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Audiences overlooked this film, one of the better westerns in several years, featuring yet another terrific performance by Jeff Bridges, America's most underrated movie actor. As James Butler Hickock, he captures the sense of a man at the end of his career, one of the first media superstars who discovers that his legend is more burden than blessing. As he heads toward his final hand of poker in Deadwood, South Dakota, he flashes back to his younger days and the events that built his reputation, even as he copes with encroaching blindness caused by syphilis. Walter Hill blends action and elegy, utilizing a screenplay based both on Pete Dexter's novel
Deadwood and on Thomas Babe's play
Fathers and Sons.
Wild Bill features strong supporting performances by John Hurt (as a Hickock sidekick) and Ellen Barkin (as the tough, lusty Calamity Jane)--but the centerpiece is the sad, manly performance by Bridges, who more than measures up to the part.
--Marshall Fine
From The New Yorker
What's refreshing about Walter Hill's Western is that it tells the story of a larger-than-life frontier hero without stripping him of either his dignity or his vitality. After a virtuoso opening, in which Hill supplies a dizzying nonchronological montage of episodes from James Butler Hickok's career, the movie settles down to focus on the hero's final days. Jeff Bridges is brilliant as the legendary gunman; he and Hill create a complex portrait of an uncomplicated man-a man of action who suddenly feels himself ambushed by reflection, and even, occasionally, by regret. This is an elegiac Western that somehow manages to be as funny and rambunctious and exciting as the unself-conscious genre classics of yesteryear. The picture finds the comic truth in frontier myth, and does so not by challenging it but by the simpler, more elegant means of looking it straight in the eye. The splendid supporting cast includes Ellen Barkin (as Calamity Jane), John Hurt, James Gammon, David Arquette, Diane Lane, and Bruce Dern. Hill's screenplay is loosely based on Pete Dexter's novel "Deadwood" and Thomas Babe's play "Father and Sons." -Terrence Rafferty
Copyright © 2006
The New Yorker