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A Widow for One Year : A Novel
 
 
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A Widow for One Year : A Novel [Import] [Paperback]

John Irving (Author)
3.6 out of 5 stars  See all reviews (595 customer reviews)


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Product Details

  • Paperback: 560 pages
  • Publisher: Random House of Canada, Limited; First Edition edition (1999)
  • Language: English
  • ISBN-10: 0676971946
  • ISBN-13: 978-0676971941
  • Product Dimensions: 8.4 x 5.4 x 1.3 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (595 customer reviews)
  • Amazon Best Sellers Rank: #3,588,964 in Books (See Top 100 in Books)

More About the Author

John Irving published his first novel, Setting Free the Bears, in 1968. He has been nominated for a National Book Award three times-winning once, in 1980, for the novel The World According to Garp. He also received an O. Henry Award, in 1981, for the short story "Interior Space." In 1992, Mr. Irving was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules-a film with seven Academy Award nominations. In 2001, he was elected to the American Academy of Arts and Letters. Last Night in Twisted River is John Irving's twelfth novel.

 

Customer Reviews

595 Reviews
5 star:
 (202)
4 star:
 (154)
3 star:
 (96)
2 star:
 (67)
1 star:
 (76)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (595 customer reviews)
 
 
 
 
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37 of 39 people found the following review helpful:
4.0 out of 5 stars Entertaining but not great literature, February 16, 2000
By A Customer
This review is from: A Widow for One Year (Paperback)
I have read almost all of John Irving's novels and have been thoroughly entertained by all of them. This novel is no exception. It was over 500 pages long yet I was able to read it very quickly. Unlike some other readers, it kept my attention to the end. I agree with others, though, that it is no Owen Meany or Ciderhouse Rules. I thought Marion, Ted, and Eddie were wonderfully wrought, believeable, and interesting characters. However, I found the protagonist, Ruth, to be pretty superficial. The only understanding I had of her character was that she had wonderful, large breasts. (I may have liked the book even better if her breasts were not mentioned so frequently.) I thought her character was the most interesting at age four. Futhermore, I found it difficult to see what the point was to this novel. What kind of social commentary is he making? Big breasted women are superior? Tragedies really screw up families? Ruth's gradual understanding of her mother's reasons for leaving her seems obvious and forced. Although I have these criticisms, I do give the novel four stars for its entertainment value. The story line was creative and the foreshadowing actually helped me stay interested. It was a good read, although I would not consider it a great literary achievement.
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23 of 26 people found the following review helpful:
3.0 out of 5 stars Entertaining but Flawed, July 15, 2000
By A Customer
This review is from: A Widow for One Year (Paperback)
John Irving has again given us a sprawling, multi-generational saga of personal heartache and how family members come to grips with tragedy. Like many of his other novels, the characters in Widow for A Year suffer extreme loss, and yet this novel does not kill off characters as abruptly and carelessly as some of Irving's former novels (like the plane crash in Hotel New Hampshire, or the devastating car crash in Garp).

Essentially the themes of the novel are grief and sex, not necessarily in that order. The novel begins with 4 year old Ruth Cole walking in on her mother, who is in bed with a teenage writer's assistant hired by her estranged husband Ted, a writer of cildren's books. The mother, Marion, is overwhelmed with grief from the loss of her teenage sons in a car accident that predated the action in the novel, and Irving skillfully fills in a few details about the crash for much of the book, until Ted describes the accident in devastating detail later.

The grief affects Ted and Marion in different ways, and while he goes on with his life and continues writing children's horror stories, Marion simply cannot handle life in the house she shared with her boys. Some of the most effective passages in the novel concern the multitude of framed photographs taken of the late Cole boys scattered on the walls of their house in the Hamptons, and the efforts of sister little Ruth, (who was born after her brothers' death), to reimagine the shots after they are removed by her mom.

Marion ultimately becomes a strangely unsympathetic character, and her forced reappearance toward the end of the novel seems forced and contrived. Like another reviewer mentioned, Irivng, for some odd reason, often times paints a very limited picture of some characters and places but never misses an opportunity to remind us of the size of Ruth's breasts.

Nevertheless, the novel is entertaining, and since nearly every character in the story is a writer, Iriving gets to have some fun providing exerpts of each character's work. If you are an Irving fan, you will enjoy this book and get wrapped up in the story. However it is no Owen Meany.

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30 of 35 people found the following review helpful:
5.0 out of 5 stars My Favorite John Irving Novel, December 23, 2001
This review is from: A Widow for One Year (Paperback)
A Widow for One Year has got to be my favorite John Irving novel. Many of his others, while I have enjoyed them, have put me off a little because the characters and/or the plot is a bit over the top, just too quirky for me. Widow, while imaginative and entertaining, never gets to that too much stage. It's a big novel, spanning about 40 years and has a satisfying, yet never hokey or corny ending. The characters, of course, are a bit quirky in their way, but their quirkiness is somehow more believable than in other Irving novels. The story is a lot of fun, and, because most of the characters are writers, allows Irving to explain and comment on the writing process. I felt at some times he was answering his own critics while discussing the criticism of his character-writers. He has fun with the whole thing, though, and never takes it too seriously, which is part of what makes this novel so enjoyable. Widow is really a human story about loss and how far some of us will go for love. Enjoy.
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Inside This Book (learn more)
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First Sentence:
One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking-it was coming from her parents' bedroom. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
last bad boyfriend, print coater, mouse crawling between the walls, nighttime nanny, older woman writer, pink cashmere cardigan, blue air mattress, widow for one year, bottommost drawer, squash opponents, leather halter top, angry widow, sound like someone trying, window prostitute, airplane reading, same orphanage, widow for the rest, hither boys, wardrobe closet, smaller suitcase, bad boyfriends, frame shop, picture hooks, squid ink
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Eddie O'Hare, Ruth Cole, Ted Cole, New York, Scott Saunders, Penny Pierce, Harry Hoekstra, Eleanor Holt, Long Island, Orient Point, Maple Lane, Allan Albright, Gin Lane, Alice Somerset, Hannah Grant, New London, Eduardo Gomez, Graham Greene, Marion Cole, Minty O'Hare, The Red Thread, Jane Dash, Flying Food Circus, Dot O'Hare, Nico Jansen
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