarsdale and Orange County would be interested in knowing that there are phantom people of color floating around their communities.

Kitwana also overemphasizes the impact of hip-hop on the emergence of African Americans in popular culture and their impact on young Whites during the 1980s and 1990s. He concentrates so much on Michael Jordan and his first Nike ads with Spike Lee that he forgets about Dr. J, Mean Joe Green, and a host of others that paved the road for Jordan in the first place.

But Kitwana's biggest error is in glossing over the distance between Whites embracing hip-hop culture and Whites living anti-racist, social justice oriented lives. Like John Tuturro's character in Do the Right Thing, there are at least as many Whites who are hip-hop lovers but have as stereotypical an opinion of Blacks and other people of color as Whites who listen to honky-tonk. I don't that everything Kitwana says in Why White Kids Love Hip Hop is incorrect -- his book is just selectively incomplete.
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By laprof on November 4, 2013
Format: Hardcover Verified Purchase
A good book that delves into the sociology and politics of hip hop in America. I teach college courses in race and ethnicity and this has given me some good insight into the problem of negotiating the spaces between the races.
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By Chivone on April 25, 2015
Format: Hardcover Verified Purchase
Very informative, especially for white people
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