Wild Decembers [Paperback]

Edna O'Brien (Author)

Book Description

Publication Date: May 14, 2001

"With a mood akin to WUTHERING HEIGHTS--and indeed the spirit of Emily Bronte" (Irish Times), Edna O'Brien's critically acclaimed novel WILD DECEMBERS charts the quick but sure demise of relations between "the warring sons of warring sons." Here in the countryside of western Ireland, "ancient feuds, romantic passions, and misguided ideas of fidelity blend together in . . . [a] heartbreaking story" (Wall Street Journal) leavened by the human comedy of which O'Brien rarely loses sight. A sister, a brother, and a stranger converge in a classic triangle, proceeding inevitably "toward a climax that is Irish to the quick, violent and sad and, in a strange way, beautiful. Just like the novel itself" (Washington Post).
WILD DECEMBERS is a triumphant work from a writer who wears well the mantle of her Irish forebears and yet who, with each new novel, breaks new ground all her own. In this, her latest, "readers could not ask for a more profoundly satisfying book" (Boston Herald).

Editorial Reviews

Amazon.com Review

Wild Decembers begins lushly with a prologue that's as much a prose poem as a map, full of cautionary demarcations. "Cloontha it is called--a locality within the bending of an arm," Edna O'Brien writes of her setting in western Ireland. With its "relics of battles of the long ago" and memories of the potato famine still in the soil, it's clear that "the enemy can come at any hour." This time, the enemy appears in the form of Mick Bugler--described variously as a "dark horse," a "caveman," and "the Shepherd"--who has returned from Australia to claim his late uncle's farm. To Joseph Brennan, as native to tiny Cloontha as its relics, the stranger who has taken possession of the farm next to his is briefly a novelty, less briefly a friend, and finally excites in him a fear and a love of boundaries that proves murderous.

O'Brien's Irish hero recites biblical, Greek, and Irish history, mingling them until the world's story, as he sees it, is a tribute to immovable men such as Moses, who he swears settled Cloontha for the likes of him. Unmarried and devoted to the sister with whom he lives, Joseph is so blind with love for the life and land he and his forebears have earned--and with the will to preserve them against the barest change--that his own inability to give way is his undoing. Inevitably, his sister Breege and Bugler fall in love, but, in a landscape where everything is a contest of ownership and men measure their stature against a woman's fidelity, this love thrives exuberantly, though not lastingly, like "flowers that are hatched in the snows." In her 11th novel, O'Brien gives as good as Shakespeare: there's a little of Iago in the town fool, a deliciously nasty cripple named Crock, and a little of Ophelia in pretty Breege. The author means to break your heart, and her startling and redemptive prose leaves you as nostalgic as Joseph Brennan for what might have been, as eager for the next chapter as you are disquieted by its implications. --Amy Grace Loyd --This text refers to the Hardcover edition.

From Publishers Weekly

The wild Irish humor and savage Irish melancholy that are both legend and stereotype receive exemplary treatment in this powerful novel by the prolific O'Brien (Down by the River; Time and Tide; Lantern Slides). Scenic Western Ireland is the setting for her tale, and particularly Cloontha, a village snug against a mountain where "lust for a lip of land" has set "warring sons of warring sons" against one another for centuries. Bachelor Joseph Brennan and his young sister, Breege, have never left their family acreage; Mick Bugler is newly arrived from Australia to claim adjacent land inherited from an uncle. They meet amicably when Mick's tractor gets stuck in Joe's farmyard, but their budding friendship soon sours, even as Breege, secretly smitten with the handsome newcomer, tries to pacify her irascible brother. The tractor, a novelty in the area, is dubbed Dino the Dinosaur by one of a notorious pair of sisters, Reena, "a child of nature," and Rita, a conniving slut. Their seduction of Bugler in order to obtain a free load of hay is exuberantly erotic, but this episode does not deflect the reader's woeful sense of foreboding about the growing conflict over territory between Joe and Bugler. Bugler admits he has a fiancee in Australia, so Joe is increasingly distraught as he senses and fears the halting romance between his innocent sister and the man he considers "the despoiler." The climate, the landscape, the history, all so deeply ingrained in the native Irish psyche, underscore the suspense. Remaining unflinchingly true to her characters, O'Brien allows the inevitable tragedy to play itself out, evincing the pity and terror of classical drama. 5-city author tour. (Apr.)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Paperback: 257 pages
• Publisher: Mariner Books (May 14, 2001)
• Language: English
• ISBN-10: 0618045678
• ISBN-13: 978-0618126910
• ASIN: 0618126910
• Product Dimensions: 7.9 x 5.2 x 1.1 inches
• Shipping Weight: 10.6 ounces (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (19 customer reviews)
• Amazon Best Sellers Rank: #965,271 in Books (See Top 100 in Books)

More About the Author

Edna O'Brien, the author of "The Country Girls" Trilogy, "The Light of Evening," and "Byron in Love," is the recipient of the James Joyce Ulysses Medal, and an honorary member of the American Academy of Arts and Letters. She lives in London.

Customer Reviews

Most Helpful Customer Reviews

28 of 31 people found the following review helpful:

5.0 out of 5 stars a lovely song of a book, April 3, 2000

By A Customer

This review is from: Wild Decembers (Hardcover)

This is a lovely, sad song of a book. You know from the start the story will end tragically, but you keep reading, just like you keep listening to a sad song. Because it is beautiful. The beauty of each sentence, each paragraph keeps you reading and after you've read the last page it stays with you like the melody of a song you can't get out of your head.

16 of 17 people found the following review helpful:

5.0 out of 5 stars ONE OF THE FINEST, August 4, 2000

By 

MOVIE MAVEN (New York, NY USA) - See all my reviews

This review is from: Wild Decembers (Hardcover)

I heard a fascinating interview with the author on NPR and immediately went online to buy this novel. What a wonderful read! This is a passionate tale about love and duty, honor and sex, fidelity and family. Every single character (& there are dozens) is drawn fully and deeply, even those characters who appear only for a few pages. The story is a simple one with its routes in "Romeo and Juliet:" two families forever at war even after they've forgotten why they are feuding. It is also a story of a small town in Ireland and every single one of its inhabitants and how they effect the three principal characters: Joseph, a farmer, and his sister Breege who falls in love with Mick Bugler, a stranger from Australia, and how their love for one another changes everyone's life. You cannot help but know that the story will end tragically, but because you care for each of the principal chararacters so much and because Edna O'Brien refuses to label some good and others bad, you keep hoping for the inevitable to be put off. O'Brien is obviously influenced by James Joyce: her language is at all times ripe and imaginative and wonderfully descriptive. Her prose also reminds me of William Faulkner and the way he had of burrowing deep into the minds and souls of his complex people. This is certainly one of the finest contemporary novels I have read in many years.

26 of 31 people found the following review helpful:

5.0 out of 5 stars IRISH MYTHS, MYSTERY AND MADNESS, April 2, 2000

By 

Gail Cooke (TX, USA) - See all my reviews
(VINE VOICE)    (COMMUNITY FORUM 04)    (HALL OF FAME REVIEWER)    (TOP 500 REVIEWER)    (REAL NAME)   

This review is from: Wild Decembers (Hardcover)

As so memorably demonstrated in "Down By The River"(1997), few limn Irish life as authentically as Edna O'Brien. Add tothat realism her singing prose, which frames each scene with the myths, mystery and madness of Eire, and the result is pure enchantment. Ms. O'Brien is blessed with a cinematographer's eye and boundless original expression, whether she is bringing to life a dance, he is "steering her solemnly, as if she were an ocean liner in her peppermint green," or anger, "She is driving recklessly, her cabbage crown askew, the little bubble car like a cauldron because of her invective." It is with such delicious narrative embellishments that the author introduces us to a rural Irish village, Cloontha, "a locality within the bending of an arm." It is here that "Fields mean more than fields, more than life and more than death too." Joseph Brennan and his much younger sister, Breege, live here and work the dairy farm their family has held for generations. Self-educated and proud of it, Joseph takes part in a battle of wits with the local school master and wins. He works hard, overcoming the vicissitudes of weather by dint of backbreaking toil. Yet, he would change nothing if he could because Cloontha is God to him. "God," he declared, "was not a bearded man in the sky but here....in Cloontha, especially at night, alone with nature." But Joseph is not alone on his mountain for long because Mick Bugler, a shepherd from Australia, arrives to claim recently inherited acreage. It is land Joseph believed was his. There is, of course, a struggle between the two men as contretemps turns to barroom brawl and eventually escalates to a courthouse battle, in which solicitors are the primary victors. This territorial dispute is exacerbated by Breege's attraction to Mick, an emotion that concerns, confounds, and, finally, overcomes her. She is also distressed by an awareness that her brother's obsession with driving Mick off "his mountain" may be the undoing of them all. "....she knew that he was entering a zone in which dreaming and waking, wrongs and semi-wrongs, would be translated and magnified into an enormity to suit the dark mad mould of his thinking." Add to the fracas a dotty, unforgettable old derelict, Crock Hanrahan, who misses little and instigates much as he "goes his way, hopping and bopping across the fields, laughing his mirthless laugh......his body like a sack of potatoes inflating and deflating, depending on whether he was in hill or hollow." We also meet two of the most lascivious sisters to be found in literature - strumpets who sell their favors not for pounds but for land and livestock. Rita "was the brains and Reena the nymphet. She made the deals, bought and sold cattle, and harangued her friendly solicitor to write letters to make hell for this person or that who got in her way." Their seduction of Mick is one of the most risible and erotic scenes to be found. It's reminiscent of some of Joyce's finest rollicking moments. Although the tale's conclusion is adumbrated from its beginning the masterful Ms. O'Brien casts it memorably. Edna O'Brien is a treasure. Wild Decembers is one more triumph.