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Wilderness and Razor Wire [Paperback]

Ken Lamberton (Author), Richard Shelton (Foreword)
4.8 out of 5 stars  See all reviews (10 customer reviews)


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Book Description

1999
Wilderness and Razor Wire investigates the persistence of nature in an unnatural setting--a desert prison--and the ways in which wilderness can provide hope in a hostile environment.


Editorial Reviews

From Publishers Weekly

Incarcerated naturalist Lamberton's strange and compelling debut examines the flora, fauna and microecology of an Arizona prison while describing the author's life before and during his sentence. Lamberton is a former biology teacher who has now spent over a decade behind bars for his relationship with a teenage student. After his conviction, he became a prolific nature writer, publishing largely in literary magazines. (A year free on appeal saw him become a nonfiction editor of the Sonora Review.) Lamberton's measured and exemplary prose follows the interactions among the prisoners, their built environment and the birds and plants they encounter there, tracing connections disturbing and consoling, ecological and metaphorical. Africanized killer bees arrive and depart, as does a terroristic guard; brittlebrush and goldpoppy's tough seeds (adapted to Arizona droughts) imply Lamberton's own need for endurance. The overcrowded facility's on-site disposal of toilet water ironically "turned this bleak place into a wildlife island, a rest stop and refuge for wings and beaks and talons." A few chapters near the end of the book put the desert biology on hold for straightforward accounts of Lamberton's recent travails. Usually, though, the book's two genresAfirst-person prison journal and third-person nature-descriptionAcomplement each other. (Lamberton is especially good on insects, on ground-level flora and on the sometimes brutal criminal justice bureaucracy.) Arizona poet and essayist Richard Shelton (Going Back to Bisbee) offers a warm, persuasive introduction. Lamberton suggests that "I learn more by walking across this same plot of ground again and again than if I had the whole world to explore": his deeply moved readers are likely to believe him.(Nov.)
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews

Short, unbuffed essays that shuttle restlessly between natural history and prison life, and the unexpected moments of interpenetration, from inmate Lamberton. A few years back, Lamberton made a real bad move. Married and with three children, a respected high school science teacher, he ran off with a 14-year-old student. It was love, he says, consensual if stupid beyond utterance. He got 12 years in jail. There he has toiled imaginatively to avoid death by boredom (and by fist and boot, as sex offenders get little respect in-house or out): he has turned to the natural world, and writing, to escape into his head. ``My wilderness is a prison,'' he acknowledges, but one that experiences the seasons, the weather, and, though not teemingly, plant and animal life. It is not solace that Lamberton seekshe is ready to suffer for his crime and the pain it has causedbut a chance to keep his brain and soul from atrophying, and to chew on small ironies: As a harvester ant scuttles across the prison yard, he realizes that ``in subterranean (at least partially) masonry cells, a single-sexed, non-reproducing horde of workers . . . unwillingly serve a colony much like his own. These are are quick essays, for the encounters are perforce brief and circumscribed: on the seasonal migration of birds through the yard, where they would overnight in the few spare trees that existed before prison officials cut down as being too civilized for inmates; on a tarantula hawk shadowing its prey; or on the spider itself, its fangs piercing the armor of a beetle ``with a primeval sound, a sound out of the Devonian.'' The writing is stony and unmediated with humor, though warmed by Lambertons remorse, and cautionary; unless youve been there, you can't begin to imagine how bad prison life is, even in medium security. ``I'd rather watch bugs,'' says Lamberton of all prison amusements, for the moths and bees and jimsonweed are his communicants, if not his salvation. (50 line drawings) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Product Details

  • Paperback: 218 pages
  • Publisher: Mercury House (1999)
  • Language: English
  • ISBN-10: 1562791168
  • ISBN-13: 978-1562791162
  • Product Dimensions: 8.5 x 5.6 x 0.6 inches
  • Shipping Weight: 11.7 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #1,197,009 in Books (See Top 100 in Books)

More About the Author

I was born in Duluth, Minnesota, on November 8, 1958, and moved to Tucson, Arizona, at the age of nine. In Tucson, I slowly and painfully learned to become a child of the desert, taking my first lessons in the front range of the Santa Catalina Mountains. In 1980, I graduated from the University of Arizona with a bachelor's degree in biology and for the next five years taught science. In 1987, I went to prison, where I joined the creative writing workshop of poet and author Richard Shelton and soon began publishing articles and essays about two subjects I knew well: prison and the natural history of the Southwest. It was only a matter of time before I would connect the two subjects on the page.

During my incarceration while mentoring with Richard Shelton, my articles and essays began appearing in national magazines and literary journals like Arizona Highways, Bird Watcher's Digest, Manoa, Northern Lights, Alligator Juniper, Puerto Del Sol, and the Gettysburg Review. Several of these essays, in turn, were selected for anthologies such as American Nature Writing, Getting Over the Color Green, and David Quammen's anthology The Best American Science and Nature Writing 2000. Editors have nominated two of my essays for Pushcart Prizes, and Robert Atwan of The Best American Essays series listed my work in "Notable Essays of 1998" and again in "Notable Essays of 1999."

In January 2000, Mercury House published my first book, Wilderness and Razor Wire: A Naturalist's Observations from Prison, to critical acclaim. The San Francisco Chronicle called it, "...entirely original: an edgy, ferocious, subtly complex collection of essays...". The book won the 2002 John Burroughs Medal for outstanding nature writing.

After my release from prison that same year, I completed my MFA in creative writing at the University of Arizona, and continued writing and publishing essays and books about the Southwest. In 2010, The University of Arizona Press will publish my fifth book, Dry River, which deals with southern Arizona's Santa Cruz River, its nature, my family, and the people past and present who live alongside it. Today, I live with my wife in an 1890s stone cottage near Bisbee, Arizona.

 

Customer Reviews

10 Reviews
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Average Customer Review
4.8 out of 5 stars (10 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Spiritual in the most natural way, March 2, 2000
By A Customer
This review is from: Wilderness and Razor Wire (Paperback)
I have a certain fascination with prisons. They are the most ferocious test of the human spirit, a contemporary apocalyptic vision. One could hardly imagine any sort of wilderness connected to it, but Ken Lamberton not only finds the wilderness in the prison but makes us believe that it can be anywhere.

Lamberton is a tragic figure. An award-winning biology teacher shortly before he ran away with an underage student, he writes from a prison in an Arizona desert. Exquisite sketches accompany his beautifully written, yet never flighty, essays. There is just the right mix of physical description and the spirit behind the wildlife to make it worth reading as nature writing alone. But more than that is the unique frame from which he writes: the concrete walls, the wire fences, the harsh company of inmates and guards. Desperation pervades his words, yet even as he lays bare his soul to reveal this to us, he also shows us the spirit and connectedness that is possible from even the meanest of situations.

What is life really about? Prison has taught Lamberton important lessons that he transmits to us. After the extraneous is culled out, the wilderness without and the wilderness within, and the relationships in life, are all that truly matter. And yet the simplicity is deceptive, for there are infinite worlds of detail, and infinite heights and depths of emotion, in the wilderness, and in its violation. Lamberton's crime and his passion for the wilderness intertwine so well, that one can imagine one's own life-triumphs and tragedies all-portrayed, in metaphor, in the wild.

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8 of 8 people found the following review helpful:
5.0 out of 5 stars A LYRICAL VOICE FROM THE DESERT, July 17, 2000
By 
This review is from: Wilderness and Razor Wire (Paperback)
Early reviews dwelled on the fact that Ken Lamberton has written this book from prison. Obviously his incarceration has provided him with an observation point that is foreign to most of us.

But, in my view, the quality of his writing has yet to be given its due. Here is a lyrical voice that unfolds the wonders of the desert in a fresh and wondrous way. The rythmn of his writing reminds me of Cormac McCarthy--certainly good company to be in!

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8 of 8 people found the following review helpful:
4.0 out of 5 stars A unique perspective, July 16, 2000
By 
Gene Gorter (Allston, MA USA) - See all my reviews
(REAL NAME)   
This review is from: Wilderness and Razor Wire (Paperback)
To see the universe in a grain of sand...to see infinity in an instant...and to see nature in a prison. The first two have been contemplated by philosophers and laymen alike for years. Now Ken Lamberton brings us his insights on the third.

In honesty I only bought the book because I had known the author in the time leading up to his incarseration and wasn't even sure if I would read the whole thing. I wound up reading it twice. The perspective is unique and the insights are thoughtful.

As a transplanted Arizonan the descriptions of the desert of southern Arizona brought back wonderful memories for me as did the tremendous illustrations.

As we get pushed further from nature this book is a wonderful reminder that even in the harshest most 'un-natural' environments we are never very far from the wild wonderfull natural world - we just sometimes have to look a little harder.

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Inside This Book (learn more)
First Sentence:
Working with prison inmates tends to channel one's thinking in extremely specific ways. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inmate park, visitation park, landscape crews, desert willow, creative writing workshop, harvester ants, razor wire, barn swallows
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Santa Rita, Mount Wrightson, Meadows Unit, Arizona Department of Corrections, Ken Lamberton, Madera Canyon, University of Arizona, Central Detention Unit, Great Plains, Old Baldy, Richard Nelson, Sergeant Basura
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