19 of 21 people found the following review helpful:
5.0 out of 5 stars
Reading from ' the complete works' is more difficult, October 26, 2005
This review is from: William Shakespeare: The Complete Works (Hardcover)
In one sense I think almost every person feels a special pleasure in having a complete edition of the world's greatest writer. The special experience of knowing that one can turn whenever one wants to such great works of literature, and explore them again is a very real one.
However my long experience with reading has taught me that reading the plays in smaller single - volume more heavily annotated works gives more.
I notice for instance that my own ' complete edition' goes largely unread, and that when I need to read Shakespeare I always go to the single- volume works.
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1 of 3 people found the following review helpful:
5.0 out of 5 stars
Absolutely marvelous, June 13, 1999
This review is from: William Shakespeare: The Complete Works (Hardcover)
After so many years, Shakespeare stills shines above everybody else. No words to describe the feelings and emotions I had reading this book
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4 of 18 people found the following review helpful:
5.0 out of 5 stars
The ORIGINAL Text Of Shakespeare's Works-First Folio, Published In 1623. A MUST For Any Educated Person., November 10, 2006
This review is from: William Shakespeare: The Complete Works (Hardcover)
William Shakespeare-the greatest dramatist the world has ever known. With a very impressive output (37 plays, 4 poems and 154 sonnets, all of them beautifully written), he has rightly been called "Not of an age, but for all time." This, coming from a rival poet (Ben Jonson) is high praise indeed. The plays, poems and sonnets are very difficult to review individually, as they are well written. Shakespeare brilliantly captured the essence of human behaviour in his works. Of course, Shakespeare is not for everyone. Regarding film versions of his plays, I strongly recommend Sir Laurence Olivier's three self-directed Shakespeare films ("Henry V," "Hamlet," "Richard III"), Kenneth Branagh's growing output of Shakespeare ("Henry V," "Much Ado About Nothing," "Hamlet," "Love's Labour's Lost") and faithful stage versions of Shakespeare (The Merchant Of Venice [an out-of-print film starring Laurence Olivier and directed by Jonathan Miller], "King Lear" [starring Laurence Olivier and filmed as a movie in 1984], "Othello" [starring Laurence Olivier and filmed as a movie in 1965]). I also recommend Oliver Parker's 1995 version of
"Othello," starring Kenneth Branagh as the villainous Iago and Franco Zefferelli's 1968 version of "Romeo & Juliet," as well as West Side Story," a classic musical featuring music by Leonard Bernstein, lyrics by Stephen Sondheim (in his debut; he would eventually write "Sweeny Todd") and masterful choreography by Jerome Robbins (he choreographed the dance sequences in "The King & I," "Fiddler On The Roof") which uses the tragic storyline of the play in a modern setting without the dialogue (unlike that idiot Luhrman, who had the c----es to COMPLETELY MODERNIZE the play; "West Side Story" and "Love's Labour's Lost" is as far as you can get to modernizing Shakespeare, the God of playwrights).
His plays, poems and sonnets are rated PG for some violence ("Titus Andronicus," "Macbeth," "Hamlet") and mild vulgarity (sexual references gracefully obscured in Elizabethan English; "Much Ado About Nothing," "Othello," "King Lear," "Venus & Adonis," "The Rape Of Lucrece," etc; though the language of his time was bawdy, Shakespeare DID NOT condone sexual licence). Profanity was also non-existent at the time. He used the words ("Damn," "Hell," "A--," and "B----" [once; in "King Lear"]) in their original definitions. Hell, as a place of torment, damn as in eternal banishment from God, a-- as in the animal also called a donkey and b---- as a female dog. Used improperly, these words immediately become insults of the most vulgar kind.
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