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The Wicked Wit of the West: The last great Golden-Age screenwriter shares the hilarity and heartaches of working with Groucho, Garland, Gleason, Burns, Berle, Benny and many more
 
 
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The Wicked Wit of the West: The last great Golden-Age screenwriter shares the hilarity and heartaches of working with Groucho, Garland, Gleason, Burns, Berle, Benny and many more [Paperback]

Irving Brecher (Narrator), Hank Rosenfeld (Contributor)
4.6 out of 5 stars  See all reviews (19 customer reviews)

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Book Description

January 17, 2009
"Brecher is the most influential writer you've never heard of in Hollywood. He wrote At the Circus and Go West for the Marx brothers and classics such as Du Barry Was a Lady and Meet Me in St. Louis for MGM. He wrote stand-up for Milton Berle and created the radio and television program The Life of Riley. Now in his nineties, the man is still a comedic genius with wit and timing that can't be beat. Incredibly, his career covers the entire spectrum of 20th-century entertainment, beginning with vaudeville and encompassing movies, radio, plays, television, and even the web (in impassioned support for the writers' strike of 2007). Brecher's story is presented as a series of interviews, which allows his voice to come through in its witty splendor. Rosenfeld does a fine job as chronicler, selector, and muse for these interviews, and his genuine friendship with Brecher is the reason that this book exists. Altogether delightful, this is an incredible reminiscence by a remarkable man." -- Library Journal starred review

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Editorial Reviews

Review

"The only good thing about making At the Circus was beginning my friendship with Irving Brecher." --Groucho Marx

"The only good thing about making At the Circus was beginning my friendship with Irving Brecher." --Groucho Marx --Groucho Marx --This text refers to an alternate Paperback edition.

Review

"Irving Brecher was hilarious in 1938 and he's hilarious in 2008"

"Irving Brecher was hilarious in 1938 and he's hilarious in 2008" -Scott Eyman, author of Lion of Hollywood: The Life and Legend of Louis B. Mayer --This text refers to an alternate Paperback edition.

Product Details

  • Paperback: 340 pages
  • Publisher: Ben Yehuda Press (January 17, 2009)
  • Language: English
  • ISBN-10: 1934730327
  • ISBN-13: 978-1934730324
  • Product Dimensions: 8.8 x 5.9 x 0.8 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #844,082 in Books (See Top 100 in Books)

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Customer Reviews

19 Reviews
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Average Customer Review
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8 of 8 people found the following review helpful:
5.0 out of 5 stars A Funny Memoir from a Very Funny Jokester, February 27, 2009
This review is from: The Wicked Wit of the West: The last great Golden-Age screenwriter shares the hilarity and heartaches of working with Groucho, Garland, Gleason, Burns, Berle, Benny and many more (Paperback)
Groucho Marx and S. J. Perelman both agreed: the fastest quippers, the best wits able to come back with "one line impromptus" were George S. Kaufman, Oscar Levant, and Irving Brecher. Irving Who? Brecher was behind the camera or behind a typewriter most of the time, but the subtitle of his memoir will tell you that he had connections: _The Wicked Wit of the West: The Last Great Golden-Age Screenwriter Shares the Hilarity and Heartaches of Working with Groucho, Garland, Gleason, Burns, Berle, Benny, & Many More_. The book is by Brecher "as told to Hank Rosenfeld", and for once the collaboration seems genuine and meaningful. Rosenfeld is himself a comedy writer, and he spent seven years hanging around the elderly Brecher, in plain hero worship. Much of the book is a transcription of their conversations, and it works well as a documentation of a friendship between two men who like bantering and kidding. It also includes some of Brecher's standup routines, but best of all, it has his stories of working and laughing with comic stars all through the twentieth century. Brecher died last November at 94, and didn't get to see the publication of the memoir he and Rosenfeld had been working on, but this merry book is one of the best last laughs you'll ever read. "So here it is," he says near the beginning of the book, "I'm saying it. I admit I am very funny. I don't like to quote myself, but unfortunately everybody I know who should be quoting me is dead. Fine friends they turned out to be."

Brecher was one of those Hollywood denizens that got his start the classic way, as an usher in New York City. As a teenager he would send in gags on postcards to columnists Walter Winchell or Ed Sullivan who would credit him by name. He got a long-term assignment of writing gags for one of the most visible comedians in the business, Milton Berle, and this material brought him to the attention of Hollywood. Brecher was astonished to be working with stars he used to see in the Nickelodeon when he was a kid, including his idols, the Marx Brothers. Brecher helped punch up _The Wizard of Oz_. And then he was assigned to write the Marx picture _At the Circus_; with that and with the later _Go West_, he was the only writer to get sole credit on Marx movies. There are wonderful stories about the Marxes here, anecdotes any fan will adore. Brecher went on to write movies like _Meet Me in St. Louis_ and _Bye Bye Birdie_. While writing movies, he also wrote the radio sitcom _The Life of Riley_.

Brecher became a widower from one long-term marriage and then entered another. He does not seem to have used his wit against his wives but rather as a palliative during arguments. He remembers an argument with his first wife who was so upset she said, "That's it! I'm leaving you!" He gave her the reply, "That's OK with me. But if you go, I'm going with you." Looking back at that bit of dialogue forty years later, he remarks, "It worked." Brecher never really left show business, though he pays tribute over and over again to the comics he worked with whose funerals he had to attend. He was attending tributes through his last years and doing stand-up when just standing up was difficult. In fact, he would get to the podium with a walker; his wife called it "The Rolls". Asthma was a problem, too: "For about ten minutes I'm all right. And then I'm gasping. You can't ask the public to spend money to see an old Jew gasping. It's not nice." But his material was still good: "Yes, I did have eye surgery. I knew I needed it when the other morning, I woke up and my vision was so bad, I couldn't find my hearing aid." _The Wicked Wit of the West_ (the title comes from a designation Groucho had given him) is full of wonderful stories and laugh-out-loud jokes from a jubilant joke-maker. "OK, so maybe I don't look at the world through rose-colored implants", the elder Brecher observes, "In fact, I really like the world. It's the putzes in it! And I don't resolve to change. If I've said anything snide, I'm sorry. Unless it gets a laugh."
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6 of 6 people found the following review helpful:
5.0 out of 5 stars great look at some funny and culturally significant personalities, November 30, 2009
This review is from: The Wicked Wit of the West: The last great Golden-Age screenwriter shares the hilarity and heartaches of working with Groucho, Garland, Gleason, Burns, Berle, Benny and many more (Paperback)
The book is not only a an obvious work of love for Brecher, who comes right off the pages but is a great insider look at some of the most famous Hollywood personalities of the many decades when Brecher was writing. The anecdotes about work, travel and play with some of the 20th century's best known comedians can, on their own, make the reading worthwhile.

From the prejudices that Jews faced to the ways that different comedians and comics left their mark on today's film canon, this book packed in a lot of history before I stopped laughing and noticed the importance of the subject.

The book is a mixture of formats, including interviews/dialogues between the author and Brecher, who are both quick and funny.

Definitely get his book no matter whether you're looking for cinema studies, Judaica, American cultural studies or a light and funny read for the bathroom.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Laughed Out Loud - lost my balance, December 31, 2008
ROFL. Irving Brecher, a guy I never heard of before, comes alive - even though I read he just died. This tour de force of funny includes insider stories about Harpo, Groucho, Chico, Judy Garland, Jack Benny, and others. Written in a casual, engaging style, this hybrid memoir - part first person autobiography and part biography - "a freak" as Brecher puts it in the book - will satisfy comedy lovers.

Yet the delightful wordplay also shows that intelligence and creativity can overcome difficult life circumstances. Inspiring on multiple levels. God Bless you Mr. Rosenfeld (Rosewater). Note: Kurt Vonnegut would have loved this book!
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The Wicked Wit of the West, Irving Brecher, Marx Brothers, New York, Milton Berle, George Burns, Jack Benny, The Life of Riley, Groucho Marx, Irv Brecher, Palm Springs, Jan Murray, Crooked Ship, Arthur Freed, Judy Garland, Mervyn Leroy, Los Angeles, Ernie Kovacs, Carole Lombard, Bye Bye Birdie, Beverly Hills, Lucille Ball, Mickey Mouse, Danny Thomas, Sam Katz
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