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146 of 156 people found the following review helpful:
4.0 out of 5 stars
Excellent edition of the complete works, with a few quirks, March 9, 2000
This review is from: William Shakespeare: The Complete Works (Oxford Shakespeare) (Hardcover)
In contrast to some of the other editions of the complete works of Shakespeare, this book really is value for money. All plays (and poems, etcetera) are printed in a lavishly, pleasing way, very easy to the eye (one of the biggest drawbacks of some editions is that they use a very small font to keep the number of pages to a minimum). As others have commented, not much can and should be commented on the works themselves, they have stood the test of time, and the (normal) spelling that is used in this edition makes each reading an enjoyable experience. All the plays are given a brief (and somewhat succinct) introduction, which is, at best, okay. The strange things, in this book, are, for example, the order of the plays, the way King Lear is printed in two versions (that differ only in small details), and the inclusion of fragments that are attributed to Shakespeare (a bit controversial to say the least). Still, if you want to buy a good, thorough, and well-researched edition of the complete works of Shakespeare, you will not go far wrong with this book.
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32 of 36 people found the following review helpful:
3.0 out of 5 stars
Cannot compete against better editions, September 6, 2001
This review is from: William Shakespeare: The Complete Works (Oxford Shakespeare) (Hardcover)
The modernised one-volume Oxford Complete Works edited by Wells and Taylor has little of significance to offer that is not bettered by its competitors. Its general introduction is thin and bland, and the introductions to individual plays amount to little more than one-page notes. There are no explanatory notes of any kind to accompany the words on the page, and the glossary at the end of the book offers very little help indeed. Thus readers are largely left to flounder on their own. There are certainly, as much publicity has assured us, a number of new textual features, but these are often characterised by a craving for novelty rather than that they have proved convincing or useful to many readers: fewer and fewer readers today really want two texts of *King Lear*, and the number of people inclined to believe the editorial arguments in favour of the so-called "two-text theory" is decreasing rather than growing; similarly, there are no truly good reasons for calling Falstaff "Sir John Oldcastle", etc. As the scholars who have put the edition together are very reputable and their handling of the text does deserve the attention of academics, scholars like myself do, of course, want to own a copy. But I use it sporadically, and hardly feel like recommending it to the non-specialist, who will be much better served by buying, especially, David Bevington's edition, or else - though very much as a second choice - the Riverside, or, failing that - and very much as a third choice - the Norton. - Joost Daalder, Professor of English, Flinders University (South Australia)
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
A worthwhile trip, December 13, 2001
This review is from: William Shakespeare: The Complete Works (Oxford Shakespeare) (Hardcover)
On a recent trip to England, I saw Twelfth Night at the RSC Theatre. Of course, being a TEENAGER who LOVES SHAKESPEARE, I had to stop by the Shakespheare Birth Trust Company and visit the house he lived in. That is where I picked up this wonderful book, along wih a few extras. I feel in love almost instantly with the cover art and the way it was printed. Including all his plays, sonnents and poems, it's a great collector item for Shakespeare fanatics.
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