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Wildlife Painting: Techniques of Modern Masters (Practical Art Books)
 
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Wildlife Painting: Techniques of Modern Masters (Practical Art Books) [Paperback]

Susan Rayfield (Author)
1.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

Practical Art Books July 1, 1990
A group of internationally acclaimed wildlife painters share their ideas and insights. Included in this illustrated book are the works and teachings of Robert Bateman, Allen Blagden, Ken Carlson, Raymond Ching, Guy Coheleach, Don R. Eckelberry, Lars Jonsson, Bob Kuhn, Roger Tory Peterson, Thomas Quinn, and John Serrey-Lester. "Wildlife Painting" features sections on solving such painting problems as how to achieve a feeling of depth in fur, or detail in plumage; how to convey action; how to paint effective camouflage; and how to capture the essence of grasses or trees or reflection in water. With styles ranging from realism to impressionism. "Wildlife Painting" includes finished works in oil, watercolour, acrylic, tempera, gouache, colored pencil, pastel and mixed media. Also included are sketches, studies, step-by-step demonstrations, and tips from the artists on animal behaviour.


Product Details

  • Paperback: 144 pages
  • Publisher: Watson-Guptill (July 1, 1990)
  • Language: English
  • ISBN-10: 0823057488
  • ISBN-13: 978-0823057481
  • Product Dimensions: 10.9 x 8.2 x 0.5 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 1.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #967,434 in Books (See Top 100 in Books)

 

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1 of 1 people found the following review helpful:
1.0 out of 5 stars Where are the technigues?, December 7, 2011
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This review is from: Wildlife Painting: Techniques of Modern Masters (Practical Art Books) (Paperback)
Artists won't get much, if anything, out of this book. The title is completely misleading, is full of fine illustrations but offers little instruction in technique. There are two other books on the same subject which I reviewed, and they are far better in this regard. I don't understand why they would give this book a title that lures the art student on to disappointment.
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