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William L. Price, Arts and Crafts to Modern Design
 
 
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William L. Price, Arts and Crafts to Modern Design [Hardcover]

George E. Thomas (Author), Robert Venturi (Introduction)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 1, 2000
Architect George Howe thought there were three pioneers of American architecture: Louis Sullivan, Frank Lloyd Wright, and William L. Price. Although history has borne out Howe's observation on Sullivan and Wright, Will Price still awaits discovery.

Architect George Howe thought there were three pioneers of American architecture: Louis Sullivan, Frank Lloyd Wright, and William L. Price. Although history has borne out Howe's observation on Sullivan and Wright, Will Price still awaits discovery.

Price, a disciple of Frank Furness who practiced in Philadelphia from 1833 to 1916, established the architectural character of the two of the nation's greatest resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties. Although his biggest and best-known projects, the Art Deco Traymore Hotel in Atlantic City and the Chicago Freight Terminal, are both destroyed, his arts and crafts utopian community in Arden, Delaware survive to attest to the vigor of his ideas and the leadership he exerted.

Price left a legacy of exquisite houses, railway stations, and commercial structures stretching from Atlantic City to Chicago and from Canada to Florida taht were widely emulated and reacall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's The Craftsman.

Price's role in shaping American architecture in uncovered in this lavishingly illustrated volume, which documents the architects complete works—including over 350 hotels, houses, and pieces of furniture—bringing to light this unknown American master.


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Editorial Reviews

From Library Journal

Regrettably, Philadelphian Price has largely eluded the attention of critics and historians. Thomas, who developed this book from a dissertation, ably corrects the oversight. Early in Price's career, country houses were the greater part of his work. After 1900, however, he designed a broader range of building types, such as hotels and buildings for industry and commerce. Because he integrated steel and reinforced concrete into his designs and used American and European arts-and-crafts sources, Price is considered a noteworthy protomodernist. In four rather inscrutably titled chapters, the author delineates Price's career and argues as well for Philadelphia's place in the history of innovative American architecture. The following catalog and chronology of his work contain ample descriptions, detailed historical data, and excellent illustrations. A fine addition to larger architecture collections.DPaul Glassman, New York Sch. of Interior Design
Copyright 2000 Reed Business Information, Inc.

Review

A fine addition to larger architectural collections. -- Library Journal, May 15, 2000

Product Details

  • Hardcover: 376 pages
  • Publisher: Princeton Architectural Press; 1 edition (March 1, 2000)
  • Language: English
  • ISBN-10: 1568982208
  • ISBN-13: 978-1568982205
  • Product Dimensions: 11.3 x 8.9 x 1.5 inches
  • Shipping Weight: 4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,490,812 in Books (See Top 100 in Books)

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17 of 21 people found the following review helpful:
3.0 out of 5 stars A Great Architect, less great book, April 16, 2000
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This review is from: William L. Price, Arts and Crafts to Modern Design (Hardcover)
William Price is indeed an overlooked architect. While I'm hesistant to call him a genius, his work has a breadth seldom seen in the work of his contemporaries. He was one of the last of the Philadelphia architects to come from a background of manual training rather than an academic background, but clearly he was able to apply the lessons of contemporary practice learned from books, and stretch into new areas of the Arts and Crafts movement and advanced design in reinforced concrete.

The author spends an inordinate amount of time in the book describing how Philadelphia, with a strong heritage of innovative industrial design is left behind in the architectural world due to an academic bias of the press based in New York and Boston. While this is important to Price's reputation, it has little to do with his actual work. The prose in the book is repititious, reading as a series of loosely related lectures rather than a single thesis, and the book design does not help the reader.

The illustrations, largely drawn from the firm's archive now held by the author, are very well produced, but could have been supplemented by more new photography. A significant number of Price's buildings do survive, and color photography would bring out the great qualities of material, color, and texture that were so important to his work.

In summary, a book on Price was long overdue, but one would have hoped that it would focus more on the great qualities of his architecture.

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Inside This Book (learn more)
First Sentence:
In 1930, with the drawings for his masterpiece skyscraper for the Philadelphia Savings Fund Society on his drafting board, George Howe described the struggle of the modern artist to be understood in the United States and offered his own explanation of the newly evolving architecture of the twentieth century which so confounded his peers and the broader public. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
national architectural press, architectural archives, freight terminal, hollow tile, price family, passenger station
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Rose Valley, Will Price, Atlantic City, New York, Frank Furness, Pennsylvania Railroad, Civil War, University of Pennsylvania, City Hall, Beaux Arts, Blenheim Hotel, Frank Stephens, North Carolina, Louis Sullivan, William Price, Alan Wood, Chicago Freight Terminal, Guild Hall, Kenilworth Inn, Walnut Street, Wilson Brothers, Albert Kelsey, Alice Barber Stephens, Allegheny Station, Frank Lloyd Wright
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