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70 of 79 people found the following review helpful:
5.0 out of 5 stars
A fun, fresh, and sexy romp through the mind of a freak..., August 9, 2004
This review is from: A Wild Sheep Chase: A Novel (Paperback)
...and I use the term freak in the most reverent of ways. I also use it to describe the author; because while the main character is a freak in his own right, he's one of an entirely different caliber.
A Wild Sheep Chase takes us to Tokyo Japan 'round 1980 and dumps us into the sharp but entirely unexercised, and increasingly apathetic mind of our 30 year old (male) main character. Funny, I just checked the book because I couldn't remember his name. I couldn't find it. I may be wrong, but I don't know if the author gives him one.
Anyway...
Newly divorced, incessantly smoking, and always musing in very interesting ways about largely uninteresting things, I found myself pulled into this novel immediately. "We" soon find ourselves embroiled in an epic and supernatural mystery with only a half-tank of gas. When tasked by an uber-powerful businessman to find a certain certain one-of-a-kind sheep or face financial ruin (if not death), our adventurer shruggingly agrees, and half-heartedly pursues.
The slurring pace of this book, filled with philosophical musings, "David Lynch like" weirdos, and a spattering of phenomenon, was a rare treat for me.
Murakami is a wonderfully gifted creative writer. His prose (even though translated) is at once elegantly crafted and playful. I recommend this book highly.
Christian Hunter
Santa Barbara, California
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37 of 40 people found the following review helpful:
5.0 out of 5 stars
dark, disturbing, delicious!, February 10, 2001
The genius of Murakami's "Wild Sheep Chase" (like the genius of his other works) is the total believability of his characters and plot. Everyone who reads this work is immediately engrossed and sucked in, and only realizes how truly bizarre the whole thing is when they try to tell someone else about the book. The narrator of "Sheep Chase" begins as something of an Everyman. His mate leaves him, his job pays him well but isn't very satisfying, he is intelligent but little in his life seems to stimulate him to thought. You wouldn't say he is going through life with blinders on, but nor is his life totally examined, either. Life is, more or less, something that is just happening to him. You could probably think of a dozen people you know who would easily fit his character. Still, this is a Murakami novel, after all, and pretty soon he is, in the words of Tolkein, simply swept away, a stranger in a strange land with no idea of how he got there. A perfectly ordinary photo that he uses in a brochure catches the attention of a powerful political figure, "The Boss", who has been inexplicably lying on the verge of death for some years, hanging on as if by some supernatural power. The photo, it's discovered, has a special sheep in it. A type of sheep who's breed does not exist. A minion of The Boss makes him an offer he cannot refuse: find that sheep... He meets up with a young woman who, among other things, is a call girl for an exclusive members-only club, and does ear modeling on the side. Together, they set off to find this elusive sheep-that-doesn't-exist, all the while trailing the narrator's old friend, The Rat, who seems to always be one step ahead of them. Much has been written about Murakami and "Wild Sheep Chase", including that this work is a shining example of the postmodern novel. While this may be the case, potential readers shouldn't shy away from this book simply because they may not know a fig about postmodernism. Unlike other "postmodern novels", which are often thickets of high rhetoric and voluminous nonsense, "Wild Sheep Chase" can be read on a multitude of levels: both as lit crit and as pure, enjoyable fiction. To read it strictly as one or the other is to do a great injustice to this work.
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26 of 29 people found the following review helpful:
4.0 out of 5 stars
One of the Most Whacked Out Books I Have Ever Read, September 21, 2000
I enjoy Japanese authors, Kawabata, Dazai, Mishima. All very different in style, but all presenting serious work. So when I randomly picked this book up after seeing it was by a Japanese author, I really had no idea what I was getting into. I more or less read it in one sitting because it's quirkiness grabbed me. A lot of people compare Haruki Murakami to Kurt Vonnegut. But I have to tell you, after reading nearly all of Vonnegut's work (Excluding Happy Birthday Wanda June, and the two "new" books, Bagombo Snuff Box and God Bless You Dr Kavorkin), Vonnegut is a thousand times more lucid. That isn't to say I didn't like A Wild Sheep Chase, it was bizzare, humorous, and at times touching (when the protagonist visits the beach he used to hang out at, and finds that it has been filled in and there now sits pavement really affected me.)And in many ways the non clarity could be considered a strength. When you have a story as absurd as this one, trying to explain the universe in which it is operating can cause it to just fall apart. But I was also left with a feeling of, "What the hell is this guy trying to say?" Then agian, does he really *have* to say anything? Interesting characters and extremly fun. I enjoyed it and would recommend A Wild Sheep Chase.
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