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William S. Hart: Projecting the American West
 
 
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William S. Hart: Projecting the American West [Hardcover]

Ronald L. Davis (Author)
3.0 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

October 1, 2003

Stage actor turned Hollywood star, William S. Hart (1864—1946) was for movie fans a cherished symbol of the romantic Old West. His silent westerns offered excitement, lessons in righteous behavior, and a nostalgic vision of the American frontier. This intriguing biography explores the personal and professional life of Hollywood’s prototypical cowboy hero.

Born in Newburgh, New York, Hart grew up in a Victorian atmosphere that gave rise to the rigid morality prevalent in many of his films. From 1914 to 1924, he appeared in or produced more than sixty movies, but it was not until he abandoned Shakespearean characters for parts in The Squaw Man and The Virginian that Hart truly assumed his western persona.

For the first time, readers are given insights into Hart’s somewhat lonely and tragic personal life, his quarrels with exploitive studios, and his association with such latter-day frontier legends as Charles M. Russell, Bat Masterson, and Wyatt Earp, who regarded him as a kindred spirit. Other highlights of this book include excerpts from his previously unpublished letters to starlet Jane Novak, Hart’s one-time fiancée, as well as numerous photographs from studio and private collections.

Drawing on Hart’s papers, primary sources of the Motion Picture Academy, oral histories, and contemporary newspapers, this chronicle of Hart’s life is the first since his own starry-eyed autobiography, My Life East and West, appeared in 1929.


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Editorial Reviews

About the Author

Ronald L. Davis is Professor of History at Southern Methodist University, where he is Director of both the Oral History Program on the Performing Arts and the De Golyer Institute for American Studies. He has written many books in the performing arts in America, including the best-seller Hollywood Anecdotes.


Product Details

  • Hardcover: 288 pages
  • Publisher: University of Oklahoma Press (October 1, 2003)
  • Language: English
  • ISBN-10: 0806135581
  • ISBN-13: 978-0806135588
  • Product Dimensions: 9.2 x 6.3 x 0.9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #2,253,490 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
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10 of 11 people found the following review helpful:
3.0 out of 5 stars Useful But Unsympathetic, May 2, 2004
By 
This review is from: William S. Hart: Projecting the American West (Hardcover)
This slender volume offers an overview of Hart's life and an appraisal of his work, without detailed analysis of individual films.

Unfortunately, the tragic view of life which was central to Hart's personality and art appears to arouse the author's hostility. In fact, Prof. Davis has little use for Hart as a human being, assaulting him with a wide range of denigratory epithets: "rigid", "melodramatic", "immature", "self-pitying", "whining", and even "wimpish"(!). Hart's famous 1939 spoken introduction to TUMBLEWEEDS, which most viewers find quite moving, is here described as "bombastic". In short, the reader is caught in a clash of personalities between author and subject.

The book's greatest asset is an abundance of new biographical information, gleaned from Hart's own letters and other sources, pertaining mostly to his later years.

Diane Koszarski's COMPLETE FILMS OF WILLIAM S. HART, with its excellent introductory essay, is a good introduction to this film-maker's work. Despite Prof. Davis' efforts, there is still a need for full-length biographical study which takes Hart seriously as a person and as an artist.

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8 of 9 people found the following review helpful:
3.0 out of 5 stars A Note to Dr Davis, January 8, 2006
By 
Kevin Killian (San Francisco, CA United States) - See all my reviews
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This review is from: William S. Hart: Projecting the American West (Hardcover)
I just know it could have been a lot better. Davis is talented at picking his subjects, from John Ford to Linda Darnell to Van Johnson, for in each case we wanted to know a whole lot about each personality, and then he had the additional gift of being able to do thorough research, and yet somewhere between the wish and the execution the person slips away, but it just might be that Davis isn't a very good writer, at least in the traditional sense of making people come alive. I think I wound up knowing less about William Hart after reading the book than I did before, because now I'm just confused.

His antagonistic thrust against Hart is puzzling. If Hart was such a bad actor and negligible screen presence, why did people adore him and how did he stay on top of the screen world for so long? Davis never answers these questions. When he wrote about poor Van Johnson, he explained away Johnson's reign on top of the box office charts by, pretty much, MGM paying for it (cheating, as it were). But in Hart's case, was he able to make literally hundreds of films through payola? I don't think so! Come on, Ronald Davis, next time write a book about someone you really like! We haven't seen your sympathetic side yet, just your Kitty Kelley sneer side.
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Prototype of the Western Star, May 7, 2004
By 
Kevin Fontenot (New Orleans, LA United States) - See all my reviews
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This review is from: William S. Hart: Projecting the American West (Hardcover)
William S. Hart and Tom Mix helped establish the model of the western action star. Mix was a lovable character on screen who presaged Gene Autry, and Hart expressed a deeply thoughtful, stoic, Shakespearean quality that survived into the best work of Gary Cooper, John Wayne, and Clint Eastwood. Ronald Davis provides the first indepth look at Hart's life and craft. Hart is not always a pleasant person, but great artists often do not fit the mode of a "nice guy." Hart was deeply interested in the West and formed close friendships with some of the region's great characters (such as Wyatt Earp) in an attempt to broaden his understanding of what the "West" meant. This biography is well written and reads nicely, drawing on newly available letters from Hart's collection. Anyone interested in early Hollywood or the development of the Western should have this book on their shelf. Let's hope Davis will turn his attention to that other great early Western star, Tom Mix.
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Inside This Book (learn more)
First Sentence:
Although William S. Hart became the prototype of the tough, gun-toting westerner in silent pictures, he was born in Newburgh, New York. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
old cowboy star, craft release, five reels, seven reels, cowboy actor, frontier marshal, two reels, picture company, struggling actor
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Mary Ellen, Los Angeles, Bill Hart, Famous Players, Adolph Zukor, Jane Novak, The Squaw Man, The Bargain, United Artists, Harry Carey, San Francisco, Wild Bill Hickok, Horseshoe Ranch, Will Rogers, Wyatt Earp, Courtesy of the William, Hart Collection, Bat Masterson, Ben Hur, Gardner Sullivan, Moving Picture World, Buffalo Bill, Dodge City, Santa Monica
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