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William Henry Jackson and the Transformation of the American Landscape
 
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William Henry Jackson and the Transformation of the American Landscape [Hardcover]

Peter Bacon Hales (Author), William Henry Jackson (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

June 1988
Acclaimed in the nineteenth century as "the world’s most famous landscape photographer," William Henry Jackson and his camera presided over the mapping, bounding, and settling of the American West and the larger American landscape. In this lavishly illustrated study, Peter B. Hales investigates the conversion of America’s landscape from myth to scenery and Jackson’s effect on this cultural transformation.

In this book Peter B. Hales examines the ways Americans viewed their land, and the ways they acted on their beliefs. A study of how an individual affects and was affected by his culture, this is an engrossing story of the contradictions of American culture, the myths that encompass it and give it meaning, and their transformation over a century.

William Henry Jackson himself is rich material for an authoritative study. Not simply a chronicler, he immersed himself and his photographs in the processes of change that swept America from the 1840s until the 1940s. Official photographer to the Hayden Survey of the American West, early explorer of Yellowstone, and celebrant of the Colorado Rockies, Jackson was instrumental in the mass-marketing of landscape photography at the beginning of the twentieth century. Retired in the 1920s, he was rediscovered by the American Scene enthusiasts of the thirties, and found another career as painter of nostalgic images of America’s Golden Age of frontier freedom.

Illustrated with nearly two hundred reproductions of Jackson’s photographs, this work makes major contributions to our understanding of photography, of the American land, and of American culture in its broadest, richest sense.


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Editorial Reviews

From Library Journal

The author of Silver Cities (Temple Univ. Pr., 1984), a study of urbanization, has produced this well-researched and provocative examination of a photographer who engendered the "twin myths of the radical individual and the free landscape." Chronological chapters explore many phaseshis early influences, his survey and exploration assignments, his commercial photography, his painting career. Jackson's work made him a "powerful progenitor of the changes in the American conception of the West and of landscape in general." Includes a chronology of his life and work and an excellent bibliographical essay. An excellent look at his work in the broader context of the changing American landscape. Kathleen Collins, Library of Congress
Copyright 1988 Reed Business Information, Inc.

From the Publisher

An examination of the work of "the world's most famous landscape photographer"

Product Details

  • Hardcover: 367 pages
  • Publisher: Temple Univ Pr; First Edition edition (June 1988)
  • Language: English
  • ISBN-10: 0877224781
  • ISBN-13: 978-0877224785
  • Product Dimensions: 11.3 x 8.5 x 1.2 inches
  • Shipping Weight: 6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,847,536 in Books (See Top 100 in Books)

More About the Author

Born and raised in rural Connecticut, Peter Bacon Hales graduated from Haverford College in 1972. After a short period in New York as a photographer, writer and musician, he moved to Texas, where he studied with the photographers Russell Lee and Garry Winogrand and the cultural historians William H. Goetzmann and William Stott, receiving MA and Ph.D. degrees in American Civilization. While in Texas, he was a part of Austin's rich music scene, playing pedal steel guitar in c&w bands and lead guitar in the Texas Express, a Chicano-conjunto-rock quartet based in Lockhart, Texas. After living and photographing in San Francisco and Los Angeles, he completed his first book, SILVER CITIES: THE PHOTOGRAPHY OF AMERICAN URBANIZATION, which was published by Temple University Press in 1984, winning a number of academic and writing prizes. Since that time he has written essays and books looking at aspects of the American cultural landscape, from the American West to the postwar suburbs. ATOMIC SPACES: LIVING ON THE MANHATTAN PROJECT, published in 1999, won the Hoover Prize and was runner-up for the Parkman Prize in American History. Long out of print and in demand, his seminal SILVER CITIES was published in a vastly expanded and revised form by the University of New Mexico Press in 2006. For many years a faculty member in the Art History Department at the University of Illinois at Chicago, he has collaborated with photographers, writers and scholars in Chicago and across the globe on writing, visual, and web-based projects. He was the founding director of UIC's American Studies Institute, which runs programs for teachers and scholars around the globe. Currently dividing his time between Chicago and a small farm in Stone Ridge, New York, he continues to write about, and photograph, the changing American landscape.

 

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0 of 3 people found the following review helpful:
5.0 out of 5 stars About This Book, December 5, 2009
This review is from: William Henry Jackson and the Transformation of the American Landscape (Hardcover)
This review is about the hardback 1st edition from Temple University Press, 1988.

A substantial book, oblong hardback, cloth over boards, over 3 pounds, 355 pp. Something like 200 b&w illustrations.

Chronology. Index. Over 45 pp of bibliographic information: bibliographic and narrative End Notes and an Essay on the Sources.

TABLE OF CONTENTS
The Construction of the Vision
Learning Landscapes

The Transportable View
Transforming the View
The Commercial Traveller
The Frontier Thesis
The Imperial Frontier

Incorporated Man
Man as Myth

Epilogue
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